<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[A4R 🎨 Media Hub: 🎙️ Listen to GenZ Citizen Journalists ]]></title><description><![CDATA[GenZ Citizen Journalism bringing you up to speed on how communities are rebuilding themselves after the conflict is over. ]]></description><link>https://www.arts4refugees.com/s/podcasts</link><image><url>https://substackcdn.com/image/fetch/$s_!jSPg!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5f7c236e-514a-4d07-8583-f03e9fd41f40_1183x1183.png</url><title>A4R 🎨 Media Hub: 🎙️ Listen to GenZ Citizen Journalists </title><link>https://www.arts4refugees.com/s/podcasts</link></image><generator>Substack</generator><lastBuildDate>Wed, 20 May 2026 16:30:04 GMT</lastBuildDate><atom:link href="https://www.arts4refugees.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[Arts4Refugees]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[arts4refugees@substack.com]]></webMaster><itunes:owner><itunes:email><![CDATA[arts4refugees@substack.com]]></itunes:email><itunes:name><![CDATA[A4R Media Hub]]></itunes:name></itunes:owner><itunes:author><![CDATA[A4R Media Hub]]></itunes:author><googleplay:owner><![CDATA[arts4refugees@substack.com]]></googleplay:owner><googleplay:email><![CDATA[arts4refugees@substack.com]]></googleplay:email><googleplay:author><![CDATA[A4R Media Hub]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[The Cost of Survival: The Heartbreaking Fight for a Home That Doesn't Exist Anymore]]></title><description><![CDATA[Raw & Real with Diana&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/the-cost-of-survival-the-heartbreaking</link><guid isPermaLink="false">https://www.arts4refugees.com/p/the-cost-of-survival-the-heartbreaking</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 12 May 2026 12:01:11 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/188885799/289528ba9982ddf99bfe71fbe14458d2.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><em>The article explores the long-term consequences of the Yazidi genocide after ISIS&#8217;s defeat in Iraq. It highlights ongoing displacement, contested identity, and unresolved questions of belonging, especially for women and children born in captivity. Despite legal recognition and rebuilding efforts, Sinjar remains fragile, with justice, trauma, and identity still deeply intertwined.</em></p><h1>Where Do You Belong After Genocide? The Story of Yazidi Women and The Fight for their Home</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!f66q!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!f66q!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png 424w, https://substackcdn.com/image/fetch/$s_!f66q!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png 848w, https://substackcdn.com/image/fetch/$s_!f66q!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png 1272w, https://substackcdn.com/image/fetch/$s_!f66q!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!f66q!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png" width="800" height="2000" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/a0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2000,&quot;width&quot;:800,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:632217,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/188885799?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!f66q!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png 424w, https://substackcdn.com/image/fetch/$s_!f66q!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png 848w, https://substackcdn.com/image/fetch/$s_!f66q!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png 1272w, https://substackcdn.com/image/fetch/$s_!f66q!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0b5fdfb-a78e-473f-b6c9-2bfe414ed415_800x2000.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>In August 2014, ISIS stormed northern Iraq and launched a coordinated attack on the Yazidi community in Sinjar. Thousands were killed and more than 6,000 women and children were abducted. Entire villages disappeared within days. The United Nations later recognised the assault as genocide. Five years later, in March 2019, ISIS lost its final territorial hold and the self-declared caliphate collapsed. For much of the world, this marked the end of a chapter. Headlines moved on.</p><p>For the Yazidis, however, the story did not end there. Nearly a decade later, between 250,000 and 300,000 Yazidis remain in displacement camps across northern Iraq. Sinjar is still politically unstable and economically fragile. The war may have ended militarily, but the struggle over identity, justice, and belonging continues in everyday life.</p><div class="pullquote"><p><strong>Explore this story with AI by using this prompt &#8212;</strong><br><em>How does genocide reshape identity, and can a community survive if it must decide who is still allowed to belong?</em></p></div><p>The fall of ISIS removed the immediate existential threat. Families are no longer fleeing mountaintops and large-scale massacres have not returned. Yet stability in Sinjar remains uncertain. The 2020 Sinjar Agreement between the Iraqi federal government and the Kurdistan Regional Government was designed to unify security control and rebuild governance. In practice, progress has been uneven. Militias remain present, administrative authority is contested, and reconstruction projects move slowly. Electricity and water services function inconsistently in some districts. Many Yazidis hesitate to return without firm guarantees of long-term security and employment. Physical safety has improved, but political and economic stability still feel fragile.</p><p>To understand why rebuilding remains so complicated, you need to understand Yazidi identity itself. The Yazidis are an ancient ethno-religious minority with deep historical roots in Sinjar. Yazidism does not allow conversion. One is born into the faith, and belonging is inherited through lineage. Tribal affiliations and hereditary religious castes shape marriage, ritual participation, and community life. For centuries, these boundaries protected the Yazidis during repeated waves of persecution, including forced displacement under Saddam Hussein. Identity was never only cultural. It was a strategy for survival.</p><p>The genocide of 2014 fractured that protective structure. When women escaped ISIS captivity and returned home, the community faced a defining moment. In a landmark decision, Yazidi religious leaders publicly welcomed these women back into the faith. In many societies, survivors of sexual violence are blamed or excluded. That did not happen here. The decision signalled that what had been done to these women did not redefine who they were. Recognition, the basic human need to be seen and accepted, was restored in principle.</p><div class="pullquote"><p><strong>Explore this story with AI by using this prompt &#8212;</strong><br><em>Why is legal recognition of genocide not enough for survivors? <br>Explore </em>the gap between justice, implementation, and lived reality.</p></div><p></p><p>Yet reintegration also revealed a deeper tension. Some women returned with children born during captivity. Under traditional Yazidi religious law, belonging is determined by inherited lineage, and conversion is not recognised. This created a painful question that remains unresolved: can children fathered by ISIS fighters be considered Yazidi?</p><p>For many tribal and religious authorities, the answer remains no.</p><p>Supporters of this position frame it as preservation. Before 2014, the global Yazidi population was estimated at around half a million. Thousands were killed and many migrated permanently to Europe. After genocide, fears of demographic extinction intensify. Reinforcing lineage rules can feel like safeguarding survival. However, protection can clash with belonging.</p><p>For mothers raising these children, the debate is not abstract. It shapes daily life, from access to education and participation in religious ceremonies to social acceptance and future marriage prospects. Some women remain in displacement camps rather than return to villages where their children&#8217;s identity may be questioned. Others have migrated abroad, particularly to Germany, which now hosts the largest Yazidi diaspora outside Iraq. Tens of thousands have resettled there since 2014. Migration offers safety and opportunity, but it also transforms Sinjar&#8217;s future. Entire neighbourhoods remain underpopulated, and youth emigration slows economic recovery. Two decades from now, the social structure of Sinjar may look very different from what it once was.</p><p>The consequences of genocide are not only demographic. They are psychological. Studies estimate that between 70 and 90 percent of Yazidis suffer from post-traumatic stress disorder. More than 90 percent of women who endured captivity experienced multiple forms of violence. Mental health professionals describe widespread depression, chronic anxiety, and survivor&#8217;s guilt. Suicide rates have risen in some communities. Trauma continues to shape parenting, relationships, and trust within the community.</p><p>At the same time, rebuilding is taking place. Women&#8217;s centres in displacement camps now serve as safe spaces for counselling, education, and vocational training. These centres do more than provide therapy. They rebuild confidence and restore connection. Research shows that empowerment through earning income, gaining education, and rebuilding social networks significantly reduces symptoms of PTSD and depression. When women open small businesses, complete literacy programmes, or mentor younger girls, recovery becomes visible. Survival gradually turns into agency, even if the process remains uneven.</p><p>Economic rebuilding, however, remains fragile. Agriculture, once central to Sinjar&#8217;s economy, was disrupted during ISIS occupation. Fields were destroyed or mined, and investment has been limited. Youth unemployment remains high. Camps originally intended to be temporary have become semi-permanent communities. Children who fled Sinjar in 2014 are now entering adulthood after spending formative years in displacement. Education has resumed in many areas, yet interruptions carry long-term consequences for economic mobility and stability.</p><p>Justice has become another crucial dimension of recovery. In 2021, Iraq passed the Yazidi Survivors&#8217; Law, promising financial compensation and formal recognition for survivors of ISIS atrocities. The law represented an important institutional acknowledgment. However, implementation has been slow. Survivors often face bureaucratic obstacles when applying for compensation. Recognition exists legally, but delivery remains inconsistent.</p><div class="pullquote"><p><strong>Explore this story with AI by using this prompt &#8212;</strong><br><em>How do Yazidi women challenge the global narrative of victimhood after genocide? Explore their roles as survivors</em></p></div><p>International accountability efforts continue alongside domestic processes. Several European courts have prosecuted ISIS members for genocide and crimes against humanity. In contrast, many Iraqi trials focus primarily on terrorism charges rather than genocide classifications. The distinction is significant. Terrorism charges punish acts. Genocide charges acknowledge the intent to destroy a people. For survivors, naming the crime accurately is part of restoring dignity and affirming identity.</p><p>Nadia Murad, Nobel Peace Prize Laureate and Yazidi survivor, has played a central role in this global pursuit of justice. In conversation with the Cambridge Journal of Law, Politics, and Art, Murad emphasised that justice must extend beyond compensation. &#8220;We want accountability,&#8221; she said. For her, testimony itself is a form of justice, a way to preserve truth and confront denial. She has criticised the gap between international recognition and domestic enforcement, arguing that survivors deserve full legal acknowledgment of genocide. In this sense, justice is not only about punishment. It is about voice and about being heard.</p><p>Media coverage often freezes Yazidi women in the moment of violence. Research analysing UK newspapers found that they were frequently portrayed primarily as passive victims. That narrative overlooks the present. Today, Yazidi women are activists, educators, community organisers, and legal advocates. They speak at global forums, negotiate internal debates about identity, and lead grassroots initiatives in Sinjar and abroad. They are not only survivors. They are active participants in rebuilding their community.</p><p>Governance challenges continue to complicate progress. Political fragmentation between Baghdad and Kurdish authorities slows reconstruction. Armed groups retain influence in certain districts. Without unified governance, investment remains cautious and infrastructure rebuilding remains incomplete. Electricity, healthcare, and water systems operate inconsistently. Stability exists, but it remains delicate.</p><div class="pullquote"><p><strong>Explore this story with AI by using this prompt &#8212;</strong><br><em>How does global media coverage shape public understanding of genocide and post-conflict communities</em></p></div><p>The Yazidi community now finds itself between two conflicts. The first was external and violently imposed by ISIS. The second is internal and structural, centred on identity and belonging. Protection seeks to preserve religious continuity that ensured survival for centuries. Adaptation acknowledges the realities shaped by genocide and displacement. Both impulses reflect the same instinct: endurance.</p><p>The deeper question facing Sinjar is not whether ISIS will return tomorrow. It is whether the community can rebuild the full spectrum of human needs, including safety, dignity, justice, participation, and belonging. Infrastructure can be reconstructed within years. Debates over identity may last generations.</p><p>The war ended in 2019, but the negotiation over belonging continues. Between preservation and change, Yazidi women remain at the centre of that negotiation. They are rebuilding homes, demanding accountability, supporting one another through trauma, and shaping the future of their community. Survival ensured continuity. The next few years will determine what that continuity becomes.</p><p></p><h4><strong>Accessed sources:</strong></h4><p>Ali, M.H. (2022). The Forced Displacement of Ethnic and Religious Minorities in Disputed Areas in Iraq: A Case Study of the Post-2014 Yazidi Minority. <em>AlMuntaqa</em>, [online] 5(1), pp.76&#8211;89. Available at: <a href="https://www.jstor.org/stable/48677172">https://www.jstor.org/stable/48677172</a>.</p><p>Hesford, W.S., Licona, A.C. and Teston, C. (2018). <em>Precarious Rhetorics</em>. [online] Ohio State University Press. doi:<a href="https://doi.org/10.2307/j.ctv1wsgqjn">https://doi.org/10.2307/j.ctv1wsgqjn</a>.</p><p>Lobanov-Rostovsky, S. and Kiss, L. (2022). The mental health and well-being of internally displaced female Yazidis in the Kurdistan Region of Iraq: a realist review of psychosocial interventions and the impact of COVID-19. <em>Global Mental Health</em>, 9, pp.508&#8211;520. doi:<a href="https://doi.org/10.1017/gmh.2022.55">https://doi.org/10.1017/gmh.2022.55</a>.</p><p>Nicolaus, P. and Yuce, S. (2017). SexSlavery: One Aspect of the Yezidi Genocide. <em>Iran &amp; the Caucasus</em>, [online] 21(2), pp.196&#8211;229. doi:<a href="https://doi.org/10.2307/44631115">https://doi.org/10.2307/44631115</a>.</p><p>Nicolaus, P. and Yuce, S. (2019). A Look at the Yezidi Journey to Selfdiscovery and Ethnic Identity. <em>Iran &amp; the Caucasus</em>, [online] 23(1), pp.87&#8211;104. doi:<a href="https://doi.org/10.2307/26626714">https://doi.org/10.2307/26626714</a>.</p><p>Sarac, B.N. (2020). UK Newspapers&#8217; Portrayal of Yazidi Women&#8217;s Experiences of Violence under ISIS on JSTOR. <em>Jstor.org</em>, [online] 13. doi:<a href="https://doi.org/10.2307/26907413">https://doi.org/10.2307/26907413</a>.</p><p>van Zoonen, D. and Wirya, K. (2017). <em>Yazidism and its Community in Iraq</em>. [online] JSTOR. Available at: <a href="https://www.jstor.org/stable/resrep13635.5">https://www.jstor.org/stable/resrep13635.5</a>.</p><p>Women for Women International (2024). <em>A decade of transformation for Yazidi women but the Trauma continues | Women For Women</em>. [online] Women for Women International. Available at: <a href="https://womenforwomen.org.uk/blog/yazidi-genocide-tenth-anniversary">https://womenforwomen.org.uk/blog/yazidi-genocide-tenth-anniversary</a>.</p><div><hr></div><p></p><p><em>In this episode Diana discusses the post conflict experience of Yazidi Women and their issues with re integrating into society.   She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, King&#8217;s College, London</a>. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to try out gaming art NFT&#8217;s <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[The Silence After the Sirens: Yemen’s Fight for Survival After the Cameras Leave]]></title><description><![CDATA[Raw & Real with Sameeran&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/the-silence-after-the-sirens-yemens</link><guid isPermaLink="false">https://www.arts4refugees.com/p/the-silence-after-the-sirens-yemens</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 05 May 2026 12:02:00 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/196130594/9e89319335591ab4bb83715560737bd5.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><p><em>Like most conflicts and wars in the world, what most people see are footages of fallen buildings, collapsed roads, and displaced civilians. However, the lasting chronic impacts of wars often happen once the cameras leave; when societies are left to themselves with broken infrastructure and collapsed systems. Yemen&#8217;s story is no different. What began as a civil war in 2015 has now left Yemen with a chronic conflict, broken infrastructure, and a constant fight for survival.</em></p><h1>Backstory </h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!yzfL!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!yzfL!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png 424w, https://substackcdn.com/image/fetch/$s_!yzfL!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png 848w, https://substackcdn.com/image/fetch/$s_!yzfL!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png 1272w, https://substackcdn.com/image/fetch/$s_!yzfL!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!yzfL!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png" width="800" height="2000" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/e5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2000,&quot;width&quot;:800,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:775693,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/196130594?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!yzfL!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png 424w, https://substackcdn.com/image/fetch/$s_!yzfL!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png 848w, https://substackcdn.com/image/fetch/$s_!yzfL!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png 1272w, https://substackcdn.com/image/fetch/$s_!yzfL!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe5ba6da1-578e-4110-b44a-4c10b61dd53e_800x2000.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><h1>Before it&#8217;s too late!</h1><p>When missiles stop firing and political leaders stop making statements about the kinetic conflicts and military strategic objectives, unfortunately, these conflicts stop making news on global headlines. This article tries to look at how Yemen has been surviving the impacts of the conflict which now seldom receives the footage on global news, but still very much struggles to survive.</p><h3><strong>One country, two economies, both failed.</strong></h3><p>After the Yemeni Internationally Recognised Government (IGR) relocated its operations from Sana&#8217;a to Aden, Yemen is split into two parallel economies. The split in the Central Bank of Yemen and consequent running of two parallel economies has had a strong impact on Yemen&#8217;s economy. The World Bank&#8217;s 2025 Yemen Economic Monitor reveals that the GDP is projected to decline by 1.5% in the financial year 2025-26 (World Bank Group, 2025). As of June 2025, the price of a basic food basket was 26 percent higher than a year earlier (ibid). As of September 2025, only 19 percent of the USD 2.5 billion required under the UN Humanitarian Response Plan for Yemen had been funded, marking the lowest level in over a decade (ibid). With limited donor support, high food prices, and shrinking job opportunities, more than 60 percent of households in both IRG- and Houthi-controlled areas report inadequate food consumption, with many resorting to negative coping mechanisms such as begging (ibid).</p><p>Before the conflict, Yemen imported up to 90% of its food. Commercial banks facilitated transactions for these crucial economic activities. These basic economic activities are no longer done by commercial banks. Informal and unregulated credit chains which not just extract value at every stage of business but also every basic transaction is the unfortunate reality, and evidence to the broken system that Yemen functions in.</p><p>Honey trade, which is one of the most pursued occupations in Yemen is severely affected by this. The markets and buyers for the Sidr honey, which is a premium commodity in European markets very much exist, but the structure to support the running of this business does not. The question, therefore, is not whether economic activity exists in Yemen. It is whether that activity is building anything or is it simply the sound of people running to stay in the same place.</p><h3><strong>What does the honey and the cooperative tell us</strong></h3><p>Hadhramaut produces between 30 to 40% of Yemen&#8217;s total honey output (Live Beekeeping, 2025). The Sidr honey that comes from here is one of the most premium commodities in European as well as Gulf markets.</p><p>The beekeepers who produce it have organised themselves into cooperatives. Not because cooperation is an ideology, but because it is a survival strategy. A Hadhramaut beekeeper individually has no negotiating power with a Gulf buyer. Collectively, they can set a floor price. They pool risk, that is, if one member&#8217;s supplies fail because of displacement or illness, the group absorbs it. They run informal credit chains between each other because formal credit does not exist. They sell through diaspora networks in Saudi Arabia and the UAE because the formal export infrastructure has collapsed. On the surface, it appears like an impressive success story in the middle of a war. It is rather a survival effort to survive a failed system. This ecosystem is fragile and the prospects of its sustainability are rather bleak.</p><h4><strong>Labour trauma</strong></h4><p>The people building Yemen&#8217;s economy are the same people who lived through its destruction. Participation in these cooperatives is uneven. Members support each other because everyone is facing displacement, illness care responsibilities and trauma. Economic participation here does not mean recovery; it is a daily fight for survival.</p><h4><strong>The disappearing floor</strong></h4><p>A significant portion of Yemen&#8217;s economic activity runs on humanitarian aid. This is not real market, and it is shrinking too, as discussed above. These cuts are landing on the communities that were trying to build on these aids.</p><p><strong>The generation that is growing in the gap</strong></p><p>Nearly half of Yemeni children under five suffer from stunting, a chronic malnutrition disease (UNICEF, 2024). In 2025, 3.7 million children aged 5 to 17 are out of school. Those still attending endure overcrowded classrooms with teachers who are overworked, unsupported, and unpaid since 2016 in the northern areas of Yemen. In addition, 94.7 per cent of 10-year-olds in Yemen are unable to read or understand a simple text, an issue called learning poverty (United Nations Yemen, 2025).</p><p>When the A4R talks about what happens 20 years down the road, this is what we are talking about. These children are already on the road.</p><h3><strong>What resilience looks like</strong></h3><p>The cooperative model looks like a silver line amidst all of this, to some extent it is, but its sustainability is fragile. Resilience in Yemen is not a triumph story, but an account of daily thrive for survival. The cooperative is trying to compensate for missing banks, missing roads, missing certification and documentation bodies- something that does not come in its ambit. The centuries long knowledge of beekeeping is still being passed on, but with diminished prospects of recovery.</p><p>Resilience in Yemen does not look like hope. It looks like a group of traders deciding, again, to show up, because the alternative is not showing up at all.</p><h3><strong>What comes next?</strong></h3><p>Tomorrow, the Hadhramaut beekeeper will reopen his stall. He will continue to sell his honey through unofficial routes that shouldn&#8217;t be necessary, at prices that should be higher, within a system that ought to function better. He has done this for years, so many, that most people outside Yemen have lost track. The central question this article cannot resolve, the one that underlies everything: how long a survival mechanism can stand in for the infrastructure needed for genuine recovery? How much longer until informal credit collapses? Until diaspora support dwindles? Until the generation who remembers pre-2015 Yemen disappears? Yemen does not need pity from the world; it needs enduring, informed, and honest attention. Not the fleeting concern of crisis headlines, but a sustained commitment to understanding what it means to survive without the systems that true survival demands. The honey remains excellent and the beekeeper knows this already. The real question is whether those responsible for rebuilding the systems around him will recognize this before it&#8217;s too late.</p><h3><strong>References</strong></h3><p>Live Beekeeping. (2025, October). <em>Why Yemeni honey is expensive, how to choose it, and whether it is worth buying</em>. Live Beekeeping. https://livebeekeeping.com/honey/yemeni-honey/</p><p>Pragma. (2020). <em>Economic Recovery and Livelihoods Program (ERLP) &#8211; Pragma</em>. Pragmacorp.com. https://pragmacorp.com/erlp/</p><p>UNICEF. (2024, March 26). <em>9 years into the conflict in Yemen, millions of children are malnourished and stunted</em>. Www.unicef.org. https://www.unicef.org/press-releases/9-years-conflict-yemen-millions-children-are-malnourished-and-stunted</p><p>United Nations Yemen. (2025). <em>UNICEF Yemen: Providing safe learning space for children in Yemen</em>. Yemen. https://yemen.un.org/en/294567-unicef-yemen-providing-safe-learning-space-children-yemen</p><p>Wabar, M. B. (2024, January 8). <em>Yemeni Honey Production: An Ancient Craft Drawing Modern Attention</em>. The Washington Institute. https://www.washingtoninstitute.org/policy-analysis/yemeni-honey-production-ancient-craft-drawing-modern-attention</p><p>World Bank Group. (2025, November 18). <em>Economic Hardship Deepens in Yemen</em>. World Bank; World Bank Group. https://www.worldbank.org/en/news/press-release/2025/11/17/economic-hardship-deepens-in-yemen</p><p></p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!vEpi!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!vEpi!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png 424w, https://substackcdn.com/image/fetch/$s_!vEpi!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png 848w, https://substackcdn.com/image/fetch/$s_!vEpi!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png 1272w, https://substackcdn.com/image/fetch/$s_!vEpi!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!vEpi!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png" width="486" height="687.6098901098901" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2060,&quot;width&quot;:1456,&quot;resizeWidth&quot;:486,&quot;bytes&quot;:786684,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/196130594?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!vEpi!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png 424w, https://substackcdn.com/image/fetch/$s_!vEpi!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png 848w, https://substackcdn.com/image/fetch/$s_!vEpi!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png 1272w, https://substackcdn.com/image/fetch/$s_!vEpi!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64dd2764-56ab-40b8-9447-430275dd905b_1587x2245.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Sameeran discusses the  expereince of Yemeni expereince of rebuolding their country and their lives.   He is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, King&#8217;s College, London. </a></em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to try out gaming art NFT&#8217;s <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[Srebrenica 30 Years Later: Why the Ghosts of Genocide Still Haunt Bosnia's Fragile Peace]]></title><description><![CDATA[Raw & Real with Baybars&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/srebrenica-30-years-later-why-the</link><guid isPermaLink="false">https://www.arts4refugees.com/p/srebrenica-30-years-later-why-the</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 28 Apr 2026 12:03:08 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/182311779/529874ece6a29c43ce973b40d0c8fb19.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>The Unhealed Wound: Living Among the Killers in the Shadow of Srebrenica&#8217;s Graves</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Asli!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Asli!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png 424w, https://substackcdn.com/image/fetch/$s_!Asli!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png 848w, https://substackcdn.com/image/fetch/$s_!Asli!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png 1272w, https://substackcdn.com/image/fetch/$s_!Asli!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!Asli!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png" width="1456" height="2060" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2060,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:2195659,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/182311779?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!Asli!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png 424w, https://substackcdn.com/image/fetch/$s_!Asli!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png 848w, https://substackcdn.com/image/fetch/$s_!Asli!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png 1272w, https://substackcdn.com/image/fetch/$s_!Asli!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9f55e9ad-990c-4f9b-84f7-b94e0fa80ee2_1587x2245.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p>Drive three hours east of Sarajevo, the capital of Bosnia-Herzegovina, and you&#8217;ll come across a small, rather non-descript town nested in the dip of a valley. Its houses are capped with red-tiled roofs, and the bell towers and minarets that crown its shabby skyline appear tiny beneath the watchful mountains. Dusty streets meander past derelict buildings and cafe&#769; terraces where old men sit around rickety tables, sipping Turkish coffee and taking languid draws on cigarettes. A little ways away from the town, rows on rows of white gravestones march up a gentle slope. Beside them, giant slabs of marble rattle off the names of the dead.</p><p>&#9;This is Srebrenica. In the 1990s, its name became a byword for hatred, horror, death and destruction. In July 1995, Serbian forces cordoned the town off from the rest of the world, massacred some 8,000 Muslim men and dumped the corpses into shallow graves. The Srebrenica massacre is the most famous of many communal killings that took place over the course of the Bosnia War, which pitted Orthodox Serbs against Muslim Bosniaks. The war in Bosnia was one of the many spasms of violence that accompanied the downfall of Yugoslavia, a multi-ethnic, pluriconfessional communist republic in the Balkans that ended up fissuring along ethnic lines. A peace agreement signed in Dayton, Ohio, in 1995 put a lid on the conflict by inventing a new country, Bosnia and Herzegovina, which it divided into two administrative regions: the Federation of Bosnia and Herzegovina, populated mostly by Bosnian Muslims, and the Republika Srpska, populated mostly by Orthodox Serbs.</p><p>&#9;For thirty years, the peace has held. But Bosnia remains a divided society. The central government is largely ineffectual, and its decisions are subject to the scrutiny of an unelected, foreign-appoined High Commissioner, empowered to strike down laws and fire ministers. Ethnic spats are not uncommon. A more authoritarian, Russia-friendly Serbian government has galvanised separatist movements in Republika Srpska, barring the road to greater integration with Western Europe. For many Bosnians, the wounds of 1995 are still raw. Resurfaced allegations that wealthy clients paid Serbian officials to go on human safaris in Sarajevo has caused an umpteenth re-examination of the ethnic violence many wish to brush aside.</p><p>Srebrenica embodies the contradictions of the Bosnian peace and the difficulties of healing a nation in trauma. Thirty years have passed since the slaughter, and in some respects, the town has not changed much since the pre-war days. Orthodox children still pile into church for Sunday mass, and the muezzin&#8217;s voice rings out high and clear over the terracotta tiles. But much of what was destroyed in the war has never been rebuilt. Bombed-out apartment blocks slouch along the dusty high street; giant holes in their walls gape where the windows once were. Restitution for property damage has never been paid. Corruption and neglect trap reconstruction efforts in slow molasses.</p><p>Other troubles loom. Despite being a majority Muslim Bosniak town, Srebrenica is located deep within Republika Srpska, near the border with Serbia. Its population, thousands-strong before the Bosnian War, has shrivelled to a mere 800. Since the war&#8217;s end, ethnic Serbs have peopled the houses abandoned by fleeing Bosniaks, heightening the sense of isolation among the Bosniaks who have remained. Young people have trickled away, enticed by better prospects in Berlin, London and Paris, and left an old, poor population. When the town&#8217;s population does swell into the thousands, it is on July 11. That, families gather at the Srebrenica Genocide Memorial, before those interminable rows of obelisk-shaped gravestones. Often, they come together to rebury what remains of their dead loved ones&#8211;a bone, a spare leg. Tensions with Serb officials flare around this time, as much of the Serbian leadership and population deny that the killings took place, or glorify it in song. The leader of Republika Srpska, Milorad Dodik, referred to the killings as an &#8220;arranged tragedy,&#8221; and a hacker renamed the Genocide Memorial to &#8220;Ratko Mladi&#263; Park&#8221; on Google Maps. As head of the Army of Republika Srpska, Ratko Mladi&#263; personally oversaw the killings at Srebrenica. He is currently serving a life sentence at The Hague for genocide and crimes against humanity.</p><p>Where justice and retribution exist, they are limited and minimal. Many of the leaders of the Republika Srpska forces faced trial and imprisonment, usually by international tribunals. Soldiers who took part in the massacres, however, often got off scott free, or overturned their convictions on appeal.  Some 100,000 Bosnian children were born of war rapes, fathered by rampaging Serbian soldiers who seldom faced any punishment for the exactions they took on Bosnian women. Abandoned, some of these children&#8211;like Alen Muhic, the subject of a profile in <em>Le Monde</em>&#8211;were taken in by other families and cut off from their native communities.</p><p>&#9;In processing group trauma, memory plays a crucial role. Recovered artefacts, testimonies, photographs and journals firmly ground the atrocities in the realm of fact. Take an obvious example: as his forces liberated Buchenwald concentration camp, U.S. army general Dwight Eisenhower ordered his men to meticulously document the horrors, so that there could be no doubt as to the nature or severity of Nazi crimes. Museums, memorials and exhibitions serve not only to collect and pass down the knowledge of crimes; they also exist as loci of remembrance and healing. For victims and perpetrators, and their relatives and descendants, these memorials offer the opportunity to decant their sorrow, shock, grief, guilt, anger and hatred into a collective memory-building project.</p><p>&#9;But when one side&#8211;the perpetrators&#8211;refuses to admit its role in the killings, the healing can only ever be half complete. Serbian leaders&#8217; refusal to own up to their history means that the Muslims of Srebrenica, engulfed by Orthodox Serbs, are forced to live alone with the grief, anger and resentment of having survived the killings, or of having lost family members to them. Some Bosniaks have chosen to return to their old villages, braving encounters with Serbian neighbours who participated in atrocities against their people. Their anger&#8211;against their Serb neighbours, of course, but also against the Dutch-led UN troops that stood by as Bosniaks were being massacred&#8211;still simmers. But the fraught political situation means that the remaining Bosniaks have to go about commemorating carefully. The Genocide Memorial has been threatened with bombs, and closed on various occasions, on orders of the Republika Srpska government.</p><p>That is the situation of the Bosniaks who stayed. Other Bosniaks have gone away for good, leaving Srebrenica and its rows of obelisk-shaped gravestones to the ghosts.</p><div><hr></div><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;fdad042c-9cf1-4746-8510-4a85e71275fc&quot;,&quot;duration&quot;:null}"></div><p></p><p><em>In this episode Baybars discusses the post conflict experience of Srebrenica and the "half-complete" healing process of a nation where the physical scars of war remain visible.   He is a Citizen journalist with us on a placement organised with <a href="https://www.careers.ox.ac.uk/">Oxford University Career Services</a>. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to try out gaming art NFT&#8217;s <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[❤️ Healing Lebanon: Addressing Mental Health After Trauma]]></title><description><![CDATA[Raw & Real with Tasneem&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/healing-lebanon-addressing-mental</link><guid isPermaLink="false">https://www.arts4refugees.com/p/healing-lebanon-addressing-mental</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 21 Apr 2026 12:04:16 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/154332997/e12506de3d1ab96e8f124d1974b85ce0.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><p><em>Following the 2024 conflict, Lebanon faces a profound mental health crisis. Severe trauma, displacement, and re-traumatization affect millions, especially children. Recovery is hindered by destroyed infrastructure, "brain drain," and cultural stigma. To ensure long-term stability, the government must prioritize sustainable mental health reform over temporary NGO-led aid.</em></p><h1><strong>Healing Lebanon: Addressing Trauma and Mental Health Challenges During Post-Conflict Recovery</strong></h1><p>From October 1st to November 27th 2024, Israeli forces launched an invasion into Lebanon as part of its escalating conflict and eventual war with Hezbollah over a year-long period. A ceasefire was subsequently brokered between the two parties. Many are hopeful that the ceasefire will become permanent and will prevent further destruction, injury and death in Lebanon. However, Lebanon faces a difficult future ahead, with a severe mental health crisis on its hands. If the ceasefire becomes permanent &#8211; or, if not, then when the war concludes &#8211; what mental health challenges does Lebanese society face, and what pathways can it take to recover?<br></p><p><strong>The immediate post-conflict challenges: Physical injuries and healthcare infrastructure in ruins</strong></p><p>As of November 25<sup>th </sup>2024, <a href="https://www.moph.gov.lb/ar/Pages/127/77199/#/ar/Pages/127/77192/3823-%D8%B4%D9%87%D9%8A%D8%AF%D8%A7-%D9%88-15859-%D8%AC%D8%B1%D9%8A%D8%AD%D8%A7-%D9%85%D9%86%D8%B0-%D8%A8%D8%AF%D8%A1-%D8%A7%D9%84%D8%B9%D8%AF%D9%88%D8%A7%D9%86%D8%8C-%D9%88%D8%AD%D8%B5%D9%8A%D9%84%D8%A9-%D9%8A%D9%88%D9%85-%D8%A3%D9%85%D8%B3-55-%D8%B4%D9%87%D9%8A%D8%AF%D8%A7-%D9%88-160-%D8%AC%D8%B1%D9%8A%D8%AD%D8%A7">the Lebanese Ministry of Health has reported</a> 3768 deaths and 15,699 injured since the beginning of tensions in October 2023, <a href="https://www.aljazeera.net/news/2024/11/26/%D8%AD%D9%82%D8%A7%D8%A6%D9%82-%D8%AD%D9%88%D9%84-%D8%A7%D9%84%D8%AE%D8%B3%D8%A7%D8%A6%D8%B1-%D8%A7%D9%84%D8%A8%D8%B4%D8%B1%D9%8A%D8%A9-%D9%88%D8%A7%D9%84%D9%85%D8%A7%D8%AF%D9%8A%D8%A9-%D9%81%D9%8A">most of which occurred after tensions escalated into war.</a> The destruction of Lebanon&#8217;s medical infrastructure was particularly severe. On November 26<sup>th</sup>, <a href="https://www.moph.gov.lb/ar/Pages/127/77199/#/ar/Pages/127/77192/3823-%D8%B4%D9%87%D9%8A%D8%AF%D8%A7-%D9%88-15859-%D8%AC%D8%B1%D9%8A%D8%AD%D8%A7-%D9%85%D9%86%D8%B0-%D8%A8%D8%AF%D8%A1-%D8%A7%D9%84%D8%B9%D8%AF%D9%88%D8%A7%D9%86%D8%8C-%D9%88%D8%AD%D8%B5%D9%8A%D9%84%D8%A9-%D9%8A%D9%88%D9%85-%D8%A3%D9%85%D8%B3-55-%D8%B4%D9%87%D9%8A%D8%AF%D8%A7-%D9%88-160-%D8%AC%D8%B1%D9%8A%D8%AD%D8%A7">the Lebanese Ministry of Health reported</a> that 222 healthcare workers had been killed and 67 hospitals had been attacked. As of November 15<sup>th</sup>, Israeli attacks had<a href="https://www.aljazeera.com/news/2024/11/17/mapping-israeli-attacks-on-lebanons-healthcare-system"> damaged 40 hospitals and 249 emergency vehicles, and eight hospitals are non-functional</a> due to critical damage.</p><p>Rebuilding Lebanon&#8217;s healthcare infrastructure and providing treatment for physical health and immediate injuries are obvious first steps towards recovery. However, to sufficiently support Lebanese society with their health and with healing in the long-term, the government must also examine and prioritise Lebanon&#8217;s troubling mental health crisis.<br></p><p><strong>Lebanon&#8217;s post-conflict mental health crisis in children and adults</strong></p><p>Beyond physical injuries and their compromised physical health, the war in Lebanon has also culminated in a major mental health crisis, especially in terms of trauma, among civilians.</p><p>The war has been particularly traumatising to children and adolescents. The forced closure of schools has deprived them of education, and they are forced to grapple with a lack of basic necessities such as food and water, scenes of violence and the sudden deaths of family members and friends. Younger children, who experience trauma differently due to an inability to express their feelings, <a href="https://www.nctsn.org/what-is-child-trauma/trauma-types/early-childhood-trauma/effects">can suffer from long-term issues in their development</a>, such as poor cognitive development and behavioural issues. Parents have <a href="https://www.doctorswithoutborders.ca/lebanon-beyond-survival-helping-children-and-adults-cope-with-the-traumas-of-war/#:~:text=In%20addition%2C%20our%20mobile%20teams,from%20individual%20mental%20health%20sessions">described</a> their children as having grown up quickly to deal with the death and destruction.</p><p>Displacement is also a traumatising experience to both children and adults: <a href="https://reliefweb.int/report/lebanon/restoring-care-rebuilding-communities-path-recovery-lebanon-enar">a UN report</a> estimates that 1.5 million people were displaced from their homes as a result of airstrikes, which includes 400,000 children. Displacement and the experience of being a refugee <a href="https://www.who.int/news-room/fact-sheets/detail/mental-health-and-forced-displacement">have been linked</a> to higher rates of PTSD. The slightest sounds remain triggering to traumatised individuals, who are constantly on edge and prepared to flee, fearful that they could be hit at any moment. <br><br><br></p><p><strong>Re-traumatisation in Lebanon and a lack of mental health services</strong></p><p>Lebanon&#8217;s history of previous wars within living memory creates an added layer of complexity to mental health problems. Lebanese people who lived through the Israeli invasions in 1978, 1982 and 2006 and the Lebanese Civil War (1975 &#8211; 1990), as well as Syrian and Palestinian refugees in Lebanon who have fled violence and war, <a href="https://raseef22.net/article/1099094-%D9%86%D8%B9%D9%8A%D8%B4-%D9%85%D8%AC%D8%AF%D8%AF%D8%A7-%D9%88%D8%AC%D8%B9-%D8%A7%D9%84%D9%81%D8%B1%D8%A7%D9%82-%D8%B9%D9%84%D9%89-%D9%85%D8%AF%D9%8A%D9%86%D8%AA%D9%86%D8%A7-%D9%88%D8%A3%D8%AD%D8%A8%D8%A7%D8%A6%D9%86%D8%A7-%D8%B9%D9%86-%D8%AA%D8%B1%D9%88%D9%85%D8%A7-%D9%85%D8%A7-%D8%A8%D8%B9%D8%AF-%D8%A7%D9%84%D8%AD%D8%B1%D8%A8">speak of being re-traumatised</a> by the 2024 war. Prior to the 2024 war, <a href="https://www.arab-reform.net/publication/mental-health-reforms-in-lebanon-during-the-multifaceted-crisis/">studies have found</a> that a quarter of the population was suffering from at least one psychiatric disorder, such as anxiety and depression, and especially PTSD (25%) linked to war trauma. We can expect these rates to be even higher in the aftermath of the 2024 war.</p><p>Re-traumatisation will have undone any progress achieved in healing or learning to cope with trauma, anxiety and depression, which was already a difficult process in Lebanon. Previous post-conflict reconstruction efforts by the Lebanese government appear to have focused primarily on physically rebuilding and upgrading infrastructure, such as the Downtown Beirut restoration and upgrade project with Solid&#232;re, which began within four years of the end of the Civil War. The government has largely overlooked and delayed reshaping Lebanon&#8217;s healthcare system to provide for the newly emerging need for accessible mental health services among Lebanese citizens post-conflict, which will now once again be critical. Public services funded by the government for mental health <a href="https://www.arab-reform.net/publication/mental-health-reforms-in-lebanon-during-the-multifaceted-crisis/">did not really exist before 2013</a> despite repeated traumatic wars in Lebanon; mental health, instead, fell to private practitioners. This situation highlights how mental health has largely been neglected during post-conflict periods in Lebanon.</p><p>Affordability is a major barrier to accessing existing public mental health services in Lebanon, as these services are mostly only available through these private practitioners that can be expensive, as the government only provides small subsidies for private care. The limited public services that exist &#8211; and are restricted to three hospitals &#8211; are riddled with problems, from receiving poor government funding amid Lebanon&#8217;s economic crisis (<a href="https://www.arab-reform.net/publication/mental-health-reforms-in-lebanon-during-the-multifaceted-crisis/">only 1% of government funds are allocated to mental health services</a>) to <a href="https://www.arab-reform.net/publication/mental-health-reforms-in-lebanon-during-the-multifaceted-crisis/">a lack of trained professionals</a> (particularly due to the emigration of professionals abroad for better opportunities, a phenomenon known as brain drain). NGOs, such as Embrace Lebanon, have previously stepped in to fill the large gaps in Lebanon&#8217;s mental health services. However, NGOs can only provide temporary relief, as their services are not widely accessible due to limitations in funding and their capacity. These limitations make it difficult to address psychological needs and fill the gaps in Lebanon&#8217;s mental health services on a sustainable, long-term basis.</p><p>Trauma is a double-edged sword. Individuals and communities suffering from poor mental health face higher rates of poverty, which can further entrench Lebanon&#8217;s economic crisis, thus worsening poverty. In turn, impoverished people also face higher rates of poor mental health, <a href="https://www.srpoverty.org/2024/10/01/the-burnout-economy-poverty-and-mental-health/">creating a vicious cycle that exacerbates both poverty and mental suffering</a>. Lebanon&#8217;s need to address its mental health crisis post-conflict is urgent to also bolster their economic recovery as a society. <br></p><p><strong>The issue of stigma <br><br></strong>Access to mental healthcare in Lebanon is hindered by the stigma that surrounds mental illness and treatment on different levels.</p><p>On a religious and cultural level, it is typical for someone who is struggling to consult a religious leader for advice or to consult religious passages and deepen their prayers for comfort and alleviation. While these strategies may help, some find it difficult to accept that therapy and mental health services can also support someone who is struggling and can be undertaken alongside religious methods.</p><p>On a social level, discussing mental health issues is still not as widely normalised in Lebanon as in other parts of the world. Culturally, seeking professional mental health support, as opposed to turning to family and community, is also <a href="https://www.scirp.org/journal/paperinformation?paperid=112965">not as common in many Arab societies, where external support is sometimes viewed as a Western approach</a>. MSF, which is currently providing emergency support in Lebanon, <a href="https://www.doctorswithoutborders.org/latest/helpline-help-people-cope-war-lebanon#:~:text=MSF%20teams%20are%20responding%20by,medical%20units%20across%20the%20country">has observed that</a> people are reluctant to speak about their mental struggles.</p><p>Gender conventions also contribute to the stigma surrounding men&#8217;s mental health in Lebanon. Traditional cultural norms emphasise masculinity, often interpreting it as the need to be emotionally and mentally strong. As a result, <a href="https://link.springer.com/referenceworkentry/10.1007/978-3-319-74365-3_175-1">seeking professional mental health support may sometimes be seen as a sign of weakness</a> or contrary to ideas surrounding masculinity. This stigma creates additional barriers to accessing mental health support in Lebanon. However, the Lebanese government has recently made efforts to challenge these stigmatic beliefs, including through the launch of the National Mental Health Strategy in June 2024.</p><p><strong>Situating government mental health initiatives at the centre of post-conflict recovery<br><br></strong>In terms of Lebanon&#8217;s immediate needs &#8211; rebuilding or restoring healthcare centres and providing emergency support surrounding physical care &#8211; NGOs and foreign governments have already mobilised the relevant aid.</p><p>As for mental health, it is NGOs that have so far taken the first steps in assisting civilians in Lebanon. <a href="https://www.doctorswithoutborders.ca/lebanon-beyond-survival-helping-children-and-adults-cope-with-the-traumas-of-war/#:~:text=In%20addition%2C%20our%20mobile%20teams,from%20individual%20mental%20health%20sessions">MSF is providing services</a> such as therapy sessions and hotlines with specialists. War Child, an initiative that has been <a href="https://www.theguardian.com/society/2024/dec/13/war-child-lebanon-guardian-charity-appeal-partner-families-in-conflict">providing mental health support to affected children</a> through play, is currently the only organisation providing specialist support for children with war trauma. However, overreliance on NGOs beyond the short-term cannot address Lebanon&#8217;s long-term mental health needs, especially as donations and aid tend to dwindle once the emergency recovery period ends.</p><p>While it is too early to expect the Lebanese government to fully address the current mental health crisis, especially given the country&#8217;s already fragile state following the Israeli invasion, the uncertainty surrounding the ceasefire&#8217;s permanence and severe economic crisis, the 2024 war has undeniably exposed critical gaps in public mental health services. These gaps, alongside the lack of development in public mental health infrastructure during past post-conflict recovery efforts, highlight the urgent need for reform and development.</p><p>The upcoming recovery process presents an opportunity for Lebanon to prioritise and integrate mental health support into its post-conflict policies, especially as seeking mental health support has become more widely accepted globally and especially among young people, with initiatives already in place to support destigmatisation in Lebanon. The international community must rally together to support Lebanon financially in this task. Situating mental health support at the heart of Lebanon&#8217;s long-term post-conflict recovery plans can help to address long-standing issues, improve the well-being of civilians in Lebanon, and circumvent the cycle of poverty and mental suffering born out of trauma.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!vU4n!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!vU4n!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png 424w, https://substackcdn.com/image/fetch/$s_!vU4n!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png 848w, https://substackcdn.com/image/fetch/$s_!vU4n!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png 1272w, https://substackcdn.com/image/fetch/$s_!vU4n!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!vU4n!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png" width="1187" height="899" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/b66edc10-b11f-4801-abec-75430807c942_1187x899.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:899,&quot;width&quot;:1187,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:188916,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!vU4n!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png 424w, https://substackcdn.com/image/fetch/$s_!vU4n!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png 848w, https://substackcdn.com/image/fetch/$s_!vU4n!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png 1272w, https://substackcdn.com/image/fetch/$s_!vU4n!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb66edc10-b11f-4801-abec-75430807c942_1187x899.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><div><hr></div><p><em>In this episode Tasneem discusses the mental challenges Lebanon faces in the aftermath of its civil war.  She is a student journalist with us on a placement organised with <a href="https://www.careers.ox.ac.uk/">Oxford University Career Services</a>.  This article was edited using Lex.page.  Image with Napkin Ai. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to visit our gift shop <a href="https://www.arts4refugees.net/">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[How Côte d’Ivoire’s New Street Names are Reclaiming National Identity After Civil War]]></title><description><![CDATA[Listen now | Raw & Real with Nancy&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/how-cote-divoires-new-street-names</link><guid isPermaLink="false">https://www.arts4refugees.com/p/how-cote-divoires-new-street-names</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 14 Apr 2026 12:02:57 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/182312888/1a7d0884c9b65166be84b9dc0b804891.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><p><em>C&#244;te d&#8217;Ivoire is replacing colonial street names with local figures to foster national unity following decades of civil conflict. While critics cite the <strong>$17 million</strong> cost, the project aims to boost economic development through formal addressing and replace French linguistic dominance with Ivoirian pride, reclaiming the nation's post-colonial identity.Change on the Streets of Abidjan: A New World Approaches</em></p><p></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!R-7B!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!R-7B!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png 424w, https://substackcdn.com/image/fetch/$s_!R-7B!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png 848w, https://substackcdn.com/image/fetch/$s_!R-7B!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png 1272w, https://substackcdn.com/image/fetch/$s_!R-7B!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!R-7B!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png" width="1456" height="728" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/e342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:728,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:1416391,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/182312888?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!R-7B!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png 424w, https://substackcdn.com/image/fetch/$s_!R-7B!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png 848w, https://substackcdn.com/image/fetch/$s_!R-7B!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png 1272w, https://substackcdn.com/image/fetch/$s_!R-7B!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe342bb35-7983-4007-b018-9fd565f4b015_6912x3456.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p>There&#8217;s a photo. One man balances on a ladder. Another, standing below, holds up a new road sign to be drilled into place. Others watch on as the placard is carefully lifted and positioned. Avenue Noel Nemin it reads - C&#244;te d&#8217;Ivoire&#8217;s minister for Justice between 1987 and 1990. His name replaces one of a colonial official now lost to history. This is just one example of a wider road renaming programme, which aims to generate national unity and to boost the country&#8217;s growth and development.</p><p>Until 2002, C&#244;te d&#8217;Ivoire was the leading economic force in West Africa. However, in September of that year a coup erupted, splitting the country along North/South lines. The election of President Gbagbo in 2000 had brought about an era of divisive politics. Gbagbo exploited the concept of &#8216;ivoirit&#233;&#8217; to marginalise Northern Muslim and immigrant communities. After two years, many had had enough. An initial rebellion led by a few soldiers in the North spiralled into a full blown civil war, displacing 800 000 people.</p><p> A tenuous peace was reached in 2007. But the situation broke down again in 2010 when President Gbagbo refused to recognise the victory of his rival, Ouattara, in the voting booths. In 1999, Ouattara had been disqualified from running due to his Burkinab&#233; origin. But in 2010 he was internationally recognised as the electoral victor. This sparked the country&#8217;s second civil war, leaving around 3 000 dead. After 10 years of unrest, disruption, and division Gbagbo was arrested in 2011. Ouattara then assumed the presidency. Nevertheless, division remained. In 2008, amidst the ongoing crisis, a street vendor named Prosp&#232;re told American sociologist Jordanna Matlon, &#8220;I was born in Abidjan [...] I have never known my country but I know I am Burkinab&#233;&#8221;.</p><p>According to anthropologist Professor Sasha Newell, &#8220;national identity for the average Ivoirian was more a relationship of alterity than identity, a negotiation with the culture and language of the former colonizer.&#8221; Today in C&#244;te d&#8217;Ivoire, many have adopted inferiority complexes towards their ethnic languages. In a Keynote Address delivered at the Annual Conference of Linguistics, Professor Alamin Mazrui stated, &#8216;Centuries of French colonialism have resulted in Ivoirians feeling lesser of themselves&#8217;. In a recent study conducted in the city of Bouak&#233;, 34.37% of students said they cannot speak their ethnic language, while 59.37% usually speak French. There are four major groups of ethnic languages in C&#244;te d&#8217;Ivoire: Mandin, Gu, Kry, and Kwa-Akan - yet the dominance of the French language has not changed since independence sixty-five years ago.</p><p>The exploitation of &#8216;ivoirit&#233;&#8217; by Gbagbo, the North/South divide created by the civil wars, and the country&#8217;s colonial legacy have meant there remains a deeply entrenched sense of division and fragmentation in the C&#244;te d&#8217;Ivoirian community, despite almost fifteen years of peace. In order to progress on the pathway to recovery the C&#244;te d&#8217;Ivoire needs to generate a sense of Ivoirian identity. An identity which is not predicated on exclusion or alterity, but which rather unites its citizens.</p><p>There is one project currently addressing this problem. As of March, C&#244;te d&#8217;Ivoire&#8217;s largest city, Abidjan, has changed many of its street names as well as adding in new ones. Roads once named after French Presidents like G&#233;n&#233;ral de Gaulle and colonial administrators such as Triechville now celebrate Ivoirian figures: Philippe Yac&#233;, a post-independence politician, and author Germain Coffi Gadeau. The project is directed by Alphonse N&#8217;Guessan. He believes a name &#8216;must reflect our history, our culture&#8217;. Acknowledging Ivoirian politicians, scientists, artists, and athletes encourages pride in the C&#244;te d&#8217;Ivoire. Another urban planner commented &#8216;it is important for Africans to identify with the city&#8217;s development&#8217;. It is at this moment that C&#244;te d&#8217;Ivoire has the chance to reshape its identity. With such a young population, 75% under 35, the country can establish an identity based on its post-colonial history and achievements. An identity that includes all Ivoirian citizens regardless of ethnicity or immigrant status.</p><p>However, some are critical of the government&#8217;s $17 million spend. The country&#8217;s healthcare system ranks 31 out of 55 African countries, youth literacy rates (ages 15-24) are at 67%, and the country is 162 out of 189 on the Human Development Index (HDI). Questions are rightly being asked as to whether there are not other priorities which come before road names. However, calling this project symbolic not only underestimates the value of national identity and pride, but it also overlooks a whole wealth of social advantages the overhaul will indirectly support.</p><p>The project is on track to finish in 2030 and will give 14 000 routes formal addresses in fifteen towns and cities. To understand why this is so crucial to C&#244;te d&#8217;Ivoire&#8217;s development it is helpful to use a human needs model. Seven fundamental human needs have been identified, they are: safety/security and survival; understanding; connection and acceptance; contribution/participation; esteem, identity, and significance; self-determination, freedom and justice; self-actualisation and self-transcendence. These needs should be present in all societies, but often in post-conflict communities they are lacking and hinder recovery. By fulfilling these needs governments and leaders can rebuild a stable community, leading to a more contented population. C&#244;te d&#8217;Ivoire&#8217;s decision to change its street names fuels each of these seven categories.</p><p>Starting with the first human need: safety, security, and survival. In a city with addresses, emergency services will be much more efficient. Able to reach more people more quickly, survival rates and public safety will improve. Addresses will also benefit delivery and communication services. Parcels, packages and letters can be distributed efficiently and accurately. This will make the C&#244;te d&#8217;Ivoire more attractive to business, stimulating the economy.</p><p>Largely due to fraud, the tax burden is only around 13.6% in the C&#244;te d&#8217;Ivoire. This is significantly below Africa&#8217;s 16% average. However, addresses will help the government to conduct a housing census. This will facilitate accurate assessment of residents and their assets, leading to a better tax system. Proper addressing will facilitate effective taxing. Leading to more funding for schools, hospitals, and public services.</p><p>Many Abidjan residents welcomed the development. They looked forward to helping the younger generation learn about and understand their past. Frank Herve Mansou, a thirty-one-year-old technician, said he was pleased that &#8216;in the future, we can explain to our children who is who&#8217;. Jean Bruce Gneple, a salesman, stated, &#8216;President F&#233;lix Houphou&#235;t-Boigny was and will remain in the memory of all Ivoirians as the first man of Ivory Coast, so this is a tribute to him, and we are also proud of it&#8217;. This way, C&#244;te d&#8217;Ivoire can create a communal sense of identity. Younger Ivoirians will feel connected to their history and to other citizens, generating pride for their country and a sense of belonging.</p><p>With an address, banks will lend money, boosting self-determination, freedom, and self-actualisation. With the support of a bank loan, C&#244;te d&#8217;Ivoirians will be able to pursue passion projects and embark on business ventures. They can decide the trajectory of their lives and reach their potential.</p><p>Replacing colonial figures also gives a sense of justice, and replacing them with Ivoirian names drives self-actualisation and self-transcendence. Although this may seem idealistic, it is nevertheless important to show citizens that achievement is possible. Reminding Ivoirians of their predecessors&#8217; successes may boost confidence and motivation, fueling a unified drive to grow and develop the country.</p><p>However, the one question mark that hangs over the project is exactly how representative of marginalised communities it will be. The results are currently looking mixed. Although there&#8217;s some emphasis on celebrating female Ivoirians, like champion sprinter Marie Jos&#233;e Ta Lou-Smith and C&#244;te d&#8217;Ivoire&#8217;s first First Lady Marie-Th&#233;r&#232;se Houphou&#235;t-Boigny, other marginalised groups appear to be lacking. There has been criticism of the predominance of politicians in the renaming process. And no LGBTQ+ people have been recognised yet either. However, the project&#8217;s collaborative nature is often emphasised. Officials underline their consultation of experts, local figures, civil society groups, and local traditional authorities. And significantly, people of differing ethnicities are being represented. Yac&#233; was Baoul&#233;, the country&#8217;s central/Southern ethnicity. Whereas, celebrated musician DJ Arafat was Mand&#233;, a Northwestern ethnic group. By encouraging contribution and participation from a wide range of people and representing differing ethnicities, this project is tackling C&#244;te d&#8217;Ivoire&#8217;s biggest division. It is creating a sense of belonging for all, and helping to stabilise and solidify an inclusive Ivoirian identity. Ivoirians finally have the chance to tell their nation&#8217;s story their way.</p><p>Changing the street names in Abidjan is not just a symbolic gesture. It is a major motivator for C&#244;te d&#8217;Ivoire to achieve self-actualisation. Not only enhancing economic growth, but boosting Ivoirian national pride, esteem, and belonging, creating a community that drives people to make C&#244;te d&#8217;Ivoire thrive.</p><p>Bibliography</p><p><a href="https://africabriefing.com/cote-divoire-drops-french-street-names/">https://africabriefing.com/cote-divoire-drops-french-street-names/</a></p><p><a href="https://www.fratmat.info/article/227527/economie/ministegravere-de-la-construction-du-logement-et-de-lurbanisme/adressage-des-rues-du-district-dabidjan-les-noms-devoiles-tres-bientot">https://www.fratmat.info/article/227527/economie/ministegravere-de-la-construction-du-logement-et-de-lurbanisme/adressage-des-rues-du-district-dabidjan-les-noms-devoiles-tres-bientot</a></p><p><a href="https://www.france24.com/en/africa/20250501-no-more-boulevard-de-france-ivory-coast-colonial-street-names-get-a-rebrand">https://www.france24.com/en/africa/20250501-no-more-boulevard-de-france-ivory-coast-colonial-street-names-get-a-rebrand</a></p><p><a href="https://biographycentral.com/biography/philippe_yac%C3%A9">https://biographycentral.com/biography/philippe_yac%C3%A9</a></p><p><a href="http://britannica.com/place/Cote-dIvoire">http://britannica.com/place/Cote-dIvoire</a></p><p><a href="https://www.ft.com/content/687a9518-0edc-4e2c-bfd6-ceff06bce353">https://www.ft.com/content/687a9518-0edc-4e2c-bfd6-ceff06bce353</a></p><p><a href="https://www.servantsuniversity.com/the-7-fundamental-human-needs/">https://www.servantsuniversity.com/the-7-fundamental-human-needs/</a></p><p></p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!qOUv!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!qOUv!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png 424w, https://substackcdn.com/image/fetch/$s_!qOUv!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png 848w, https://substackcdn.com/image/fetch/$s_!qOUv!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png 1272w, https://substackcdn.com/image/fetch/$s_!qOUv!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!qOUv!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png" width="1456" height="2060" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2060,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:3099910,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/182312888?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!qOUv!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png 424w, https://substackcdn.com/image/fetch/$s_!qOUv!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png 848w, https://substackcdn.com/image/fetch/$s_!qOUv!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png 1272w, https://substackcdn.com/image/fetch/$s_!qOUv!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F80efb129-95e1-4d17-9250-96de7fbed4e1_1587x2245.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Nancy discusses the post conflict experience of C&#244;te d&#8217;Ivoire and the issues of identity in healing process of a nation.   She is a Citizen journalist with us on a placement organised with <a href="https://www.careers.ox.ac.uk/">Oxford University Career Services</a>. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to try out gaming art NFT&#8217;s <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[Stitching a New World: How Rwanda’s Women are Reclaiming Justice Through Collective Action]]></title><description><![CDATA[Raw & Real with Agatha&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/stitching-a-new-world-how-rwandas</link><guid isPermaLink="false">https://www.arts4refugees.com/p/stitching-a-new-world-how-rwandas</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 07 Apr 2026 12:04:10 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/191850370/33668b5404a91437edb6ba5485387123.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>Shared Threads: Gendered Violence and Collective Reconstruction in Post-Genocide Rwanda</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!b6CK!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!b6CK!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg 424w, https://substackcdn.com/image/fetch/$s_!b6CK!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg 848w, https://substackcdn.com/image/fetch/$s_!b6CK!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!b6CK!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!b6CK!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg" width="800" height="2000" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2000,&quot;width&quot;:800,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:338425,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/191850370?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!b6CK!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg 424w, https://substackcdn.com/image/fetch/$s_!b6CK!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg 848w, https://substackcdn.com/image/fetch/$s_!b6CK!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!b6CK!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1a45f85c-4196-4e35-9b91-95947642e6e2_800x2000.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>In a workshop in Kayonza, eastern Rwanda, the steady rhythm of sewing machines fills the room. Women sit closely together, measuring fabric, guiding thread through cloth, and pausing occasionally to speak to one another. The work is careful and continuous. For the members of the Abasangiye Cooperative, this shared space is not simply a place of production, but part of a longer process of rebuilding in the aftermath of the Rwandan Genocide.</p><p style="text-align: justify;">The Rwandan genocide, in which an estimated 800,000 to one million people were killed in approximately 100 days, was marked by the widespread and organised use of sexual violence. Between 250,000 and 500,000 women and girls are believed to have been subjected to rape, often perpetrated by militia groups, soldiers, and civilians, frequently within their own communities.</p><p style="text-align: justify;">This violence was not incidental. It formed part of a broader strategy to terrorise, displace, and dismantle social structures. An estimated 10,000 to 25,000 children were born as a result, and many women have since lived with chronic health conditions, including HIV. Survivors and their children frequently navigate stigma and exclusion, even as they build relationships and communities that reflect resilience and care.</p><p style="text-align: justify;">Rwanda is often presented as a model of post-conflict recovery: economic growth has been sustained, infrastructure expanded, and women now hold over 60 percent of parliamentary seats&#8212;the highest proportion globally. Yet these national indicators only partially capture the realities of recovery. Experiences remain uneven, particularly in rural areas, where economic opportunity is limited and many women rely on informal or cooperative-based work.</p><p style="text-align: justify;">For survivors of the gendered violence of 1994, recovery is an ongoing condition, shaped by long-term health needs, access to resources, and social attitudes that do not always evolve in step with state-led narratives of reconciliation. In this context, reconstruction has often taken place not through institutions alone, but through small, collective structures embedded in everyday life. The Abasangiye Cooperative, a sewing and artisan group of 25 women in Kayonza, emerged within this context. Supported by organisations including Survivors Fund (SURF) and Indego Africa, the cooperative brings together victims of the genocide&#8217;s sexual violence, many of whom had previously been part of the widows&#8217; association AVEGA Agahozo.</p><p style="text-align: justify;">At its inception, the women who would form the Abasangiye Cooperative had little access to formal employment, financial services, or vocational training. What began as a small training group of 25 women learning textile and artisan skills has since developed into a space where economic participation and personal recovery are closely intertwined. Through the cooperative, members have gained skills not only in sewing, but also in literacy and financial management, enabling them to engage with both local and international markets. Programme data reflects this shift: the proportion of women earning at least one US dollar per day rose from 7 percent in 2008 to 67 percent in 2011.</p><p style="text-align: justify;">Yet these figures only partially capture what the cooperative represents. Members often describe an immediate recognition in one another; a shared understanding that does not require explanation. As one member explained,  &#8220;We all come from different villages and everyone has their own individual problems and lived in isolation, but when we met in this group we talked about our problems and shared our problems, which makes us feel relieved&#8221;. Within this space, experiences shaped by violence can be acknowledged and support becomes embedded in the rhythms of daily work.</p><p style="text-align: justify;">In rural contexts where formal mental health provision remains limited, such networks take on additional significance. Care circulates informally &#8212;the act of gathering, of speaking and of being heard&#8212; woven alongside the production of textile goods. What emerges is not only a source of livelihood, but a community for healing.</p><p style="text-align: justify;">Abasangiye&#8217;s spirit to income distribution is of similar vein; rather than linking earnings to individual output, the cooperative shares income equally among members. This model reflects the realities of its participants. Some women can work consistently, while others face periods of illness or reduced physical capacity. As one member explained:</p><blockquote><p>&#8220;Some are sick with HIV or have trauma or body weaknesses, while others are strong...we share equally despite ability.&#8221;</p></blockquote><p style="text-align: justify;">Equal distribution ensures that all members remain included, regardless of fluctuations in their ability to produce. Such an approach challenges conventional economic assumptions about productivity and value. Instead, it reflects a system shaped by interdependence, where stability is prioritised over individual output.</p><p style="text-align: justify;">Despite these structures, financial stability remains uncertain. Income from handicraft production is tied to fluctuating market demand, with monthly earnings ranging between 20,000 and 50,000 Rwandan francs (approximately $15-$40 USD). Such variation makes it difficult to plan for essential costs, and even short gaps in orders can place immediate strain on households already operating within narrow margins. This instability is not unique to Abasangiye. Studies of similar cooperatives in Rwanda point to a broader pattern: while participation can improve earnings over time, it does not fundamentally resolve the structural conditions of poverty or reliance on informal labour.</p><p style="text-align: justify;">The cooperative also sits within the unresolved social dimensions of post-genocide justice. International prosecutions, including those conducted by the International Criminal Tribunal for Rwanda (ICTR), initially faced significant challenges in addressing sexual violence. Although the ICTR ultimately issued landmark judgments recognising rape as a constitutive act of genocide, such cases formed a relatively small proportion of its overall docket and were often constrained by evidentiary and procedural limitations.</p><p style="text-align: justify;">Alongside international efforts, Rwanda introduced extensive domestic mechanisms, most notably the community-based Gacaca courts, which operated from 2002 to 2012. While these courts handled a vast number of genocide-related cases, sexual violence was frequently underreported and, in many instances, addressed outside public proceedings. As a result, many survivors continue to navigate stigma and social exclusion even where formal legal processes have taken place. This gap points to a broader limitation of post-genocide justice: legal accountability does not automatically translate into social recognition, reintegration, or material security.</p><p style="text-align: justify;">It is within this gap, between formal recovery and lived reality, that the significance of Abasangiye lies. The cooperative does not resolve the economic or social consequences of violence, nor does it claim to. Instead, it operates as a practical response to their persistence. Through shared labour, collective income, and embedded systems of support, it enables members to navigate conditions that remain uncertain.</p><p style="text-align: justify;">The Abasangiye cooperative therefore reflects a form of reconstruction that is ongoing rather than complete. Its relevance extends beyond Rwanda: it points to the limits of state-led recovery models, and to the importance of community-based structures in sustaining life after conflict. What emerges is not a singular narrative of recovery, but a cumulative one; built through routine, interdependence, and the continued work of maintaining community in the present.</p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!4LBt!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!4LBt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png 424w, https://substackcdn.com/image/fetch/$s_!4LBt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png 848w, https://substackcdn.com/image/fetch/$s_!4LBt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png 1272w, https://substackcdn.com/image/fetch/$s_!4LBt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!4LBt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png" width="1280" height="720" 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srcset="https://substackcdn.com/image/fetch/$s_!4LBt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png 424w, https://substackcdn.com/image/fetch/$s_!4LBt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png 848w, https://substackcdn.com/image/fetch/$s_!4LBt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png 1272w, https://substackcdn.com/image/fetch/$s_!4LBt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa0d6cda5-e927-43c6-9809-6344570cc575_1280x720.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Agatha discusses the post conflict experience of Rwanda and the </em>Abasangiye cooperative.  It goes into the role the collective played in rebulding lives and communites post genecide.<em>  She is a Citizen journalist with us on a placement organised with <a href="https://www.careers.ox.ac.uk/">Oxford University Career Services</a>.  </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to try out gaming art NFT&#8217;s <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[The War Ended? When there is Resilience in the Shadows: Simply Existing is an Act of Resistance]]></title><description><![CDATA[Raw & Real with Lisa&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/the-war-ended-when-there-is-resilience</link><guid isPermaLink="false">https://www.arts4refugees.com/p/the-war-ended-when-there-is-resilience</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 24 Mar 2026 13:00:57 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/190087975/c054242eed61ac16531c9048023a8255.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>Conflict is over, how did the Taliban treat minorities in Afghanistan</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!qmHk!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!qmHk!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png 424w, https://substackcdn.com/image/fetch/$s_!qmHk!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png 848w, https://substackcdn.com/image/fetch/$s_!qmHk!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png 1272w, https://substackcdn.com/image/fetch/$s_!qmHk!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!qmHk!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png" width="877" height="913" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:913,&quot;width&quot;:877,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:133321,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/190087975?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!qmHk!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png 424w, https://substackcdn.com/image/fetch/$s_!qmHk!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png 848w, https://substackcdn.com/image/fetch/$s_!qmHk!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png 1272w, https://substackcdn.com/image/fetch/$s_!qmHk!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F432880b3-e74a-4716-8c21-eb6343b0f344_877x913.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p>&#8220;I don&#8217;t believe the Taliban, because I think they&#8217;re a terrorist group,&#8221; said Sitara, a university student currently studying in Hong Kong. Sitara belongs to the Hazara community, one of the most persecuted ethnic minorities in Afghanistan.</p><p>Just weeks before the Taliban&#8217;s takeover of Afghanistan in 2021, she made a final visit to her home in Ghazni province. Before the trip, her family warned her about the risks, given the country&#8217;s increasingly unstable political situation. While she was there, Sitara recalled hearing gunfire near her home almost every day. &#8220;People still believed in the government,&#8221; she said, &#8220;but sadly, the government practically sold the country to the Taliban.&#8221;</p><p>Sitara explained that although the Taliban initially promised to allow women to work and study, she never trusted their intentions. &#8220;I don&#8217;t believe the Taliban because I think it&#8217;s just a short-term strategy to make the international community accept them as a legitimate government,&#8221; she said.</p><p>The situation, she added, is especially dire for women and minority groups. &#8220;They&#8217;re killing minorities and people on the streets,&#8221; she said, describing the violence that began as early as 2021. Out of fear of persecution, Sitara&#8217;s mother even burned all documents that could reveal her daughter&#8217;s education or foreign connections.</p><p>Tragically, Sitara believes that visit may have been her last. &#8220;I don&#8217;t think I can go back now,&#8221; she said quietly. &#8220;If I go, there&#8217;s a possibility I&#8217;ll be killed.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!isCy!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!isCy!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png 424w, https://substackcdn.com/image/fetch/$s_!isCy!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png 848w, https://substackcdn.com/image/fetch/$s_!isCy!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png 1272w, https://substackcdn.com/image/fetch/$s_!isCy!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!isCy!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png" width="1068" height="588" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/dd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:588,&quot;width&quot;:1068,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:61794,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/190087975?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!isCy!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png 424w, https://substackcdn.com/image/fetch/$s_!isCy!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png 848w, https://substackcdn.com/image/fetch/$s_!isCy!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png 1272w, https://substackcdn.com/image/fetch/$s_!isCy!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd3fe0c8-567e-49a1-ad24-17ac74a41305_1068x588.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p>Afghanistan has a turbulent history spanning centuries. The modern state was founded in 1747. Civil war of succession and fighting against British colonialism ensued. The hard-fought independence of Afghanistan, unfortunately, was short-lived--it only lasted half a century. After a revolution led by the Afghan Communist Party, backed by the USSR, the country was occupied and heavily influenced by the USSR between 1973 and 1989. Once the Soviet Union had left Afghanistan, the population was wary of centuries of war and unrest, so they did not resist Taliban rule. However, due to the Taliban&#8217;s connection with Al Qaeda and Osama Bin Laden, the US invaded and soon took over the country and established an independent Government in 2004. This finally gave women and the underrepresented ethnicities a voice.</p><p>But the progress ended in 2021, after US troops withdrew from the country and the Taliban regained power.  Just like Sitara predicted in 2021, the Taliban&#8217;s promise to protect the rights of women and minorities is indeed just window dressing. Under Taliban rule, women lost the right to work, go outside, get an education, and even to speak in public. Ethnic and religious minorities and the LGBTQ community in Afghanistan faced escalating levels of persecution.  They became subject to arbitrary arrest, torture even execution.</p><p>Afghanistan is an incredibly ethnically diverse country, home to many ethnicities and religions. It includes Pashtuns (42 percent), Tajiks (27 percent), Hazaras (9 percent), Uzbeks (9 percent), Aimak (4 percent), Turks (3 percent), and Baloch (2 percent). Among this diverse population of 41 million, Pashtuns are the dominant ethnic group in Afghanistan.  Taliban rulers are also Pashtuns. Although the official religion and most of the population are Muslims, a variety of religions are practised among the minorities, such as Christians, Sikhs, Hindus and Baha&#8217;i.  However, since the Taliban came into power in 2021, religious freedom has been severely restricted. Nowadays, the entire population is being coerced to live under the strict interpretation of Sunni Islam.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!IE14!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!IE14!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png 424w, https://substackcdn.com/image/fetch/$s_!IE14!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png 848w, https://substackcdn.com/image/fetch/$s_!IE14!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png 1272w, https://substackcdn.com/image/fetch/$s_!IE14!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!IE14!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png" width="628" height="750" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:750,&quot;width&quot;:628,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:89590,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/190087975?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!IE14!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png 424w, https://substackcdn.com/image/fetch/$s_!IE14!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png 848w, https://substackcdn.com/image/fetch/$s_!IE14!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png 1272w, https://substackcdn.com/image/fetch/$s_!IE14!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3976111f-bcb4-4750-9cc4-989a94765f0f_628x750.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p> &#8220;Afghanistan is a nightmare for religious freedom&#8212;and other fundamental human rights.&#8221; Out of the minority groups, Hazaras are the most persecuted since the establishment of the empire. This can be due to their practice as Shi&#8217;a school of Muslims. After centuries of systematic discrimination and forced migration, the population in Afghanistan declined sharply. Their situation has only worsened since the Taliban came to power in 2021. They lost their representatives in government, and also faced escalating violence from the Taliban as well as ISIS-K ( Islamic State &#8211; Khorasan). </p><p>&#8220;There is a genocidal campaign against the Hazara under the Taliban&#8217;s authority.&#8221; Said Azra Jafari, the first female mayor in Afghanistan&#8217;s history from the Hazara community. She voiced her concern regarding the treatment of ethnic minorities in Afghanistan. In her youth, she fled to Iran under the first Taliban rule from 1996-2001, and she constantly feared Taliban and ISIS attacks during her time in office as a mayor. In another interview with EWTN, she also said that being a woman from the Hazara minority made her a &#8220;third-grade person&#8221;. Although she is currently in exile, she encouraged minority women in Afghanistan to keep fighting for their rights. </p><p>Indeed, since the Taliban takeover, Hazara women faced &#8216;intersecting forms of discrimination&#8217;--are targeted on the grounds of both their gender and their ethnicity and religion. Talibans used ridiculous excuses like &#8216;bad hajab&#8217; to arrest and abuse Hazara women. Mursal was a Hazara woman who was detained due to &#8216; bad hijab&#8217;. She was beaten, had her head submerged under water and taunted with racially discriminatory remarks.  In the videos released to show the arrest of Hazara women, they are all wearing hijabs covering their whole face. Unfortunately, even within women&#8217;s rights groups, Hazara women faced discrimination from other ethnic groups of women. &#8220;There is no solidarity with Hazara women, and we have faced insult and humiliation.&#8221; </p><p>To make the situation worse, Hazara women is also facing deadly violent attacks from ISIS-K. Since Taliban takeover of the country in 2021, there have been 13 attacks against Hazara community, killing more than 700 people.</p><p>Taliban leaders were criticised for a complacent attitude towards ISIS-K attacks on Hazara communities.</p><p>The Taliban&#8217;s restrictions on the media made it nearly impossible for journalists to record the plight of ethnic minorities and share it with the outside world. Youtuber Joe Fazer, who recently travelled to Afghanistan, revealed that he had to leave the country within 24 hours due to fear that he might be arrested for filming. Indeed, since 8<sup>th</sup> Oct, the Taliban has begun imposing restrictions on social media platforms, severely curtailing the right to freedom of expression. Independent journalism remains vital for exposing abuses, supporting UN and ICC investigations, and giving voice to marginalised communities..</p><p>The violent attacks on ethnic minorities in Afghanistan had a devastating impact on their mental and physical health.  Taliban withdrew financial support for victims of the violent attacks. For instance, a 16-year-old Safia became deaf and unable to speak after ISIS suicide fighters set off a bomb near her home. Her father, on a meagre wage, cannot afford to send her for hospital treatment.  The mental scars of these violent attacks prevented the Hazara and Shia communities from exercising their fundamental human right, such as going to places of worship, work and education, for fear of an attack happening. </p><p>Although numerous government and NGOs are doing their best to help ethnic minorities in Afghanistan through exerting pressure on the Taliban government, the humanitarian assistance is far from adequate. Many NGOs like Human Rights Watch and Amnesty International have highlighted the fact that ethnic minorities in Afghanistan, especially the Hazara community, are facing crimes against humanity and even genocide.</p><p>Currently, there is a case in the International Criminal Court regarding Afghanistan, for its alleged crimes against humanity, and an arrest warrant has been issued for the supreme leader of Afghanistan, Haibatullah Akhundzada. However, ICC lacks the power to enforce this jurisdiction, making it a merely symbolic gesture </p><p>Without international pressure, ethnic minorities and marginalised groups in Afghanistan face a bleak future. Richard Bennett, Special Rapporteur on the human rights situation in Afghanistan, warned in early 2025 that &#8220;Intensifying Taliban repression, expanding discrimination against women and girls&#8230;violations against ethnic and religious&#8230;are stark warnings that things in Afghanistan are only getting worse.&#8221;</p><p>Continued global attention and press coverage are essential. Governments worldwide must hold the Taliban accountable if it seeks international legitimacy. Expanding refugee and asylum programs is also vital to protect those fleeing persecution.</p><p>And for readers who feel moved by these stories &#8212; you can help too. Donate to organizations such as Afghanaid, the Refugee Council, or ARAP (Afghan Relocations and Assistance Policy). Start a fundraiser, sign a petition, or raise awareness on social media.</p><p>Your action today can help make the future a little brighter for Afghanistan&#8217;s minorities.</p><p>Article written by Lisa Shi, Nov 2025</p><p><strong>Biblipgraphy</strong></p><blockquote><p><em>Afghanistan: ISIS Group Targets Religious Minorities | Human Rights Watch</em>. 6 September 2022. https://www.hrw.org/news/2022/09/06/afghanistan-isis-group-targets-religious-minorities.</p><p><em>Afghanistan: New Restrictions on Telecommunications Raise Further Rights Concerns, Say UN Experts</em>. 2025. https://www.ohchr.org/en/press-releases/2025/10/afghanistan-new-restrictions-telecommunications-raise-further-rights.</p><p><em>Afghanistan&#8217;s Hazara Community Needs Protection | Human Rights Watch</em>. 13 September 2024. https://www.hrw.org/news/2024/09/13/afghanistans-hazara-community-needs-protection.</p><p>Amit Kumar &amp; Aayushi Malhotra. &#8216;Factoring Ethnicity in Taliban&#8217;s Quest for Legitimacy | GJIA&#8217;. <em>Georgetown Journal of International Affairs</em>, 17 April 2024. https://gjia.georgetown.edu/2024/04/17/factoring-ethnicity-in-talibans-quest-for-legitimacy-an-anthropological-rewiring-of-the-power-structure/.</p><p>Amnesty International. &#8216;Afghanistan: One Year of the Taliban&#8217;s Broken Promises, Draconian Restrictions and Violence&#8217;. 15 August 2022. https://www.amnesty.org/en/latest/news/2022/08/afghanistan-one-year-of-the-talibans-broken-promises-draconian-restrictions-and-violence/.</p><p>Amnesty International. &#8216;Human Rights in Afghanistan&#8217;. Accessed 12 November 2025. https://www.amnesty.org/en/location/asia-and-the-pacific/south-asia/afghanistan/report-afghanistan/.</p><p>Campbell, Lisa J., Pamela Ligouri Bunker, and Robert J. Bunker. &#8216;The Islamic State &#8211; Khorasan Province (ISK): An Assessment of Current Operations&#8217;. <em>Small Wars &amp; Insurgencies</em>, 12 August 2024, 1&#8211;26. https://doi.org/10.1080/09592318.2024.2388897.</p><p>EWTN, dir. <em>As Afghanistan Faces Famine, 1st Female Mayor Azra Jafari Discusses the Taliban | EWTN News Nightly</em>. 30 August 2022. 5:38.</p><div id="youtube2-YLp5mMmEvxw." class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;YLp5mMmEvxw.&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/YLp5mMmEvxw.?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p>Fereshta, Abbasi. <em>Religious Freedom in Afghanistan: Three Years After the Taliban Takeover | Human Rights Watch</em>. 20 March 2025. https://www.hrw.org/news/2025/03/20/religious-freedom-afghanistan-three-years-after-taliban-takeover.</p><p>Joe, Faser . &#8216;I Travelled To Afghanistan... And Left Within 3 Hours&#8217;. 22 October 2025.</p><div id="youtube2-uTWtdwzzxaM" class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;uTWtdwzzxaM&quot;,&quot;startTime&quot;:&quot;2s.&quot;,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/uTWtdwzzxaM?start=2s.&amp;rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p>Kerami, Kaweh. <em>Silenced Voices: The Fall of Press Freedom in Afghanistan | OHRH</em>. n.d. Accessed 12 November 2025. https://ohrh.law.ox.ac.uk/silenced-voices-the-fall-of-press-freedom-in-afghanistan/.</p><p>Moradi, Farkhondeh Akbari, Kobra. &#8216;Hazara Women: How Gender and Ethnicity Intersect in the Taliban&#8217;s Repression&#8217;. Just Security, 7 March 2024. https://www.justsecurity.org/93123/hazara-women-how-gender-and-ethnicity-intersect-in-the-talibans-repression/.</p><p>Newsweek. &#8216;Afghanistan&#8217;s First Female Mayor Speaks Out as Others Can&#8217;t | Opinion&#8217;. 9 October 2024. https://www.newsweek.com/afghanistans-first-female-mayor-speaks-out-others-cant-opinion-1966453.</p><p>Nina, Evason . &#8216;Afghan - Religion&#8217;. Cultural Atlas, 1 January 2019. https://culturalatlas.sbs.com.au/afghan-culture/afghan-culture-religion.</p><p>PBS News. &#8216;A Historical Timeline of Afghanistan&#8217;. 4 May 2011. https://www.pbs.org/newshour/politics/asia-jan-june11-timeline-afghanistan.</p><p>Poya, Dr Fawad. <em>The International Criminal Court&#8217;s Pursuit of Accountability for Gender Persecution in Afghanistan: A Landmark Step for Justice (Part II) | OHRH</em>. n.d. Accessed 12 November 2025. https://ohrh.law.ox.ac.uk/the-international-criminal-courts-pursuit-of-accountability-for-gender-persecution-in-afghanistan-a-landmark-step-for-justice-part-ii/.</p><p><em>Religious Freedom in Afghanistan: Three Years After the Taliban Takeover | Human Rights Watch</em>. 20 March 2025. https://www.hrw.org/news/2025/03/20/religious-freedom-afghanistan-three-years-after-taliban-takeover.</p><p>Richard, Benett. <em>UN Expert Warns of Intensifying Human Rights Crisis as Repression Deepens in Afghanistan</em>. UN Human Rights Office of Commissioner. February 2025. https://www.ohchr.org/en/press-releases/2025/02/un-expert-warns-intensifying-human-rights-crisis-repression-deepens.</p><p><em>Situation of Human Rights in Afghanistan - Report of the Special Rapporteur on the Situation of Human Rights in Afghanistan (Advance Edited Version)</em>. A/HRC/55/80. UN Human rights , 2024. https://www.ohchr.org/en/documents/country-reports/ahrc5580-situation-human-rights-afghanistan-report-special-rapporteur.</p><p><em>South China Morning Post </em>. &#8216;Afghan Student in Hong Kong Fears for Family Caught up in &#8220;Heartbreaking&#8221; Crisis Back Home&#8217;. 4 September 2021. 5:43.</p><div id="youtube2-g0CkHRFN1Xw." class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;g0CkHRFN1Xw.&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/g0CkHRFN1Xw.?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div></blockquote><p></p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!TxTA!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!TxTA!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg 424w, https://substackcdn.com/image/fetch/$s_!TxTA!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg 848w, https://substackcdn.com/image/fetch/$s_!TxTA!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!TxTA!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!TxTA!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg" width="264" height="402.6692087702574" 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srcset="https://substackcdn.com/image/fetch/$s_!TxTA!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg 424w, https://substackcdn.com/image/fetch/$s_!TxTA!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg 848w, https://substackcdn.com/image/fetch/$s_!TxTA!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!TxTA!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa59a18bb-5c9e-4a72-ae15-8336c1ef3681_1049x1600.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Lisa discusses the post conflict experience of Afghanistan and the experience of minorities under the Taliban.  She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, King&#8217;s College, London</a>.  </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to try out gaming art NFT&#8217;s <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" 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https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[From Ruins to Global Hits -How Kosovo’s Creative Rebels Are Using Youth Diplomacy? ]]></title><description><![CDATA[Raw & Real with Alexia&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/from-ruins-to-global-hits-how-kosovos</link><guid isPermaLink="false">https://www.arts4refugees.com/p/from-ruins-to-global-hits-how-kosovos</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 17 Mar 2026 13:02:04 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/189002635/2e3e838a7c13eb12d0d352915a33d4f2.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><h2></h2><h2><strong>Post-Conflict Pop Culture: A look into how Youth-Cultural Diplomacy is shaping the international view of Kosovo and building bridges in the Balkan region</strong></h2><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!w43N!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!w43N!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png 424w, https://substackcdn.com/image/fetch/$s_!w43N!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png 848w, https://substackcdn.com/image/fetch/$s_!w43N!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png 1272w, https://substackcdn.com/image/fetch/$s_!w43N!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!w43N!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png" width="595" height="842" 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srcset="https://substackcdn.com/image/fetch/$s_!w43N!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png 424w, https://substackcdn.com/image/fetch/$s_!w43N!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png 848w, https://substackcdn.com/image/fetch/$s_!w43N!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png 1272w, https://substackcdn.com/image/fetch/$s_!w43N!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F558c5c4e-8058-49fa-b0ee-c98ad8274547_595x842.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>On the 1<sup>st</sup> August 2025 in Prishtina, Kosovo, Dua Lipa stepped out on stage at the Sunny Hill Festival. Greeted with a roaring reception, this was not her first appearance; it was her idea in the first place.</p><p> Alongside her father, Dukagjin Lipa, a native Kosovar who moved to London in the 1990s following the war in the region, Dua launched the festival 2018 with the aim of bringing together not only Kosovars, but the wider Balkans and diaspora. Featuring performances from local artists to international names such as Miley Cyrus and Fatboy Slim, Sunny Hill has helped unite audiences through music while projecting Kosovo as more than just a post-conflict society.</p><p>The Balkans has long been a contested region of southeastern Europe. Once part of the Ottoman and Austro-Hungarian Empires, and later incorporated into socialist Yugoslavia, it has been shaped by overlapping identities and territorial tensions. The violent breakup of Yugoslavia in the 1990s exposed these fractures, producing wars in Croatia, Bosnia and ultimately Kosovo.</p><p>Landlocked between Serbia, Albania, North Macedonia and Montenegro, Kosovo holds deep historical significance for Serbia, particularly through the symbolism of the 1389 Battle of Kosovo. By the late twentieth century, however, Kosovo had become overwhelmingly ethnically Albanian. In 1989, Serbian leader Slobodan Milo&#353;evi&#263; revoked Kosovo&#8217;s constitutional autonomy, placing it under direct rule from Belgrade and marginalising Kosovo Albanians from public life.</p><p>By the late 1990s, an armed resistance known as the Kosovo Liberation Army was in heavy conflict with a harsh Serbian counterinsurgency. The conflict led to mass displacement and more than 13,000 deaths or disappearances between 1998 and 2000. Amid fears of ethnic cleansing, NATO launched a 78-day air campaign in 1999, forcing Serbian withdrawal.</p><p>Kosovo declared independence in 2008 but remains unrecognised by Serbia, as well as by Russia, China and five EU member states. This partial recognition has prevented membership in the United Nations and the European Union. Tensions persist, particularly in the divided city of Mitrovica, where ethnic separation remains visible. Economic strain, emigration and political fragmentation continue to shape the state&#8217;s trajectory. Yet this diplomatic stalemate does not fully capture the direction in which Kosovo&#8217;s society is moving.</p><p>Youth-led cultural initiatives suggest a different dynamic. Artists such as Rita Ora and Dua Lipa have amplified Kosovo&#8217;s global visibility. More significantly, they have reframed it. Non-state actors and digital networks have begun to influence perception in ways that formal diplomacy has struggled to achieve.</p><p>This new generation of cultural ambassadors born directly after the conflict, are often described as the Post-Memory Generation. They were raised on stories of the war, in households shaped by trauma, but they themselves have no lived memory of it. Today, anyone under twenty-six in Kosovo was born after 1999, and anyone under thirty likely has no personal recollection of the violence. Having the youngest population in Europe, with approximately fifty-three per cent of the population under twenty-five, over half the country has no direct memory of the conflict.</p><p>Rather than lived trauma, many carry transmitted trauma. Research suggests that children of parents suffering from war-induced PTSD are more likely to experience intergenerational psychological effects. Through family narratives, school curriculums and memorial days, the past remains the present, even for those that did not experience it.</p><p>This distinction matters. Identity formed through direct trauma tends to be anchored in survival and loss. Identity formed after trauma has other influences. Kosovo&#8217;s post-war generation has grown up not only with recent history of loss, displacement and anger, but also with the internet, a large diaspora network and a much more global culture surrounding them. The youth of Kosovo today may be the first post- conflict generation to grow up almost entirely online, and this gives them a unique opportunity. It could be possible that the digital environment is able to dilute inherited grievance. While war remains a strong part of the national narrative, it competes with other networks: global music scenes, friendships across borders, diaspora networks and a shared European youth culture. Identity is no longer constructed solely through memory but also through digital participation and global pop cultures.</p><p>This shift has consequences beyond the individual. A generation that does not define itself through victimhood is more likely to project confidence, modernisation and a push forward. Rather than arguing for recognition through the language of grievance, they signal normalcy through what they build, organise and create, and a willingness to move beyond history. In this sense, Kosovo&#8217;s post-memory generation is emerging as a form of informal cultural diplomacy. Through festivals, art, music and digital platforms, they present Kosovo not as a frozen conflict but as a functioning, creative, contemporary society.</p><p>Nowhere is this more visible than at the Sunny Hill Festival. What appears on the surface to be a music event is also a performance of national self-definition. Lipa and her father have brought international artists, diaspora communities and local youth into a shared space that feels global. It has no focus on politics, international or domestic, instead, it presents Kosovo as connected and youthful. For a generation born after the war, this is not an attempt to live in history, it is an effort to live beyond it. Ultimately, Sunny Hills acts as an influence beyond the state.</p><p>Each summer, the festival draws thousands of visitors from across Europe and the Kosovar diaspora. Flights into Prishtina are full, hotels are at capacity, the city comes alive and the economy booms. For members of the diaspora, Sunny Hill offers a chance to immerse in cultural heritage, and for international visitors, it is often a first encounter with Kosovo. This encounter is seen not through conflict reporting, but through music, crowds and a bustling capital city.</p><p>In a state still navigating partial international recognition, that visibility matters. Formal diplomacy remains slow and constrained by geopolitics. Cultural gatherings operate differently. Artists speak about performing in Kosovo, visitors share images online, and alternative narratives circulate without being framed as political argument. The country appears less as a frozen dispute and more as a functioning society. This does not resolve structural tensions, nor does it replace political dialogue. But it subtly shifts perception.</p><p>Sunny Hill therefore operates beyond the state. It brings international artists, regional audiences and diaspora communities into the same physical space, creating familiarity where distance once defined the relationship. In doing so, it expands how Kosovo is seen, both abroad and at home. For a generation born after the war, this is less about rewriting the past than about establishing a different baseline for the future. Recognition, in this context, is not demanded. It is normalised.</p><p>Peace has held in Kosovo for over two decades, but normalisation is still unfolding. While questions regarding sovereignty and recognition remain subjects of formal diplomatic negotiation, a quieter transformation is taking place outside of these negotiations. On stages, in cultural spaces and across digital networks, a generation without a lived memory of war is now reshaping how Kosovo is seen. This shift is not loud, and it is not official, but it is having an impact just as powerful.</p><p><em><strong>Bibliography</strong></em></p><p>Goff, Patrica, &#8220;Cultural Diplomacy,&#8221; in Nancy Snow, Nicholas Cull (eds.), <em>Routledge Handbook of Public Diplomacy </em>(New York, 2020), 30-37.</p><p>Nitaj, Laberion, &#8220;Art Festivals: A Bridge Between Serbia and Kosovo&#8221;, <em>New Social Initiative, </em>(August 2024), <a href="https://newsocialinitiative.org/wp-content/uploads/2024/10/Policy-Paper-Laberion-Nitaj.pdf">https://newsocialinitiative.org/wp-content/uploads/2024/10/Policy-Paper-Laberion-Nitaj.pdf</a>, accessed 13 February 2026.</p><p>Rosney, Daniel, &#8220;Sunny Hill: Dua Lipa&#8217;s Family Festival &#8216;Changing&#8217; Kosovo&#8217;s Image&#8221;, <em>BBC News, </em>(30 July 2024), <a href="https://www.bbc.co.uk/news/articles/c72v40pmgv1o">https://www.bbc.co.uk/news/articles/c72v40pmgv1o</a>, accessed 13 February 2026.</p><p>Sassi, Lorenzo and Amighetti, Emanuele, &#8220;Kosovo: A young country, being shaped by its youth&#8221;, <em>Politico, </em>(2018), <a href="https://www.politico.eu/interactive/in-pictures-kosovo-10th-anniversary-future-being-shaped-by-its-youth/">https://www.politico.eu/interactive/in-pictures-kosovo-10th-anniversary-future-being-shaped-by-its-youth/</a>, accessed 13 February 2026.</p><p><em>See the Kosovo Memory book at: <a href="https://www.hlc-rdc.org/en/loss-database/kosovo-memory-book/">https://www.hlc-rdc.org/en/loss-database/kosovo-memory-book/</a></em></p><div><hr></div><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;96576090-657e-4caa-bcc6-53b721d092de&quot;,&quot;duration&quot;:null}"></div><p></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!JUno!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!JUno!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png 424w, https://substackcdn.com/image/fetch/$s_!JUno!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png 848w, https://substackcdn.com/image/fetch/$s_!JUno!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png 1272w, https://substackcdn.com/image/fetch/$s_!JUno!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!JUno!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png" width="739" height="272" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/e2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:272,&quot;width&quot;:739,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:189062,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/189002635?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F33e39d8e-286e-4f45-81e1-15fd99ecec3e_1920x1080.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!JUno!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png 424w, https://substackcdn.com/image/fetch/$s_!JUno!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png 848w, https://substackcdn.com/image/fetch/$s_!JUno!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png 1272w, https://substackcdn.com/image/fetch/$s_!JUno!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2baf0b5-29f1-4909-897c-479d47bd3325_739x272.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><em>In this episode Alexia discusses the post conflict experience of  Kosovo and how today&#8217;s youth are are taking ownership of their country using festivals and the arts to rebuild their nation.     She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, King&#8217;s College, London</a>. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to try out gaming art NFT&#8217;s <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[Unfinished Business? Living in the Afterlife of Apartheid]]></title><description><![CDATA[Raw & Real with Laura&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/unfinished-business-living-in-the</link><guid isPermaLink="false">https://www.arts4refugees.com/p/unfinished-business-living-in-the</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 10 Mar 2026 13:03:48 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/188890970/094f538b9f728af20275d0ed49cd877a.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><h2>From Rainbow Nation to Unfinished Freedom: Postmemory and the Search for Justice in South Africa</h2><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!SjuJ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!SjuJ!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg 424w, https://substackcdn.com/image/fetch/$s_!SjuJ!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg 848w, https://substackcdn.com/image/fetch/$s_!SjuJ!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!SjuJ!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!SjuJ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg" width="800" height="2000" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2000,&quot;width&quot;:800,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:229011,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/188890970?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!SjuJ!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg 424w, https://substackcdn.com/image/fetch/$s_!SjuJ!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg 848w, https://substackcdn.com/image/fetch/$s_!SjuJ!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!SjuJ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9abd2e09-7e00-461c-94ac-10aae2ddf4ad_800x2000.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>More than 30 years after apartheid&#8217;s legal end, South Africa remains one of the least equal countries in the world. The country once referred to as the &#8220;Rainbow Nation&#8221; is today a vivid reminder of apartheid through spatial and economic legacies: under-resourced townships, stark education and employment differences, and concentrated wealth. For the second and third generations of black South Africans, apartheid survives not only as testimony but as inherited spatial arrangements and inequality that continue to shape their everyday lives. That inheritance turns formal freedom into a symbolic condition and renders the Freedom Charter&#8217;s promise of redistribution, autonomy, and freedom an unresolved demand.</p><p><strong>Context</strong></p><p>In 1994, South Africa held its first democratic elections, resulting in the African National Congress (ANC), led by Nelson Mandela, emerging victorious (Gumbi et al., 2024). This event marked the end of apartheid (Afrikaans for &#8220;separateness&#8221;), a racial segregation system established in 1948 by the Dutch settlers&#8217; National Party (NP). During apartheid, black people were forced to live separately from white people, denied access to many jobs, and discriminated against in wages and rights (such as voting), leading to widespread poverty. When the ANC came to power, this system was legally dismantled, and Archbishop Desmond Tutu famously coined the country as the &#8220;Rainbow Nation&#8221;: an ethnically and culturally diverse, equal, fair, and cooperative South Africa (Nelson Mandela Foundation, 2024).</p><p>However, present-day South Africa is far from being a &#8220;Rainbow Nation&#8221;. Although all South Africans are now legally free and equal, the legacy of apartheid still affects the economy and spatial distribution. This makes South Africa one of the least equal countries in the world, with 10% of the population controlling 80% of the wealth (Lawal, 2024). The economy grew after apartheid, but, since then, only a small portion of the GDP reaches black households (Lawal, 2024). Furthermore, gross debt reached 71.1% of the GDP in 2022 due to corruption and government inefficiency (Lawal, 2024). This has resulted in the absence of a middle class, highly unequal land ownership, and a wage difference between white and black households of $5,586 per month (Lawal, 2024). In early 2023, black unemployment was around 40%, while only 7.5% of the white population was unemployed (Lawal, 2024).</p><p>In addition, public schools lack resources and face persistent racism, while limited transport access makes it difficult for low-income families living in remote areas to reach former white schools, which continue to offer better facilities and resources (Lawal, 2024). Likewise, black students are still underrepresented in higher education (Lawal, 2024).</p><p>Another facet of apartheid&#8217;s legacy is housing. While there&#8217;s been a redistribution of population across the country, allowing black South Africans to move closer to city centres and business districts, rural and poorly equipped townships, where black populations were relocated to during apartheid, still exist. These townships, which remain racially segregated and are continuously growing, are separated by buffers from predominantly white, high-income neighbourhoods (Lawal, 2024). Government funds providing homes for low-income families contribute to this spatial inequality, as such houses are far from economic centres, with poor transport networks, making rural unemployment twice as high as in other parts of the country (Lawal, 2024).</p><p><strong>The Freedom Charter and Human Needs</strong></p><p>The persistence of structural inequalities contrasts sharply with the aspirations that once defined the anti-apartheid movement: the Freedom Charter of 1955. This document was adopted by the Congress Alliance, a coalition between the ANC and other liberation movements. It called for equal rights, democratic participation, economic redistribution, freedom to choose where to live, free and equal education, and the end of racial segregation (African National Congress, 1955). Although formal dismantling of apartheid occurred, the transformative vision outlined by the Charter remains distant in today&#8217;s South Africa.</p><p>To unpack this vision, we must trace three interlocking human needs at the heart of the Freedom Charter&#8217;s anti-apartheid struggle: social justice as the demand for economic redistribution and equal life chances; freedom understood not merely as legal rights but as the real capacity to shape one&#8217;s life; and autonomy as the capacity to live and work within dignified space. First, social justice questions whether legal change transformed into material equality or whether existing wealth patterns persisted. While the Freedom Charter promised a radical wealth transfer, the post-apartheid transition involved an elite pact between corporate capital and the ANC, leading to the adoption of neoliberal policies rather than a wealth redistribution to meet human needs (Gibson, 2012). As a result, these policies have led to the so-called Black Economic Empowerment (BEE) which has created a new elite of &#8220;black diamonds&#8221; whose wealth is entrenched in the dynamics of capitalism and quick profit rather than national accumulation (Gibson, 2012).</p><p>Second, while justice addresses redistribution, freedom highlights the gap between legal equality and material conditions, the latter essential to truly experience equality under the law. Although apartheid has been legally dismantled, the economic realities outlined above &#8211; 10% of the population controlling 80% of the wealth, massive black unemployment, and the continued relocation of poor black communities to peripheral townships &#8211; demonstrate that formal freedom doesn&#8217;t translate into substantive freedom, equal opportunities, or lived equality. Third, autonomy focuses on the spatial and economic barriers preventing people from controlling their own lives. Due to neoliberalist policies, a large proportion of black South Africans are forced to relocate to expanding state-funded townships outside economic centres and big cities. These cities, therefore, have been &#8220;deracialized&#8221; through a &#8220;bourgeois&#8221; phenomenon, as access to them is granted by money (Gibson, 2012). Spatial segregation thus continues in the post-apartheid era, showing how Fanon&#8217;s argument that colonial domination is inscribed in the &#8220;ordering and geographical layout&#8221; of societies remains true in a postcolonial society (Gibson, 2012). As black populations are relocated in these poor townships, they lose autonomy to live, move, and work with dignity, limiting their actual choices.</p><p><strong>Apartheid Postmemory</strong></p><p>Economic and spatial inequality become in this way a material form of postmemory. New generations inherit not the apartheid itself, but the urban structures and poverty through which its divisions continue. In this case, postmemory does not only take the form of indirect stories on the periphery of new generations&#8217; consciousness but also acquires a real and vivid form through which second and third generations experience those stories first-hand.</p><p>The memory of the &#8220;Promised Land&#8221; &#8211; the vision articulated by the ANC and embodied in the Freedom Charter &#8211; also becomes central to apartheid postmemory. For new generations, freedom is not just a lived struggle, but an inherited narrative of hope: a promise of an equal and just country, where everyone has access to the same opportunities regardless of skin colour. Yet the persistence of economic exclusion, government corruption, and spatial inequality have turned this hope into disillusionment and anger. In this sense, postmemory operates not only through inherited trauma but through inherited expectation of justice that remains unfulfilled.</p><p>Nigel Gibson (2012) argues from a Fanonian perspective that the post-apartheid transition did not transform South Africa&#8217;s economic structure, resulting in an &#8220;incomplete liberation.&#8221; The degeneration of the &#8220;Promised Land&#8221; manifests itself in rising frustration among the poor, who experience freedom as symbolic (end of apartheid and political rights) rather than substantive (material transformation). The symptom of this frustration &#8211; xenophobia &#8211; has been directed towards &#8220;black foreigners&#8221; rather than political leaders or economic elites, as seen in the 2008 riots, targeting poor African migrants, while white foreigners &#8211; viewed as investors or tourists &#8211; have remained untouched (Gibson, 2012).</p><p>Nearly three decades after Desmond Tutu coined the term &#8220;Rainbow Nation,&#8221; the ideal remains aspirational. The ANC faces accusations of self-enrichment and of failing to deliver on material justice (BBC, 2024). While South Africa boasts linguistic and skin colour diversity and progressive rights, persistent inequality and racism contrast with the promise of equality, unity, and justice (Nelson Mandela Foundation, 2024).</p><p>Thus, in contemporary South Africa, apartheid postmemory isn&#8217;t confined to past suffering stories. It&#8217;s embedded in inherited spatial divisions, economic exclusion, and the expectation of justice yet to come. The born-free generation doesn&#8217;t experience apartheid directly, but inherits its spatial, economic, and affective legacies.</p><p><strong>Bibliography</strong></p><p>African National Congress. (1955). <em>The Freedom Charter</em> Congress of the People, Kliptown. <a href="https://www.anc1912.org.za/the-freedom-charter-2/">https://www.anc1912.org.za/the-freedom-charter-2/</a></p><p>BBC. (2024). <em>Thirty years since apartheid ended: What was it, how did it end, and why did it start?</em> Retrieved 10/02/2026 from <a href="https://www.bbc.co.uk/newsround/68937527">https://www.bbc.co.uk/newsround/68937527</a></p><p>Gibson, N. C. (2012). What Happened to the &#8220;Promised Land&#8221;? A Fanonian Perspective on Post-Apartheid South Africa. <em>Antipode</em>,<em> 44</em>(1), 51-73. <a href="https://doi.org/10.1111/j.1467-8330.2010.00837.x">https://doi.org/10.1111/j.1467-8330.2010.00837.x</a></p><p>Gumbi, K., Kumwenda-Mtambo, O., Kongkunakornkul, P., Sen, S., &amp; Sachdev, V. (2024). <em>Thirty years after the end of apartheid, equality eludes South Africa</em>. Reuters. Retrieved 10/02/2026 from <a href="https://www.reuters.com/graphics/SAFRICA-ELECTION/ECONOMY/egpbonzrgvq/">https://www.reuters.com/graphics/SAFRICA-ELECTION/ECONOMY/egpbonzrgvq/</a></p><p>Lawal, S. (2024). <em>South Africa: 30 years after apartheid, what has changed?</em> Al Jazeera. Retrieved 10/02/2026 from <a href="https://www.aljazeera.com/news/2024/4/27/south-africa-30-years-after-apartheid-what-has-changed">https://www.aljazeera.com/news/2024/4/27/south-africa-30-years-after-apartheid-what-has-changed</a></p><p>Nelson Mandela Foundation. (2024). <em>The Rainbow Nation ideal: an ever-distant promise</em>. Retrieved 10/02/2026 from <a href="https://www.nelsonmandela.org/news/entry/the-rainbow-nation-ideal-an-ever-distant-promise">https://www.nelsonmandela.org/news/entry/the-rainbow-nation-ideal-an-ever-distant-promise</a></p><p></p><div><hr></div><p></p><p><em>In this episode Laura discusses the post apartheid  experience of  South Africa.  What the situation on the ground is decades down the road. She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, King&#8217;s College, London</a>. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    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Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[Is The Peace Real? 41 YEARS of War vs. 6 MONTHS of Peace. We Checked The Vibe of Kurdish Life in Türkiye Now]]></title><description><![CDATA[Listen now | Raw & Real with Sophie&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/is-the-peace-real-41-years-of-war</link><guid isPermaLink="false">https://www.arts4refugees.com/p/is-the-peace-real-41-years-of-war</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 03 Mar 2026 15:47:31 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/178813119/58a50c155599549c02eb4ce9b20c1ad0.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>Forty-one years of conflict and 6 months of peace: Kurdish life in T&#252;rkiye after the PKK.</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!5RnN!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!5RnN!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg 424w, https://substackcdn.com/image/fetch/$s_!5RnN!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg 848w, https://substackcdn.com/image/fetch/$s_!5RnN!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!5RnN!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!5RnN!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg" width="722" height="1024" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/fe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1024,&quot;width&quot;:722,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:192049,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178813119?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!5RnN!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg 424w, https://substackcdn.com/image/fetch/$s_!5RnN!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg 848w, https://substackcdn.com/image/fetch/$s_!5RnN!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!5RnN!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe7cd8fa-727e-4123-8a9b-61200b9393f9_722x1024.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!3n5L!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!3n5L!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg 424w, https://substackcdn.com/image/fetch/$s_!3n5L!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg 848w, https://substackcdn.com/image/fetch/$s_!3n5L!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!3n5L!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!3n5L!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg" width="1430" height="805" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:805,&quot;width&quot;:1430,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Turkey v Syria's Kurds: The short, medium and long story - BBC News&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Turkey v Syria's Kurds: The short, medium and long story - BBC News" title="Turkey v Syria's Kurds: The short, medium and long story - BBC News" srcset="https://substackcdn.com/image/fetch/$s_!3n5L!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg 424w, https://substackcdn.com/image/fetch/$s_!3n5L!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg 848w, https://substackcdn.com/image/fetch/$s_!3n5L!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!3n5L!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F02956046-6cd9-4c0b-bede-fc4a2c66ab27_1430x805.jpeg 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><em>Figure 1: Turkey Vs Syria&#8217;s Kurds: The short, medium and long story (BBC, 2019)</em></p><p>Saida was 19 when drone strikes hit her village in Ghuzare, near the Turkish Syrian border, as Turkish authorities targeted the region for terrorist militants. Interviewed by <em>Radio France</em>, she described the rubble in her garden and the dust in her eyes. These attacks were common during the decades-long conflict between the Turkish government and the <em>Kurdish Workers&#8217; Party</em> or PKK, labelled by that government as a terrorist organization. In May 2025, a ceasefire was declared, and the PKK announced its dismantlement after the imprisonment of its leader Abdullah &#214;calan. However, questions remain about the Kurdish people and their rights in T&#252;rkiye after the long fight for cultural freedom and independence. How can populations that have been at war for so long finally coexist on the same territory, and what challenges do they face today?</p><p>The PKK was founded in 1978 as a secessionist group seeking Kurdish self-determination and socialism. Their original goal was to create a new State: Kurdistan, covering parts of Syria, Iran, Iraq and Armenia, but primarily in T&#252;rkiye. This desire for autonomy clashed with Turkish national interests, leading to armed conflict soon after its creation. This conflict lasted 41 years, causing the death of an estimated 40,000 people and a near coup in 2016. The conflict and the PKK&#8217;s creation stemmed from centuries of oppression of the Kurdish people, who were not recognised by their governments, and faced generations of assimilation and repression. T&#252;rkiye was especially harsh after World War I and the rise of Kemalist ideology, which called for a unified State. In the post-war period, laws were put in place to perpetuate what was seen as Turkish cultural domination. These laws prohibited Kurdish people from speaking their language, forming political parties, or having their own educational system. This situation persisted until around 2008 when there was a momentary desire for cooperation between the authorities and the Kurdish population. However, tensions remained. Although the PKK had abandoned the idea of a completely independent Kurdistan by the 21<sup>st</sup> century, they still aspired to a semi-autonomous region, with the freedom to practice their customs and teach their children their language. With the dismantling of the PKK after their defeat in combat, there are uncertainties regarding these demands. This article will cover concerns such as political representation and interests, cultural freedoms, and community rebuilding in the post-war period.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!5ZxN!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!5ZxN!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png 424w, https://substackcdn.com/image/fetch/$s_!5ZxN!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png 848w, https://substackcdn.com/image/fetch/$s_!5ZxN!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png 1272w, https://substackcdn.com/image/fetch/$s_!5ZxN!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!5ZxN!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png" width="1080" height="608" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/659725f2-8300-4981-92df-9b7c494256fc_1080x608.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:608,&quot;width&quot;:1080,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!5ZxN!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png 424w, https://substackcdn.com/image/fetch/$s_!5ZxN!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png 848w, https://substackcdn.com/image/fetch/$s_!5ZxN!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png 1272w, https://substackcdn.com/image/fetch/$s_!5ZxN!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F659725f2-8300-4981-92df-9b7c494256fc_1080x608.png 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><em>Figure 2: Turkey&#8217;s PKK Conflict: The Death Toll | International Crisis Group (2016)</em></p><p>Recep Tayyip Erdogan has been T&#252;rkiye&#8217;s president since 2014 but has been in government since 2003. He is a central figure in the battle against the PKK and the fate of the Kurdish people. His <em>Justice and Development Party </em>is conservative and emphasizes Turkish nationalism. Initially, there was lenience towards the Kurdish, leading to pro-Kurd parties like the <em>People&#8217;s Equality and Democratic Party </em>(DEM), now third in the polls. This advancement of pro-Kurdish sentiment is significant for Erdogan&#8217;s hold on power. Securing Kurdish support is vital for winning the next election, as they represent one fifth of the Turkish population. With the capture of the PKK&#8217;s founder Abdullah &#214;calan, Erdogan has depicted himself as the sole hero against the PKK. Much of Erdogan&#8217;s notoriety rested on the perception that he was the only one who could defeat the PKK, often sacrificing democracy to do so. In 2016 after the attempted coup in the capital Ankara by the PKK, the government set out policies regarding Kurdish government officials. Around 100,000 Kurdish people were fired from mayoral or journalism positions. Approximately 50,000 people were detained without trial, and many newspapers and local parties were shut down. The Turkish court has also attempted on several occasions to pursue the DEMs for PKK affiliation, without evidence. These political purges damaged relations between the Turkish government and the Kurdish populations in the southeast. These regions are isolated by mountains and vulnerable to foreign influence from Syria and Iran, as well as the <em>People&#8217;s Protection Unit</em>, a PKK branch still aspiring to fight. The Turkish government must integrate the Kurdish people into the Turkish political sphere to regain popularity in these far-off regions. Today, there is anxiety regarding the peace process. The people are tired of ongoing tensions, and most of the Kurdish people no longer support the PKK; however, one in three Turks distrusts the peace process with the militants. The general conservatism and prejudice ingrained in Turkish society cannot be overlooked when discussing peace processes between communities. Most of the Turkish people still remain reticent about integrating Kurdish people, who are still greatly underrepresented in Turkish politics.</p><p>How then, can people live together on the same territory after so many years of political tensions and violence? After the attempted coup in 2016, 24,000 people were curfewed before being displaced in the district of Sur in Diyarbakir. Many testified to <em>Amnesty International</em>, detailing the conditions of their displacement. Most of the people who left saw their homes destroyed by drone strikes or pillaged. Although leaving home at the risk of returning to nothing is frightening, fleeing was unavoidable. During the curfews and lockdowns, it was reported that people had little to no access to food and water and could not go out due to imminent threats. Autonomous weapon systems indiscriminately target civilians and fighters, as well as civilian infrastructure such as homes, businesses and heritage sites. Many demands were made by Kurdish communities to the <em>United Nations Educational, Scientific and Cultural Organisation </em>(UNESCO) to help protect and rebuild classified edifices from warfare. The destruction led to the downfall of Kurdish culture as a whole. A shepherd interviewed by <em>France Culture</em> in the region of Qandil near Iraq reported that when Turkish soldiers took over rebel bases in the mountains, they would also cut down century-old fruit trees that were typical of the region and part of Kurdish heritage. Assimilation does not simply occur through policymaking; it is also a fight to undermine a culture by breaking down its communities and depleting its resources. This includes the resources necessary for survival and customs. After displacement, most people who had lived as tight-knit communities were now dispersed across T&#252;rkiye, mostly in big cities where they were culturally minimized, and 60% of homes were targeted for upscale refurbishment plans by the government. Fighting for rights and representation is much more difficult from a position of isolation. The Turkish government demoralised the Kurdish people by perpetuating systemic poverty. They lived in poor conditions with little access to education or high-paying jobs.</p><p>Peace is difficult when resentment persists. The war against the PKK was a particularly deadly one. The 2025 <em>British Home Office</em> report estimates 6,677 deaths since 2016, including 614 civilians and 4,409 PKK members. Most civilian casualties were due to bombings by the Turkish government, suicide bombers, and mass shootings. These attacks occurred almost daily and affected all members of society. As for the combatants, returning home post-conflict is incredibly difficult. Turkish authorities reportedly used torture, leaving serious psychological scars, but the most damaging impact of all is the enduring hatred for the government, which is difficult to shake after 40 years of belligerence. <em>Artis International&#8217;s </em>concept of <em>devoted</em> <em>actors</em> is important in understanding the state of mind of the 70,000 demobilized fighters. These individuals, often young men, have been indoctrinated in a hate campaign against the Turkish government for four decades. Getting rid of that anger will prove to be difficult. A mayor in the region of Diyarbakir who was suspended for putting up flyers for Kurdish self-determination told of how his son left to join the PKK promptly after his demotion due to a feeling of uselessness in &#8220;doing politics.&#8221; Living next to your neighbour when a child or parent has been killed in a government drone strike or in a suicide bombing is a struggle that endures after the ceasefires. Living with the reality of death and conflict becomes more difficult if the scars cannot heal in a world of repressed speech and forced cooperation.</p><p>The solutions needed are transitional justice and accountability from both sides for the atrocities committed. The Turkish government allows for only one form of memory, that of a collective national story. By classifying the PKK as a terrorist organisation, the State has total control over public discourse and the arrangements for dismantling the rebel group. If deemed necessary for citizens&#8217; safety, the government can and has shut down most of the Kurdish voices of autonomy and cultural freedom, deciding by itself what can and cannot be said against it and the country. There is a pressing need for the Turkish government to recognise the Kurdish people, their language and their customs. Without this recognition, there can be no proper representation. Through quotas in government and policies that move towards higher education of Kurdish people, T&#252;rkiye can exist as a diverse multi-ethnical country.  Until the veil of silence is lifted, communities will linger in their anger, and peace cannot prevail.</p><p><strong>Bibliography:</strong></p><p><em>After the PKK: Peacebuilding challenges in Turkey, Syria. RUSI</em> (2025). <a href="https://www.rusi.org/explore-our-research/publications/commentary/after-pkk-peacebuilding-challenges-turkey-syria">https://www.rusi.org/explore-our-research/publications/commentary/after-pkk-peacebuilding-challenges-turkey-syria</a>.</p><p>Amnesty International (2021) <em>Turkey: Displaced and dispossessed: Sur residents&#8217; right to return home - Amnesty International</em>.</p><p><em>Conflict between Turkey and armed Kurdish groups | Council on Foreign Relations</em> (2025). <a href="https://www.cfr.org/global-conflict-tracker/conflict/conflict-between-turkey-and-armed-kurdish-groups">https://www.cfr.org/global-conflict-tracker/conflict/conflict-between-turkey-and-armed-kurdish-groups</a>.</p><p>Danforth, N. <em>et al.</em> (2016) <em>Turkey and the PKK after the failed coup</em>. <a href="https://warontherocks.com/2016/08/turkey-and-the-pkk-after-the-failed-coup/">https://warontherocks.com/2016/08/turkey-and-the-pkk-after-the-failed-coup/</a>.</p><p>Lazo, L. (2025) &#8216;Irak : apr&#232;s la dissolution du PKK, les Kurdes dans l&#8217;attente de la paix,&#8217; <em>France Inter</em>, 20 May. <a href="https://www.radiofrance.fr/franceinter/podcasts/le-reportage-d-un-jour-dans-le-monde/reportage-du-mardi-20-mai-2025-4099718">https://www.radiofrance.fr/franceinter/podcasts/le-reportage-d-un-jour-dans-le-monde/reportage-du-mardi-20-mai-2025-4099718</a>.</p><p><em>Les Kurdes, peuples en col&#232;re</em> (2023). <a href="https://www.radiofrance.fr/franceculture/podcasts/serie-les-kurdes-peuples-en-colere">https://www.radiofrance.fr/franceculture/podcasts/serie-les-kurdes-peuples-en-colere</a>.</p><p><em>Q&amp;A | Disbanding the PKK: A turning point in Turkey&#8217;s longest war? | ACLED</em> (2025). <a href="https://acleddata.com/qa/qa-disbanding-pkk-turning-point-turkeys-longest-war">https://acleddata.com/qa/qa-disbanding-pkk-turning-point-turkeys-longest-war</a>.</p><p></p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!cxEy!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!cxEy!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg 424w, https://substackcdn.com/image/fetch/$s_!cxEy!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg 848w, https://substackcdn.com/image/fetch/$s_!cxEy!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!cxEy!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!cxEy!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg" width="1456" height="819" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:819,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:229632,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178813119?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!cxEy!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg 424w, https://substackcdn.com/image/fetch/$s_!cxEy!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg 848w, https://substackcdn.com/image/fetch/$s_!cxEy!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!cxEy!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F17034b84-7f85-4480-8241-4b50d61d305e_1920x1080.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Sophie discusses the post conflict experience of the Kurds.  She looks at life after the 41 year conflict between PKK and Turkey  She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, KCL</a>.  This article was edited using Lex.page. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to visit our gift shop <a href="https://www.arts4refugees.net/">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" 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https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[Stop the Cycle: How Next-Level of Integrated Education Is Our Secret Tool for Healing]]></title><description><![CDATA[Listen now | Raw & Real with Eban&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/stop-the-cycle-how-next-level-of</link><guid isPermaLink="false">https://www.arts4refugees.com/p/stop-the-cycle-how-next-level-of</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 24 Feb 2026 13:02:52 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/178809442/3a8576a3b86098b02b9d26ab97e78ecd.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>Past, Present and Future: Integrated Education as a Tool of Post-Conflict Reconciliation</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!sxXu!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!sxXu!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png 424w, https://substackcdn.com/image/fetch/$s_!sxXu!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png 848w, https://substackcdn.com/image/fetch/$s_!sxXu!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png 1272w, https://substackcdn.com/image/fetch/$s_!sxXu!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!sxXu!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png" width="1456" height="819" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/b74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:819,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:435746,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178809442?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!sxXu!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png 424w, https://substackcdn.com/image/fetch/$s_!sxXu!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png 848w, https://substackcdn.com/image/fetch/$s_!sxXu!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png 1272w, https://substackcdn.com/image/fetch/$s_!sxXu!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb74eea04-9981-4736-afc5-f877acfb1051_1920x1080.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>Conflicting narratives and identities have always been at the forefront of conflict, continuing cycles of hatred and entrenching the idea that one group of people is somehow bound to eternal enmity with another. This was apparent in several conflicts in the 1990s, from the Troubles in Northern Ireland to the Bosnian War and Rwanda; all of which possessed a strong ethno-sectarian dimension. Yet, as the ashes faded in the aftermath, the question of recovery inevitably went beyond simply reconstructing people&#8217;s lived environments. Homes can be rebuilt, but post-conflict societies soon find that revitalising community and individual relations involves a long, complicated process.</p><p>Simply ending strife does not eliminate the views and identities of different communities. Each may hold a differing perception of history that influences how they relate their experiences to society. Reconciling these views and bringing about mutual acceptance and understanding, is vital. It is necessary not only forging an equitable, durable peace but ridding the very roots that originally incited the conflict. To that end, integrated education has shown potential where it has been implemented. Designed to foster an environment of mutual respect and open-mindedness through an inclusive, well-thought curriculum, integrated education allows children to meet several human needs and truly move beyond the past. However, it remains a disproportionately underused tool in post-conflict settings even today. Practically, it can be difficult to implement, requiring a large infusion of money and specialist knowledge. This is most apparent in three well-studied post-conflict zones: Bosnia, Northern Ireland and Rwanda. Each has each pursued different, sometimes limited, approaches to integrated education, to secure the shared future that their citizens deserve.</p><p><strong>Northern Ireland: Looking Beyond the Surface</strong></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Q6ik!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Q6ik!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png 424w, https://substackcdn.com/image/fetch/$s_!Q6ik!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png 848w, https://substackcdn.com/image/fetch/$s_!Q6ik!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png 1272w, https://substackcdn.com/image/fetch/$s_!Q6ik!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!Q6ik!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png" width="850" height="609" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/792253d7-853a-464b-acd6-913c88e94ec6_850x609.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:609,&quot;width&quot;:850,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!Q6ik!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png 424w, https://substackcdn.com/image/fetch/$s_!Q6ik!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png 848w, https://substackcdn.com/image/fetch/$s_!Q6ik!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png 1272w, https://substackcdn.com/image/fetch/$s_!Q6ik!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F792253d7-853a-464b-acd6-913c88e94ec6_850x609.png 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>CC: Pupils at a Northern Irish integrated school demonstrate their various nationalities, 2022, Integrated College Dungannon.</p><p>At its core, integrated education allows children to meet the fundamental human need of understanding both themselves and others. Mutual acknowledgement and acceptance of different traditions and views is one intended outcome of this unique system. Northern Ireland, which has had a long history of segregated education between Catholics and Protestants before and during the Troubles, <a href="https://www.tandfonline.com/doi/pdf/10.1080/13603116.2022.2052194?needAccess=true">began to pursue integrated education by transforming sectarian schools into mixed ones</a> after the Good Friday Agreement in 1998.</p><p>Most students in integrated schools reported feeling at ease with discussing the aspects that formed their identities, whether religion or ethnicity. Through shared activities such as sports, the invisible, superficial fault lines that had once separated individuals were broken down. Misconceptions were addressed, critical discourse between students over differing views took place and a climate of co-operation and understanding was cultivated. As one student remarked, <em>&#8216;I just identify with whoever talks to me.&#8217;</em> Despite this, the limited scale of implementation has meant that the benefits of integrated education remain restricted to a minority of Northern Irish schools.</p><p>Fifty such institutions have reportedly considered an integrated system but are a <a href="https://www.statista.com/statistics/385474/schools-in-northern-ireland/">small proportion of the thousand schools present.</a> The transition to integrated education is not a simple, linear process. It requires financial capital, thorough and systematic re-training of teaching staff and an overhaul of local curricula. As such, implementation on a national scale remains a difficult endeavour. Regardless, the net positives of integrated education in Northern Ireland are abundant, especially in the sphere of encouraging a culture of open-minded critical debate.</p><p><strong>Rwanda: Schooling From Above</strong></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Iwit!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Iwit!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Iwit!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Iwit!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Iwit!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!Iwit!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg" width="1304" height="652" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/b6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:652,&quot;width&quot;:1304,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!Iwit!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Iwit!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Iwit!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Iwit!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb6a8f53e-c34e-4b0e-b599-ae7404b48018_1304x652.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>CC: Rwandan children consult a textbook, 2025, Global Partnership Education.</p><p>In the case of Rwanda, which suffered from a brutal genocide during a civil war from 1990-94, integrated education has been pursued as part of a state-mandated &#8216;Unity and Reconciliation&#8217; programme. Where it differs from the integrated system in Northern Ireland is that it is a state-driven initiative. Emphasis is placed on a top-down narrative of Rwanda&#8217;s national history. By 2006, simple labels like &#8216;Hutu&#8217; or &#8216;Tutsi&#8217; that had once marked enormous rifts had been transcended. Instead, a shared Rwandan identity was cultivated, but, crucially, <a href="https://www.jstor.org/stable/24358020">at the expense of being able to openly discuss different views of history.</a> The Rwandan government defended this approach, framing any scrutiny of history as a potential hindrance to reconciliation efforts, a possible way of dredging up old wounds. This has discouraged students and teachers alike from engaging in history as a subjective discipline in favour of following a rigid, more authoritarian system of education that serves the state&#8217;s interests.</p><p><a href="https://www.rwandainthenetherlands.gov.rw/fileadmin/user_upload/Netherlands_user_upload/Documents/Updates/RWANDA_RECONCILIATION_BAROMETER_2020__N.pdf">By 2020, this system was still in place</a> with two challenges. Firstly, the inability of students to develop skills in critical thinking leaves them vulnerable to the inception of ethno-centric narratives that reinforce divides. <a href="https://www.rwandainthenetherlands.gov.rw/fileadmin/user_upload/Netherlands_user_upload/Documents/Updates/RWANDA_RECONCILIATION_BAROMETER_2020__N.pdf">Almost 10% of Rwandans believe that the family</a> was the main source of old hatreds still disseminated amongst the younger generations. Second, a singular, brittle state narrative can be easily hijacked by a potential group seeking to reincite ethnic hatred. Students are therefore deprived of a key human need &#8211; that of participation. How can young people truly develop intellectual independence without the opportunity to be exposed to and critique different viewpoints? As Rwanda has demonstrated, integrated education features several different components that contribute to its efficacy.</p><p><strong>Bosnia: The Key To Reconciliation?</strong></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!ePZV!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!ePZV!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg 424w, https://substackcdn.com/image/fetch/$s_!ePZV!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg 848w, https://substackcdn.com/image/fetch/$s_!ePZV!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!ePZV!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!ePZV!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg" width="1119" height="745" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:745,&quot;width&quot;:1119,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!ePZV!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg 424w, https://substackcdn.com/image/fetch/$s_!ePZV!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg 848w, https://substackcdn.com/image/fetch/$s_!ePZV!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!ePZV!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F68673f09-5d69-44e9-b67e-412f8bf4505d_1119x745.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>CC: UWC students demonstrate their nationalities with flags, 11<sup>th</sup> October 2024, UWC.</p><p>Integrated education can nurture a culture of understanding and identity that goes beyond those defined by simple hereditary cultural or religious characteristics. Above all, it can help to produce individuals capable of strengthening and enriching their nation&#8217;s democracy and society. Unlike Northern Ireland or Rwanda, Bosnia lacks a mainstream form of integration within their education system. The Dayton Agreement in the aftermath of the Bosnian War created convoluted administrative divisions across the country. These were formed along semi-ethnic lines that has resulted in a highly decentralised education system. Segregated education is the order of the day, <a href="https://www.tandfonline.com/doi/epdf/10.1080/14675986.2019.1626576?needAccess=true">except for UWC, the only integrated institution in the whole country.</a></p><p>Where integrated education has been prioritised for younger students in Rwanda and Northern Ireland, UWC comprises students aged 17-19, meaning its student body has experienced their formative years in segregated education. Students are expected to bring their engagement beyond the classroom through to community service such as helping at refugee camps. The physical contact with often homogeneous and insular communities can serve to break down psychological barriers that are invisible and far more pervasive than often thought. For example, Bosnian Muslims who had grown up with one dominant narrative met with Croats who followed their own. This opportunity was created through something as simple as community projects. This challenges the conception of integrated education as a purely academic tool and broadens it into a multidimensional model of reconciliation. Furthermore, student exposure to integrated education will pay long-term dividends by producing skilled leaders that can play a tangible role in constructing a genuinely pluralistic society.</p><p><strong>A Tool In The Workshop of Peace</strong></p><p>In conclusion, educated integration aims to facilitate reconciliation, not just through the mutual acceptance of the diversity of opinions, views and identities, but through the creation of an organic culture of co-operation and critical thinking. In the case studies that we have looked at, it has been a relatively local undertaking. Yet there has been a consistent demonstration of its effectiveness in contesting ethno-centric narratives that had once been the norm. The approach to the past is not one that buries it but rather examines it from varying perspectives to uncover the conditions that allowed conflicts to happen at all. The difficulty remains in making integrated education feasible on a community, and indeed, national scale.</p><p>As evident in the three countries, it is both fiscally costly and requires individuals willing to break ranks with their community&#8217;s conceptions of history and society. Neither is integrated education a panacea or a one-size-fits-all solution. Each post-conflict society is highly contextual, with sociocultural and geographical characteristics that must be taken into consideration. Instead, integrated education must be seen as part of a wider strategy to reconciliation; one that is slow and expensive but vital in ensuring an enduring, diverse peace. Through it, individuals are empowered to remember the past, manage the present, and prepare for the future.</p><p><strong>Bibliography</strong></p><p>Hodgkin, Marian, &#8220;Reconciliation in Rwanda: Education, History and the State&#8221; <em>Journal of International Affairs </em>60, no. 1 (2006): 199-210. <a href="https://www.jstor.org/stable/24358020">https://www.jstor.org/stable/24358020</a></p><p>Abbott, Lesley and Samuel McGuinness, &#8220;Northern Ireland pupils transcend cultural difference through transformed integrated schools: <em>we don&#8217;t think about religion when we&#8217;re passing the ball, we just do it&#8221;</em> <em>International Journal of Inclusive Education </em>28, no. 28 (2024), 2072-2087. <a href="https://doi.org/10.1080/13603116.2022.2052194">https://doi.org/10.1080/13603116.2022.2052194</a></p><p>Statista, &#8220;Number of schools in Northern Ireland from 2015/16 to 2025/25, by type.&#8221; Accessed 1 November, 2025, <a href="https://www.statista.com/statistics/385474/schools-in-northern-ireland/">https://www.statista.com/statistics/385474/schools-in-northern-ireland/</a></p><p>National Unity and Reconciliation Commission. <em>Rwanda Reconciliation Barometer 2020. </em>2020. <a href="https://www.rwandainthenetherlands.gov.rw/fileadmin/user_upload/Netherlands_user_upload/Documents/Updates/RWANDA_RECONCILIATION_BAROMETER_2020__N.pdf">https://www.rwandainthenetherlands.gov.rw/fileadmin/user_upload/Netherlands_user_upload/Documents/Updates/RWANDA_RECONCILIATION_BAROMETER_2020__N.pdf</a></p><p>Osler, Audrey and Irma Pandur, &#8220;The right to intercultural education: students&#8217; perspectives on schooling and opportunities for reconciliation through multicultural engagement in Bosnia and Herzegovina&#8221; <em>Intercultural Education </em>30, no. 6 (2019): 658-679. <a href="https://doi.org/10.1080/14675986.2019.1626576">https://doi.org/10.1080/14675986.2019.1626576</a></p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!o9Oi!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!o9Oi!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png 424w, https://substackcdn.com/image/fetch/$s_!o9Oi!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png 848w, https://substackcdn.com/image/fetch/$s_!o9Oi!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png 1272w, https://substackcdn.com/image/fetch/$s_!o9Oi!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!o9Oi!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png" width="484" height="860.4444444444445" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1920,&quot;width&quot;:1080,&quot;resizeWidth&quot;:484,&quot;bytes&quot;:1902026,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178809442?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!o9Oi!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png 424w, https://substackcdn.com/image/fetch/$s_!o9Oi!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png 848w, https://substackcdn.com/image/fetch/$s_!o9Oi!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png 1272w, https://substackcdn.com/image/fetch/$s_!o9Oi!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F556c1a75-840d-4ab3-b1e7-0114c4671865_1080x1920.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Eban discusses the complexity of using integrated education to reconcile community differences in post conflict communities. He is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, KCL</a>.  This article was edited using Lex.page. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to visit our gift shop <a href="https://www.arts4refugees.net/">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[A Heads Up: Why The Old ISIS Threat Is Resurfacing in a Broken Syria. ]]></title><description><![CDATA[Listen now (9 mins) | Raw & Real with Cerys&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/a-heads-up-why-the-old-isis-threat</link><guid isPermaLink="false">https://www.arts4refugees.com/p/a-heads-up-why-the-old-isis-threat</guid><pubDate>Tue, 17 Feb 2026 13:00:42 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/178804160/c45ce2f0de4d38d80ac69be5ab98328a.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>As a fragmented Syria struggles to take shape, the shadowy threat of the Islamic State is re-emerging</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!uB1_!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!uB1_!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg 424w, https://substackcdn.com/image/fetch/$s_!uB1_!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg 848w, https://substackcdn.com/image/fetch/$s_!uB1_!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!uB1_!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!uB1_!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg" width="800" height="2000" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2000,&quot;width&quot;:800,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:267148,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178804160?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!uB1_!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg 424w, https://substackcdn.com/image/fetch/$s_!uB1_!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg 848w, https://substackcdn.com/image/fetch/$s_!uB1_!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!uB1_!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F09dc7d9c-d262-4e15-b060-3cd5194a87dc_800x2000.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p>Since 2011 Syria has endured a brutal civil war under the iron fist of Bashar al-Assad. More than half a million people have been killed and twelve million displaced. <a href="https://shelterbox.org/where-we-work/syria/conflict/">(ShelterBox, n.d.)</a> However, this came to an end in December 2024, a historic turning point in a decade-long war, when Sunni rebel forces under Hay&#8217;at Tahrir al-Sham (HTS) launched an offensive and seized Damascus. Despite the fall of Assad, the situation remains unstable. The rebels who stormed Damascus have a complex history, and as new power dynamics continue to take shape, all eyes are on interim President Ahmed al-Sharaa to see how he is going to govern a fragmented region and prevent a resurgence of IS. <a href="https://icct.nl/publication/threat-isis-fragmentated-syria#:~:text=As%20new%20power%20dynamics%20in,from%20a%20prison%20in%20Hasakah.">(ICCT, 2025)</a></p><p>While HTS maintains majority control and enjoys popular support, they form the de facto government. This depends on political legitimacy and economic reconstruction. However, while al-Sharaa pledged to protect all citizens, the recent attacks by IS has made people doubt their capacity to maintain stability. This will only be further hindered, as Sharaa, who formally led Syria&#8217;s offshoot of Al-Qaeda, Nusra Front, only broke away from the network a decade ago. As a result, HTS is still considered a terrorist organisation by nations such as the UK and the US. Various sanctions have been imposed making it very difficult to navigate Syria&#8217;s future given the region&#8217;s severe poverty levels. The EU has lifted some sanctions, and pledged &#8364;2.5 billion during the 9<sup>th</sup> Syria Conference. However, this is conditional on the pledge that the rights of ethnic minorities are safeguarded in the new Syria <a href="https://icct.nl/publication/threat-isis-fragmentated-syria#:~:text=As%20new%20power%20dynamics%20in,from%20a%20prison%20in%20Hasakah.">(ICCT, 2025)</a> <a href="https://blog.prif.org/2025/04/07/without-a-caliphate-but-far-from-defeated-why-daesh-isis-remains-a-threat-in-syria-in-2025/">(PRIF, 2025)</a></p><p>In the first few months of 2025, al-Sharaa&#8217;s legitimacy has also been questioned by a steady increase in sectarian violence. The Syrian Observatory for Human Rights estimated that more than 1,400 civilians have been killed in Latakia, mostly from the Alawite community. A minority religious group considered an offshoot of Shia Islam. <a href="https://www.france24.com/en/middle-east/20250310-massacre-of-1-500-in-alawite-heartland-casts-doubt-on-new-syrian-government-s-ability-to-rule">(France 24, 2025</a>) The Assad family belonged to this sect, who ultimately enjoyed disproportionate influence inside the former regime. <a href="https://www.reuters.com/investigations/syrian-forces-massacred-1500-alawites-chain-command-led-damascus-2025-06-30/">(Reuters, 2025)</a> These events took place during a period of unrest in the region due to armed clashes between Sunni Islamist-led government forces and insurgency fighters that are still loyal to the deposed regime. The conflict led to thousands of families seeking refuge in a remote Russian military airbase. This is the last Dalaal Mahna saw of her 25-year-old son, before being shot dead by gunmen. <a href="https://www.bbc.co.uk/news/articles/cyve9prq3qjo">(BBC, 2025)</a> Ethnic divisions intensified by decades of an authoritarian regime have left devastating lasting grievances, highlighting the deep polarisation that the new government has yet to overcome. As the interim government struggles for authority nationwide, these remote, poorly governed areas are becoming a fertile breeding ground for IS to exploit, to regroup and train new recruits with relative ease. <a href="https://blog.prif.org/2025/04/07/without-a-caliphate-but-far-from-defeated-why-daesh-isis-remains-a-threat-in-syria-in-2025/">(PRIF, 2025)</a></p><p>ISIS (The Islamic State of Iraq and the Levant), more commonly known as Da&#8217;esh or the Islamic State (IS), is a Salafi Jihadist group, with its origins in Al Qaeda in the security vacuum in the early 2000s following the US invasion of Iraq. Under the leadership of Abu Bakr Al-Baghdadi, IS broke away seeking to exploit the instability in the region during the war. In 2013 it began seizing territory, and by 2014 it had overrun the Syrian government, declaring a global Caliphate, claiming religious and political authority over the Muslim world. In the following years, IS would control a region the size of England, governing more than 12 million people, with 50,000 fighters from over 100 nations. Enforcing a rigid interpretation of Sharia law, committing mass atrocities, and displacing millions of Syrians. Posing a grave threat to regional stability, the U.S. led Global Coalition Against Daesh spent the next five years recapturing 95% of the region, with the final stronghold falling in 2019, reducing IS to a desert pocket with few insurgent cells. (<a href="https://blog.prif.org/2025/04/07/without-a-caliphate-but-far-from-defeated-why-daesh-isis-remains-a-threat-in-syria-in-2025/">PRIF, 2025)</a> Despite the collapse of the self-proclaimed caliphate, signs of a gradual IS recovery is evident, with the danger of a resurgence due to a 10-fold increase in attacks. <a href="https://news.un.org/en/story/2025/08/1165692">(United Nations, 2025)</a> <a href="https://www.bbc.co.uk/news/articles/cze6y5x8np8o">(BBC, 2015)</a></p><p>Following the collapse of the caliphate, IS has undergone a transformation from a territorial regime to a decentralised insurgent group. This has been made possible by the caches of gold and cash hidden in the Badiyah desert. Furthermore, as the Assad regime collapsed, they were furnished with a fresh supply of weapons from abandoned Syrian army stocks, allowing them to intensify their operations. In 2023, IS was responsible for more than 200 attacks against Assad&#8217;s forces and their Shi&#8217;a allies, killing more than 285 soldiers and 231 civilians. <a href="https://www.counterextremism.com/content/central-syria-isis-insurgency-2023">(Counter Extremism Project, 2023)</a> However, by 2024 this number tripled with more than 750 deaths, illustrating the persistent and growing threat in Syria. <a href="https://blog.prif.org/2025/04/07/without-a-caliphate-but-far-from-defeated-why-daesh-isis-remains-a-threat-in-syria-in-2025/">(PRIF, 2025)</a></p><p>Walid-Basit Sheikh Mousa was only 21 years old when he was killed fighting IS in Northeastern Syria in February. Mousa was killed during a battle near a dam, with his body eventually being found by his family when searching the front lines. His mother, when speaking to the BBC said, <em>&#8220;We buried so many of the young. May Daesh be wiped out completely. I hope not one of them is </em>left.&#8221; <a href="https://www.bbc.co.uk/news/articles/cze6y5x8np8o">(BBC, 2015)</a></p><p>Milad was just 40 years old when we was killed trying to push a suicide attacker out of a building. A further 24 people were killed at the Greek Orthodox Church in eastern Damascus in June 2025. The attacker, belonging to IS, began shooting indiscriminately before setting off an explosive injuring 60. The first attack since HTS overthrew Assad&#8217;s regime, and the first targeting of the Christian community since 1860. The attack was an attempt to undermine the security and stability of all religious communities. Milad&#8217;s family members expressed this opinion stating, <em>&#8220;We are not safe here anymore.&#8221;</em> <a href="https://www.euractiv.com/news/isis-suicide-bomber-kills-22-at-orthodox-church-in-syria/">(EURACTIV, 2015)</a> (<a href="https://www.bbc.co.uk/news/articles/c79q8p8qx1do">BBC, 2025)</a></p><p>The shadowy threat of the group remains severe in Syria, as the U.S. Government estimates that 1500 to 3000 active fighters remain. The group has been forced to abandon the dream of the caliphate and has undergone a radical structural and operational change. The group now relies on a less hierarchical structure and a more decentralised network of regional affiliates who operate with greater autonomy than ever before to enhance the chances of survival. <a href="https://icct.nl/publication/islamic-state-2025-evolving-threat-facing-waning-global-response">(ICCT, 2025)</a> The old battle against IS mostly continues in the Kurdish-controlled regions in the Northeast, as 10,000 fighters are currently being held in detention camps, where 75% inside are estimated to still be deeply committed to the ideology. A further 60,000 IS- affiliated individuals remain in ticking- time bomb detention camps, where they are arguably increasingly vulnerable to radicalisation. <a href="https://blog.prif.org/2025/04/07/without-a-caliphate-but-far-from-defeated-why-daesh-isis-remains-a-threat-in-syria-in-2025/">(PRIF, 2025)</a></p><p>The group is seeking to rebrand itself behind bars, as in camps such as Al Hol and Roj, a new generation is being raised through the &#8216;Cubs of the Caliphate&#8217; programme. These children were separated from their families, often experiencing the brutal murder of their parents, and herded into re-education camps, where their traumas were moulded into rage. The early indoctrination of these young male soldiers became an integral component of the army of the future, due to the notion that they would be more hardline than their predecessors. <a href="https://blog.prif.org/2025/04/07/without-a-caliphate-but-far-from-defeated-why-daesh-isis-remains-a-threat-in-syria-in-2025/">(PRIF, 2025)</a> As a result, Kurdish authorities are reporting breakout attempts and mass rioting at the centres, as IS remains determined to free an important aspect of their fighting force. A humanitarian source speaking to Reuters stated that <em>&#8220;IS will come for the people they&#8217;ve wanted to come for.&#8221; <a href="https://www.reuters.com/world/middle-east/us-aid-cuts-risk-riots-breakouts-islamic-state-linked-camps-syria-2025-02-14/">(Reuters, 2025)</a></em> This was evident in January 2022, when IS blasted a hole in the exterior wall of al-Sina prison camp, triggering a 10-day battle against allied forces. By the time the prison was back under the control of Kurdish forces, 500 were dead, and hundreds had escaped back into IS. This was the deadliest IS attack since they lost their last stronghold. <a href="https://www.washingtonpost.com/world/2022/02/03/syria-hasakah-isis-prison-attack/">(The Washington Post, 2025)</a></p><p>US-funded organisations have been integral in closing the gap in basic provisions and countering the threat emanating from IS today, as the government struggles to secure the camps after the conflict. <a href="https://www.washingtoninstitute.org/policy-analysis/us-funding-cuts-risk-jeopardizing-counter-islamic-state-operations">(Margolin, 2025) </a> However, recent aid cuts of $117 million by the Trump administration poses a severe security threat, as these camps hold the &#8220;<em>potential next generation of the Islamic State.&#8221;</em> If destabilised, IS will be able to reinforce its ranks, restore their operational capabilities, and destabilise Syria&#8217;s new government. <a href="https://www.bbc.co.uk/news/articles/cglyg1wdee3o">(BBC, 2025)</a> <a href="https://icct.nl/publication/islamic-state-2025-evolving-threat-facing-waning-global-response">(ICCT, 2025)</a></p><p>The defeat of IS marked a significant turning point in the fight against terrorism, IS ceded to control swathes of territory, but is now clear that its <em>&#8220;enduring defeat&#8221;</em> is not assured, as its threat persists globally <a href="https://www.bbc.co.uk/news/world-middle-east-47210891">(BBC, 2019)</a> Following the fall of Assad&#8217;s regime in December 2024, the tenuous control of the de facto government and ongoing sectarian violence has led to a security vacuum in the region. IS is actively seeking to exploit this, allowing them to regroup and reorganise to pose a lethal and adaptive threat. All eyes are on HTS in the fragile environment. If instability persists and hostilities continue, there is a severe risk of an IS resurgence.</p><p></p><h4><strong>References</strong></h4><p>BBC, 2019. The rise of fall of the Islamic State group: The long and short story [online] Available at: <a href="https://www.bbc.co.uk/news/world-middle-east-47210891">https://www.bbc.co.uk/news/world-middle-east-47210891</a> [Accessed 10 November 2025]</p><p>France24, 2025. Hundreds massacred in Syria casting doubt on new government&#8217;s ability to rule. [online] Available at: <a href="https://www.france24.com/en/middle-east/20250310-massacre-of-1-500-in-alawite-heartland-casts-doubt-on-new-syrian-government-s-ability-to-rule">https://www.france24.com/en/middle-east/20250310-massacre-of-1-500-in-alawite-heartland-casts-doubt-on-new-syrian-government-s-ability-to-rule</a> [Accessed 3 November 2025]</p><p>Gol, J. 2025. Inside an Islamic State camp shaken by US aid cuts [online] Available at: <a href="https://www.bbc.co.uk/news/articles/cglyg1wdee3o">https://www.bbc.co.uk/news/articles/cglyg1wdee3o</a> [Accessed 6 November 2025]</p><p>Guerin, O. 2025. Inside Syria&#8217;s jail for IS suspects as officials say attacks by group a rising. [online] Available at: <a href="https://www.bbc.co.uk/news/articles/cze6y5x8np8o">https://www.bbc.co.uk/news/articles/cze6y5x8np8o</a> [Accessed 1 November 2025]</p><p>Hakari, M.A. 2025. Without a Caliphate, But Far From Defeated: Why Da&#8217;esh/ISIS Remains a Threat in Syria in 2025. [online] Available at: <a href="https://blog.prif.org/2025/04/07/without-a-caliphate-but-far-from-defeated-why-daesh-isis-remains-a-threat-in-syria-in-2025/">https://blog.prif.org/2025/04/07/without-a-caliphate-but-far-from-defeated-why-daesh-isis-remains-a-threat-in-syria-in-2025/</a> [Accessed 2 November 2025]</p><p>Killani, F. 2025. BBC finds Syrian families sheltering at Russian airbase from sectarian attacks. [online] Available at: <a href="https://www.bbc.co.uk/news/articles/cyve9prq3qjo">https://www.bbc.co.uk/news/articles/cyve9prq3qjo</a> [Accessed 5 November 2025]</p><p>Margolin, D. 2024. U.S. Funding Cuts Risk Jeopardizing Counter-Islamic State Operations [online] Available at: <a href="https://www.washingtoninstitute.org/policy-analysis/us-funding-cuts-risk-jeopardizing-counter-islamic-state-operations">https://www.washingtoninstitute.org/policy-analysis/us-funding-cuts-risk-jeopardizing-counter-islamic-state-operations</a> [Accessed 5 November 2025]</p><p>Mehra, T. 2025. The Threat of ISIS in a Fragmented Syria. [online] Available at: <a href="https://icct.nl/publication/threat-isis-fragmentated-syria#:~:text=As%20new%20power%20dynamics%20in,from%20a%20prison%20in%20Hasakah">https://icct.nl/publication/threat-isis-fragmentated-syria#:~:text=As%20new%20power%20dynamics%20in,from%20a%20prison%20in%20Hasakah</a>. [Accessed 1 November 2025]</p><p>Michael, M. 2025. Syrian forces massacred 1,500 Alawites. The chain of command led to Damascus. [online] Available at: <a href="https://www.reuters.com/investigations/syrian-forces-massacred-1500-alawites-chain-command-led-damascus-2025-06-30/">https://www.reuters.com/investigations/syrian-forces-massacred-1500-alawites-chain-command-led-damascus-2025-06-30/</a> [Accessed 2 November 2025]</p><p>Michalopoulous, S. 2025. ISIS suicide bomber kills 22 at Orthodox church in Syria [online] Available at: <a href="https://www.euractiv.com/news/isis-suicide-bomber-kills-22-at-orthodox-church-in-syria/">https://www.euractiv.com/news/isis-suicide-bomber-kills-22-at-orthodox-church-in-syria/</a> [Accessed 6 November 2025]</p><p>Loveluck, L., and Cahlan, S. 2022. Prison Break: ISIS fighters launched a brazen attack to free their comrades [online] Available at: https://www.washingtonpost.com/world/2022/02/03/syria-hasakah-isis-prison-attack/ [Accessed 2 November 2025]</p><p>Reuters, 2025. Terror Threat by ISIL &#8216;remains volatile and complex,&#8217; Security Council Hears [online] Available at: <a href="https://news.un.org/en/story/2025/08/1165692">https://news.un.org/en/story/2025/08/1165692</a> [Accessed 1 November 2025]</p><p>Reuters, 2025. US aid cuts risk riot, breakouts at Islamic State-linked camps in Syria [online] Available at: <a href="https://www.reuters.com/world/middle-east/us-aid-cuts-risk-riots-breakouts-islamic-state-linked-camps-syria-2025-02-14/">https://www.reuters.com/world/middle-east/us-aid-cuts-risk-riots-breakouts-islamic-state-linked-camps-syria-2025-02-14/</a> [Accessed 4 November 2025]</p><p>Sinjab, L. 2025. &#8216;We&#8217;re not safe here anymore&#8217; &#8211; Syria&#8217;s Christians fear for future after devastating church attack [online] Available at: <a href="https://www.bbc.co.uk/news/articles/c79q8p8qx1do">https://www.bbc.co.uk/news/articles/c79q8p8qx1do</a> [Accessed 3 November 2025]</p><p>ShelterBox, 2024. The Syrian Conflict Explained. [online]. Available at: <a href="https://shelterbox.org/where-we-work/syria/conflict/">https://shelterbox.org/where-we-work/syria/conflict/</a> [Accessed 1 November 2025)</p><p>Waters, G. 2024. The Central Syria ISIS Insurgency in 2023. Counter Extremism Project.</p><p></p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!_xrR!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!_xrR!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png 424w, https://substackcdn.com/image/fetch/$s_!_xrR!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png 848w, https://substackcdn.com/image/fetch/$s_!_xrR!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png 1272w, https://substackcdn.com/image/fetch/$s_!_xrR!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!_xrR!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png" width="943" height="2000" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2000,&quot;width&quot;:943,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:599267,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178804160?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!_xrR!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png 424w, https://substackcdn.com/image/fetch/$s_!_xrR!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png 848w, https://substackcdn.com/image/fetch/$s_!_xrR!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png 1272w, https://substackcdn.com/image/fetch/$s_!_xrR!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F4925ce7f-299f-4846-b224-adff4b1b9aac_943x2000.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><em>In this episode Cerys discusses the post Asad experience of Syria and the potential of ISIS re-merging.  She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, KCL</a>.  This article was edited using Lex.page. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to visit our gift shop <a href="https://www.arts4refugees.net/">here</a>.                                                                        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https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[The Miracle of the Grassroots: How Rwanda’s Ancient Courts Healed a Nation Torn by Inhumanity]]></title><description><![CDATA[Listen now | Raw & Real with Oliver&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/the-miracle-of-the-grassroots-how</link><guid isPermaLink="false">https://www.arts4refugees.com/p/the-miracle-of-the-grassroots-how</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 10 Feb 2026 13:03:37 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/182315027/b3afe2890b1c5bbdb426bcb2930a9548.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>Gacaca: A lesson in justice.</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!2hBh!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!2hBh!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg 424w, https://substackcdn.com/image/fetch/$s_!2hBh!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg 848w, https://substackcdn.com/image/fetch/$s_!2hBh!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!2hBh!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!2hBh!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg" width="800" height="2000" 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srcset="https://substackcdn.com/image/fetch/$s_!2hBh!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg 424w, https://substackcdn.com/image/fetch/$s_!2hBh!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg 848w, https://substackcdn.com/image/fetch/$s_!2hBh!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!2hBh!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf005a9d-4493-4a58-a74d-c0649def5f04_800x2000.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><h4><strong>History</strong></h4><p>Neighbours, colleagues, friends, and family members, killing neighbours, colleagues, friends, and family members. No safety within homes or communities. No aid from governments. No apparent end to ongoing human tragedy. Incomprehensible atrocities for those who didn&#8217;t experience it. This was the horrific reality that characterised a long 100 days for the Tutsi people of Rwanda.</p><p>The Rwandan genocide marks a truly dark moment in human history. It was the culmination of decades of conflict and division, sparked in the late 1800s by German and Belgian colonisers who promoted interethnic division. In the years following, an increasingly hostile divide formed between the Tutsi and Twa minority groups and the Hutu majority.</p><p>Throughout the 1900s, Rwanda faced much conflict and political instability. The 1959 Rwandan revolution replaced the Tutsi monarchy with a Hutu-led republic, forcing many Tutsi to leave the country. These circumstances led to Rwandan discontent that in turn triggered the 1990 Rwandan civil war between the Tutsi Rwandan Patriotic Front (RPF) and the Hutu government. The war lasted almost four years before President Juv&#233;nal Habyarimana established a tenuous peace agreement (the Arusha Accords, 4 August 1993). However, this wasn&#8217;t to last.</p><p>On April 6, 1994, President Habyarimana was killed when his plane was shot down. The culprits are still unknown, and it&#8217;s debated whether the RPF or Hutu extremists killed him. Regardless, this event was instrumental in the start of the Rwandan genocide. Hours after his death, the government&#8217;s crisis committee ordered the systematic killing of Tutsi people throughout the country.</p><p>The genocide was carried out by the Rwandan Armed Forces and extremist Hutu militias, who killed an estimated 800,000 to 1,000,000 Tutsis and politically moderate Hutus over the course of about 100 days. Furthermore, it is estimated that during the same time frame between 100,000 and 250,000 women were raped. The atrocities only ceased when the RPF overthrew the Hutu government in July 1994.</p><p><strong>Recovery in the form of Gacaca courts</strong></p><p>With the Hutu government overthrown and the genocide now at an end, the new Rwandan government had the monumental task of bringing the perpetrators to justice in a torn nation. One of the most difficult problems was the sheer amount of Rwandans accused of genocide-related crimes. Due to the high number of Hutu civilians involved, by 2001 over 120,000 Rwandans were awaiting trial - far too many for the official justice system to handle in a reasonable time.</p><p>The establishment of Gacaca courts was the solution for this process of justice. These community courts, held throughout Rwanda, aimed to swiftly address the multitude of accused perpetrators and uncover the truth of the genocide.</p><p>The model of the Gacaca courts was a unique one. Originally a way of dealing with local disputes in small communities, they were set up in outdoor spaces for community involvement so victims of the genocide and other community members could be involved in deciding the fate of those involved in the murder of Tutsis. The judges (Inyangamugayo) were locally elected and decided the fate of the accused after hearing evidence from witnesses and the defences of the accused themselves.</p><p>Four categories of genocide-related crimes were outlined: Masterminding the genocide and committing acts of sexual violence, participating in the killings, physical assault, and destroying Tutsi property. If the offender was found guilty of the first two crimes, they would be placed within the traditional court system, but if guilty of the latter two, the punishment was in the hands of the Inyangamugayo.</p><p>However, what was perhaps most unorthodox in this system was the focus on restorative justice (a focus on reconciliation between victim and offender). The Gacaca courts gave perpetrators an opportunity to explain themselves, confess, and ask for forgiveness from their communities - often leading to reduced sentences.</p><p><strong>Were Gacaca courts effective?</strong></p><p>Gacaca courts were effective in establishing societal cohesion and in preventing renewed violence. Through the communal aspect of the courts, victims were able to gain emotional security by learning the truth of the events of the genocide. In this sense, the courts were effective in achieving restorative justice</p><p>However, the courts were flawed. Rigorous legal processes weren&#8217;t followed, evidence was only presented in the form of spoken testimony, and above all, a confession of guilt and an expression of remorse allowed perpetrators to have reduced punishments. From a retributive justice perspective (where punishment for perpetrators is at the forefront of the process), this simply feels wrong.</p><p><strong>The 7 Fundamental Human Needs</strong></p><p>In answering whether the Gacaca courts were effective in producing real healing within Rwanda, we can look to the 7 fundamental human needs to pinpoint the effectiveness of the courts. These are essential needs for human flourishing that are believed to be cross-cultural and timeless.</p><p>Safety/security and survival - The Gacaca courts&#8217; justice acted as a deterrent for future similar crimes and removed dangerous members of society.</p><p>Understanding - A key feature of the Gacaca courts was the understanding they provided. By creating an environment for victims to hear offenders speak and hear evidence given, they were able to get to the truth (such as who committed which acts).</p><p>Connection (love) and acceptance - As the courts were based in communities and verdicts were reached on a community basis, a deep connection was established within the communities. However, connection was not only found within innocent members of the community, but with guilty members also. And, of course, through the reconciliation, acceptance was also achieved in both victims and offenders.</p><p>Contribution/participation - The role of community members (particularly the Inyangamugayo) in the courts is a testament to the contribution people were able to achieve. Furthermore, since the courts finished, people have been able to live in a socially cohesive society that allows them to work as a community.</p><p>Esteem, identity, significance - This is an area in which, unfortunately, Rwanda&#8217;s recovery from genocide is less successful. Though esteem is not neglected, in the sense that Rwandans are not restricted in their capacity to be recognised as competent and capable, parts of identity are restricted. In the interest of societal cohesion, all references to ethnicity are discouraged within Rwanda. This is problematic as ethnicity is an integral part of identity, particularly after a joint struggle like Rwanda&#8217;s.</p><p>Self-determination (Autonomy), Freedom, and Justice - Though Gacaca addressed urgent post-conflict needs, lasting autonomy and freedom has not been seen within Rwanda. Rwanda is currently run by an authoritarian state that limits individual freedom significantly through surveillance and political suppression.</p><p>Self-actualisation and self-transcendence - Due to the lack of freedom in Rwanda, the ability for self-actualisation and self-transcendence is significantly limited.</p><p><strong>Philosophy vs practicality</strong></p><p>The use of the Gacaca courts then begs the question: what can we learn from them? And, upon further reflection, we can ask what they teach us as they raise large questions about moral philosophy and justice, and the trade-off between principle and practicality. Should we do things because they are practically useful, even if they are dubious in philosophical principle and consistency? Perhaps the retributive &#8220;an eye for an eye&#8221; approach is not morally correct.</p><p>It&#8217;s important to recognise that the negligence of retributive justice in Rwanda was for the sake of societal healing. If Rwanda was to have taken a retributive approach to justice, there is no guarantee that victims would have been able to find peace and that perpetrators would have been able to be reintegrated into society.</p><p><strong>Rwandan recovery in a global context</strong></p><p>Despite the merits of the Gacaca courts in meeting some fundamental needs, they did not achieve a perfect solution to the country&#8217;s issues. Rwanda is under an authoritarian government that greatly limits the political and personal freedoms of its people. It is then up to us to ask whether the authoritarian control of Rwanda is worth the societal cohesion. Furthermore, we should also consider how much of the current social cohesion is due to Gacaca, and how much is due to suppression of freedom?</p><p>Other countries that have experienced similar conflicts aren&#8217;t in the same position as Rwanda. For example, after the war and genocide in Bosnia and Herzegovina, the International Criminal Tribunal for the former Yugoslavia was set up. This did prove to be effective in dealing with perpetrators, but compared with Rwanda, Bosnia and Herzegovina lack reconciliation as the justice process was retributive and lacked mechanisms to ensure reconciliation. Here justice and principle were placed above societal practicality.</p><p>We can also look to the Truth and Reconciliation Commission established after apartheid in South Africa to investigate human rights abuses. Though this was beneficial for reconciliation through open dialogue between victim and offender, the commission resulted in hardly any punishments for perpetrators, leaving victims feeling unsatisfied. This contrasts with Rwanda where both punishment and reconciliation were achieved.</p><p>The point in comparing these countries&#8217; responses to conflict is not to determine which is best, but rather to consider where we draw our moral lines. When and why should we abandon practicality? Principles? Justice? What should we favour?</p><p><strong>Conclusion</strong></p><p>Regardless of the answers to my questions (if there are any), we can certainly learn from the Gacaca courts. Faced with some of the worst crimes, Rwanda prioritised restorative justice, cohesion, and truth over procedural purity. Yes, Rwanda still has problems, but we must give credit where credit is due, and in the case of the Gacaca courts, they provided moral necessity when the country faced societal collapse. The lesson of Gacaca, then, is not that we should always prioritise practical benefit over philosophical consistency, but that in desperate times it may be necessary to focus on practical healing as a moral priority.</p><p><em><strong>Resources list</strong></em></p><p>Acha, D.K., MD and DMin. (2015). The 7 Fundamental Human Needs | Servants University | Training Servants for Christ. [online] Available at: <a href="https://www.servantsuniversity.com/the-7-fundamental-human-needs/">https://www.servantsuniversity.com/the-7-fundamental-human-needs/</a>.</p><p>Department of Public Information (2014). The Justice and Reconciliation Process in Rwanda. [online] Available at: <a href="https://www.un.org/en/preventgenocide/rwanda/assets/pdf/Backgrounder%20Justice%202014.pdf">https://www.un.org/en/preventgenocide/rwanda/assets/pdf/Backgrounder%20Justice%202014.pdf</a>.</p><p>Ted-ED (2023). What caused the Rwandan Genocide? - Susanne Buckley-Zistel. [online] www.youtube.com. Available at: </p><div id="youtube2-MF7EbUGlaOU" class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;MF7EbUGlaOU&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/MF7EbUGlaOU?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p>.</p><p>Al Jazeera English (2012). Rwanda&#8217;s gacaca courts questioned 10 years on. [online] YouTube. Available at: </p><p>.</p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!9I9m!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!9I9m!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png 424w, https://substackcdn.com/image/fetch/$s_!9I9m!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png 848w, https://substackcdn.com/image/fetch/$s_!9I9m!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png 1272w, https://substackcdn.com/image/fetch/$s_!9I9m!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!9I9m!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png" width="494" height="494" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/b7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1400,&quot;width&quot;:1400,&quot;resizeWidth&quot;:494,&quot;bytes&quot;:1634366,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/182315027?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!9I9m!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png 424w, https://substackcdn.com/image/fetch/$s_!9I9m!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png 848w, https://substackcdn.com/image/fetch/$s_!9I9m!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png 1272w, https://substackcdn.com/image/fetch/$s_!9I9m!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7e97308-a364-4f39-87cb-3d49f0b9647a_1400x1400.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Oliver discusses the post conflict experience of Rwanda and the experience of  Gacaca courts and how well they have served the need for justice.  He is a Citizen journalist with us on a placement organised with <a href="https://www.careers.ox.ac.uk/">Oxford University Career Services</a>. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to try out gaming art NFT&#8217;s <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[Unpacking Memories: Surviving Fragments - A Journey Through Displacement and Identity Reconstruction 🌍💕]]></title><description><![CDATA[Deep Dive with Elysia &#128172;]]></description><link>https://www.arts4refugees.com/p/unpacking-memories-surviving-fragments-132</link><guid isPermaLink="false">https://www.arts4refugees.com/p/unpacking-memories-surviving-fragments-132</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 03 Feb 2026 13:02:56 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/183677382/b61af1e5a21c2a3befa346247fb924a6.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1><strong>Surviving Fragments: Navigating the Experience of Displacement Through Objects</strong></h1><div><hr></div><p>Behjat Omer Abdulla, a refugee artist from Kurdistan, fled his home in the 1990s due to escalating conflict. After he settled in Sweden, he created Unidentified Objects (2015), a series of graphite drawings focused on unidentified archaeological artifacts left behind after ISIS looted the Mosul Museum. Each object is held in latex-gloved hands against black backgrounds.</p><p>Abdulla&#8217;s portrayal of unnamed and damaged objects represents evidence of life disrupted by violence, of stories told from the fragments left behind. Abdulla communicates the importance of reframing conflict stories through the objects that populate them, returning autonomy to the storytellers by returning their possessions in this work.</p><p>The refugee experience is surrounded by loss. Displacement includes the loss of possessions, beyond the emotional loss of home, culture, and connection. Everyday objects can hold incredible emotional value, especially when you are forced to leave them behind.</p><p>This article will explore two post-conflict communities where objects have helped refugees adjust and regain autonomy. Examining these stories through the objects can provide new perspectives on balancing post-conflict survival with rebuilding.</p><p><strong>The Soccer Ball in Kakuma Refugee Camp</strong></p><p>The Kakuma Refugee Camp, established in 1992, is a large-scale UN-organized settlement in Kenya. It was founded for the &#8216;Lost Boys of Sudan&#8217;, around 20,000 Sudanese boys displaced after the Nuer and Dinka ethnic groups faced persecution during the Second Sudanese Civil War (1987-2005). It&#8217;s home to refugees from Sudan, Somalia, and Ethiopia.</p><p>The football has become a symbol of hope, resilience, and community for the inhabitants of Kakuma Refugee Camp, transcending its role as sports equipment or toy. Starting from an informal group of boys playing football together after significant losses, the soccer ball now represents more than just a piece of inflated rubber.</p><p>In 2018, Kakuma United was officially registered with the National League, supported by the UN Refugee Agency and the Lutheran World Foundation. In a recent UNHCR article, Tayyar Sukru Cansizoglu, UNHCR&#8217;s Head of Sub Office in Kakuma, says that in the camp, &#8216;football goes beyond sportsmanship &#8211; it has become a symbol of unity, peace and love for refugees and the host community.&#8217; [1] The soccer ball serves as a catalyst for social cohesion, allowing individuals to forge connections, build friendships, and reclaim agency and autonomy in their post-conflict lives.</p><p>The soccer ball in Kakuma Refugee Camp is more than entertainment. It&#8217;s a path to empowerment for refugees rebuilding their lives after conflict. The team has flourished, becoming the best in the league in their first year and only losing one match in 2018.</p><p>Refugees in Kakuma use the sport to turn adversity into opportunity on the camp&#8217;s pitches through soccer tournaments and informal matches. They empower themselves through the soccer ball, reclaiming agency, shaping their destinies and defying displacement to pursue a future filled with hope and possibility.</p><p><strong>Immacul&#233;e Ilibagiza&#8217;s Rosary and the Rwandan Genocide</strong></p><p>The Rwandan Genocide occurred between April and July 1994. It was triggered by ethnic tensions between the Hutu majority and Tutsi minority. After the assassination of President Juvenal Habyarimana on April 6, 1994, the conflict escalated into widespread violence by the Hutu-led government and militia against the Tutsi. It is estimated that between 800,000 to 1 million people were killed in three months, leaving a trail of trauma and destruction shaping the country&#8217;s history.</p><p>Immacul&#233;e Ilibagiza survived with seven other women in a bathroom, hidden behind a closet in a Hutu pastor&#8217;s house, for 91 days, while most of her family was killed.</p><p>Since then, Ilibagiza found refuge in the United States and became a successful author of several books. In her works, she details how her faith and prayer helped her during the ordeal and shaped her post-conflict adjustment and ability to forgive the perpetrators.</p><p>Ilibagiza&#8217;s book <em>The Rosary: The Prayer That Saved My Life&#8221; is of interest. </em>She highlights the physical rosary as a symbol of hope throughout her experience. It protected and guided her through despair and gave her courage to endure and survive the genocide violence.</p><p>Immacul&#233;e emerged from hiding, her rosary remaining a tangible reminder of the importance of faith and forgiveness to overcome hatred and adversity. It inspired her to share her story and advocate for healing and reconciliation after the genocide.</p><p><strong>What We Take with Us: Understanding People Through Things</strong></p><p>The soccer ball at Kakuma Refugee Camp has inspired humanity in the face of adversity. It goes beyond a play object, becoming a catalyst for social cohesion, empowerment, and autonomy among refugees rebuilding post-conflict lives. Through sport, individuals in Kakuma find connection and reclaim agency and belonging in a world marked by displacement and uncertainty.</p><p>Amid the horrors of the Rwandan Genocide, Immacul&#233;e Ilibagiza found solace, strength, and spiritual resilience in her rosary. Her story has resonated with countless others, adding a new dimension to the rosary as an object of faith. For Ilibagiza, the rosary serves as a reminder not only of her displacement and loss but also of her post-conflict experience. It is a symbol of healing, adjustment, and forgiveness inspired by her struggles.</p><p>These are two examples of significant tools in the lives of refugees in and after conflict. The soccer ball in Kakuma Refugee Camp and Ilibagiza&#8217;s rosary remind us of the resilience and humanity of refugees and conflict survivors. Examining refugee experiences through everyday objects helps us understand how these reminders of humanity and home can aid in increasing autonomy and adjustment in post-conflict areas. Objects serve as practical reminders of self-hood and humanity, despite their small presence amidst conflict.</p><p>With the rise in refugee populations over the past three years, more attention has been given to the experience. The International Rescue Committee released an article in 2015 entitled, <em>What&#8217;s In My Bag?</em> [2] In it, they interview refugees from different conflict areas and ask them to reveal the contents of their bags.</p><p>One thing becomes clear. Despite the often limited space for refugees, many carry objects like phones, documents, and an SD card full of family photos from home. Whether these objects make it through the arduous journey is left to chance, but their inclusion amongst the necessary items speaks not only to a desire for connection, but also to a hope for the future. A hope embodied in objects.</p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!jy6A!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!jy6A!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg 424w, https://substackcdn.com/image/fetch/$s_!jy6A!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg 848w, https://substackcdn.com/image/fetch/$s_!jy6A!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!jy6A!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!jy6A!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg" width="341" height="341" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:667,&quot;width&quot;:667,&quot;resizeWidth&quot;:341,&quot;bytes&quot;:111029,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/183677382?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!jy6A!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg 424w, https://substackcdn.com/image/fetch/$s_!jy6A!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg 848w, https://substackcdn.com/image/fetch/$s_!jy6A!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!jy6A!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F05052dc0-7f00-4af0-b55b-e035327a35eb_667x667.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Elysia discusses the importance of objects and their meaning in communties rebuilding themselves once the conflict is over.    She is a Citizen journalist with us on a placement organised with<a href="https://www.careers.ox.ac.uk/"> Oxford University Career Services</a>.   This article was edited using Lex.page. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to visit our gaming art <a href="https://objkt.com/users/tz1XFtVa2yzdnBGucPdpgsLvm35UZiUbje6i">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[A Landscape Still at War: Cambodia’s Ongoing Battle with Landmines ]]></title><description><![CDATA[Raw & Real with Beth&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/a-landscape-still-at-war-cambodias</link><guid isPermaLink="false">https://www.arts4refugees.com/p/a-landscape-still-at-war-cambodias</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 27 Jan 2026 13:00:23 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/178810517/77cf19abf879d5f447c913cbcfb47060.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>A Landscape Still at War: Cambodia&#8217;s Ongoing Battle with Landmines</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!y1EF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!y1EF!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png 424w, https://substackcdn.com/image/fetch/$s_!y1EF!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png 848w, https://substackcdn.com/image/fetch/$s_!y1EF!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png 1272w, https://substackcdn.com/image/fetch/$s_!y1EF!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!y1EF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png" width="1456" height="1820" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1820,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:901385,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178810517?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!y1EF!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png 424w, https://substackcdn.com/image/fetch/$s_!y1EF!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png 848w, https://substackcdn.com/image/fetch/$s_!y1EF!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png 1272w, https://substackcdn.com/image/fetch/$s_!y1EF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F977e0617-1f44-4a01-8ccd-9fc1784291ff_1600x2000.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>Cambodia&#8217;s long peace is still haunted by weapons buried just beneath its feet. Three decades after the return of the monarchy and the birth of multi-party democracy, remnants of war are still very much present in the beautiful landscape of a country with a brutal history. Landmines contaminate the landscape, shaping the country&#8217;s physical and psychological terrain.</p><p>The northwest region, especially along the Thai border, remains a hotspot (Taskdal, 2011). It was here that some of the heaviest fighting unfolded. By 1995, Cambodia earned the grim distinction of having &#8220;a mine for every man, woman, and child&#8221; (Feingold, 1995).  Many of these devices were planted indiscriminately across farmlands, forcing farmers to choose between feeding their families and risking their lives. The consequences ripple outward with reduced agricultural output, stunted economic growth, and communities trapped in cycles of fear and poverty. Even Cambodia&#8217;s cultural treasures weren&#8217;t spared. Angkor Wat, a UNESCO World Heritage site, was once surrounded by hidden explosives that deterred visitors and complicated preservation efforts.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Y2te!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Y2te!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png 424w, https://substackcdn.com/image/fetch/$s_!Y2te!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png 848w, https://substackcdn.com/image/fetch/$s_!Y2te!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png 1272w, https://substackcdn.com/image/fetch/$s_!Y2te!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!Y2te!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png" width="1456" height="970" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/a028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:970,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!Y2te!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png 424w, https://substackcdn.com/image/fetch/$s_!Y2te!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png 848w, https://substackcdn.com/image/fetch/$s_!Y2te!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png 1272w, https://substackcdn.com/image/fetch/$s_!Y2te!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa028096d-899a-4061-8bf0-f02a7dd7ab12_1600x1066.png 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>                                  Angkor Wat, a UNESCO World Heritage Site, 2025</p><p>Their danger lies in their simplicity. Most landmines rest just five centimetres below the surface. A few kilograms of downward pressure - far less than the weight of a child - can activate a spring-loaded firing mechanism. This mechanism strikes the detonator, triggering the explosive core. The resulting blast unleashes a brutal upward wave of force, causing devastating injuries in an instant (McGrath, p. 33, 2000). Planting a landmine costs as little as three dollars. Finding and destroying that same device can cost between $500 to $1000 hundred dollars (Feingold, 1995).</p><p>Legacy of Conflict: How Decades of War Buried Cambodia in Landmines</p><p>Cambodia&#8217;s recent history is scarred by extraordinary violence. Between 1975 and 1979, the Khmer Rouge pursued a fanatical vision of a &#8220;pure&#8221; agrarian society, resulting in the deaths of an estimated 1.5 to 3 million people, nearly a quarter of the population (Center for Holocaust and Genocide Studies, 2025).</p><p>The regime&#8217;s collapse came only after Vietnam invaded in 1978, toppling the Khmer Rouge and installing a new government. But instead of ending the suffering, the intervention triggered years of civil war. As battles shifted across provinces, both Khmer Rouge fighters and Vietnamese forces planted the land with mines - crude, plentiful, and lethal (Feingold, 1995).</p><p>Furthermore, dangerous explosives were also left behind from the Vietnam War. Many of these mines, deployed by U.S. forces, remained undetonated in Cambodia&#8217;s soil (Taskdal, p. 189, 2011).</p><p>What remained after decades of conflict was the natural landscape turned into a weapon. Its rural fields and temples were littered with the remnants of war that would continue to claim lives long after the fighting had ceased.</p><p>Fields of Fear: How Landmines Endanger Cambodia&#8217;s Farmers</p><p>Cambodia remains one of the most heavily landmine-contaminated countries in the world. Unlike some post-conflict regions where danger zones are cordoned off with barbed wire or warning signs, Cambodia&#8217;s minefields are often invisible. In 2006, a staggering 90% of victims reported that there was no signage to indicate the presence of explosives (Taskdal, p. 189, 2011).</p><p>The people who suffer most are the farmers who rely on the land for survival. Faced with the impossible choice between farming contaminated soil or facing starvation, many continue to work fields riddled with hidden mines. The consequences are devastating. Injuries caused by landmines often result in death or life-changing disabilities. The International Committee of the Red Cross estimates that around 150,000 Cambodians live with disabilities, many of them having lost limbs to explosions (ICRC, 2018).</p><p>And even after amputation and medical treatment, the danger doesn&#8217;t end. As researcher Taksdal notes, &#8220;the disabled survivor or the family members will have to enter the mined area again and again, as they depend on farming, collecting wood or using other natural resources to sustain the family&#8221; (Taksdal, p. 189, 2011). Sok, a Cambodian farmer interviewed by Taskdal, lost a limb after stepping on a landmine, still remembers the moment that changed his life: &#8220;The accident happened three years ago, I was out in the jungle on my plot of land clearing the bush. I was not working for anyone else; I was trying to expand the farmland&#8221; (Taskdal, p. 191, 2011).</p><p>Clearing the Path to Peace: APOPO&#8217;s Mission to Reclaim Cambodia&#8217;s Land</p><p>APOPO, an international NGO, is dedicated to clearing landmines and returning safe, usable land to communities worldwide. Its work is rooted in a simple mission: restoring lives by restoring land. As McGrath notes, &#8220;countries in transition from war to peace may find that landmines laid by all combatant forces present a very real obstacle to reconciliation&#8221; (McGrath, p. 46, 2000). APOPO confronts that obstacle head-on, helping countries like Cambodia rebuild by making once-dangerous grounds safe again. So far, its work in Cambodia has cleared 33 million square metres of land and safely destroyed more than 49,000 landmines (APOPO, 2025).</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!E86n!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!E86n!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png 424w, https://substackcdn.com/image/fetch/$s_!E86n!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png 848w, https://substackcdn.com/image/fetch/$s_!E86n!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png 1272w, https://substackcdn.com/image/fetch/$s_!E86n!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!E86n!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png" width="1456" height="970" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:970,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!E86n!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png 424w, https://substackcdn.com/image/fetch/$s_!E86n!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png 848w, https://substackcdn.com/image/fetch/$s_!E86n!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png 1272w, https://substackcdn.com/image/fetch/$s_!E86n!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F824f2431-b899-42a3-b8f0-e46b97449912_1600x1066.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>To do this, APOPO relies on an unexpected ally: the giant African pouched rat. Native to Tanzania, these animals are trained to detect the chemical compounds found in explosives. Each time a rat correctly identifies a landmine, it is rewarded with food. When it locates an explosive, the rat scratches the ground to alert the deminers. Crucially, because the rats weigh so little, they can safely walk over active mines without triggering them (AFP, 2022).</p><p>APOPO Centre in Siem Reap, 2025</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!w1Uj!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!w1Uj!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png 424w, https://substackcdn.com/image/fetch/$s_!w1Uj!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png 848w, https://substackcdn.com/image/fetch/$s_!w1Uj!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png 1272w, https://substackcdn.com/image/fetch/$s_!w1Uj!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!w1Uj!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png" width="1201" height="1600" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1600,&quot;width&quot;:1201,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!w1Uj!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png 424w, https://substackcdn.com/image/fetch/$s_!w1Uj!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png 848w, https://substackcdn.com/image/fetch/$s_!w1Uj!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png 1272w, https://substackcdn.com/image/fetch/$s_!w1Uj!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2f8589d2-757a-4120-a101-ab080d262c66_1201x1600.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>After visiting the centre in July 2025, it was immediately clear that the team holds deep respect and affection for their &#8216;mini rat heroes.&#8217; Staff members proudly introduced us to several veteran rats, treating them with the same care given to any decorated service animal. Their contributions have not gone unnoticed. In the past, APOPO&#8217;s rats have received international recognition - including Magawa, now deceased, who was awarded the animal equivalent of Britain&#8217;s highest civilian honour for bravery for his extraordinary work in detecting landmines (AFP, 2022).</p><p>                                                                                                                         </p><p> Myself at APOPO Centre in Siem Reap, 2025</p><p>APOPO&#8217;s impact extends beyond farmland. The organisation has also been working in Preah Vihear, the ancient Hindu temple complex designated as a UNESCO World Heritage site. By clearing landmines from the surrounding grounds, APOPO is not only protecting local communities but also helping to safeguard and restore one of Cambodia&#8217;s most significant cultural treasures (Mena Report, 2024). The work at Preah Vihear also speaks to a deeper national need: after decades marked by genocide and cultural devastation, restoring and protecting heritage sites is a vital step in rebuilding Cambodia&#8217;s identity and reclaiming what violence sought to erase.</p><p>Looking towards the future</p><p>Cambodia&#8217;s struggle against landmines is far from a relic of the past - it is a daily battle for safety, dignity, and the right to live without fear. From farmers risking their lives to feed their families, to heritage sites still recovering from the scars of conflict, the legacy of war is etched into the country&#8217;s soil. Yet amid the devastations, organisations like APOPO offer a path forward. Their innovative work not only clears deadly explosives but restores livelihoods, protects culture, and rekindles hope in communities long held hostage by hidden weapons.</p><p>But Cambodia still has a long way to go. As of November 2025, the disputed border territory between Thailand and Cambodia near Preah Vihear remains a source of tension - despite a 1962 ruling by the International Court of Justice, which signified it belonged to Cambodia. Thailand threatened to suspend a US-brokered ceasefire after a landmine explosion along the border injured four Thai soldiers - an incident Cambodia claimed involved mines left over from earlier conflicts (The Associated Press, 2025). This episode underscores just how long-lasting and geopolitically dangerous the landmines challenge remains.</p><p>Bibliography</p><p>AFP International Text Wire in English, <em>Cambodia&#8217;s landmine-sniffing rat hero dies</em>. 11 Jan 2022, &lt;<a href="https://www.proquest.com/docview/2618477935?sourcetype=Wire%20Feeds">Cambodia&#8217;s landmine-sniffing rat hero dies - ProQuest</a>&gt; [accessed 12 November 2025]</p><p>APOPO, &#8216;APOPO in Cambodia&#8217;, 2025, &lt;<a href="https://apopo.org/what-we-do/detecting-landmines-and-explosives/where-we-work/apopo-in-cambodia/?v=7885444af42e">APOPO In Cambodia &#8226; APOPO</a>&gt; [accessed 12 November 2025]</p><p>Center for Holocaust and Genocide Studies, &#8216;Cambodia&#8217;, <em>University of Minnesota</em>, 2025 &lt;<a href="https://cla.umn.edu/chgs/holocaust-genocide-education/resource-guides/cambodia">Cambodia | Holocaust and Genocide Studies | College of Liberal Arts</a>&gt; [accessed 12 November 2025]</p><p>David A. Feingold, <em>Silent Sentinels, Coward&#8217;s War</em>, 1995, &lt;<a href="https://video.alexanderstreet.com/watch/silent-sentinels-coward-s-war?utm_campaign=Video&amp;utm_medium=MARC&amp;utm_source=aspresolver">Silent Sentinels, Coward&#8217;s War - Alexander Street, a ProQuest Company</a>&gt; [accessed 12 November 25]</p><p>International Committee of the Red Cross, &#8216;Cambodia: So little, yet so much for people with disabilities&#8217; 5th June 2018 &lt;<a href="https://www.icrc.org/en/document/cambodia-so-little-yet-so-much-people-disabilities#:~:text=Of%20Cambodia%E2%80%99s%20total%20population%2C%20close%20to%20150%2C000%20people,the%20function%20of%20a%20limb%20due%20to%20illness">Cambodia: So little, yet so much for people with disabilities | International Committee of the Red Cross</a>&gt; [accessed 12 November 2025]</p><p>MENA Report, Cambodia: APOPO extends collaboration for landmine clearance in cambodia with CMAC. (2024, Jan 02). <em>&lt;<a href="https://www.proquest.com/docview/2908948520?sourcetype=Wire%20Feeds">Cambodia : APOPO Extends Collaboration for Landmine Clearance in Cambodia with CMAC - ProQuest</a></em>&gt; [accessed 12 November 2025]</p><p></p><div><hr></div><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;8b7bac5a-091d-404f-be16-8c99343ee39e&quot;,&quot;duration&quot;:null}"></div><p></p><p><em>In this episode Beth discusses the post conflict experience in Cambodia and the issue of land mines left behind.   She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, KCL</a>.  This article was edited using Lex.page. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                   </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, 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https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[Bet You Didn't Know: Hiroshima mon amour Is The Mind-Bending Classic That Changed How We Talk About Pain.]]></title><description><![CDATA[Listen now | Raw & Real with Alia&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/bet-you-didnt-know-hiroshima-mon</link><guid isPermaLink="false">https://www.arts4refugees.com/p/bet-you-didnt-know-hiroshima-mon</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 20 Jan 2026 13:03:40 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/178808256/e440227fed4141d9b9a9dea6c6ec9a7c.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>How the movie &#8220;Hiroshima mon amour&#8221; redefined the art of storytelling after a traumatic experience</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!CweI!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!CweI!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png 424w, https://substackcdn.com/image/fetch/$s_!CweI!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png 848w, https://substackcdn.com/image/fetch/$s_!CweI!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png 1272w, https://substackcdn.com/image/fetch/$s_!CweI!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!CweI!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png" width="1456" height="2060" 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srcset="https://substackcdn.com/image/fetch/$s_!CweI!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png 424w, https://substackcdn.com/image/fetch/$s_!CweI!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png 848w, https://substackcdn.com/image/fetch/$s_!CweI!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png 1272w, https://substackcdn.com/image/fetch/$s_!CweI!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F43c28a83-d998-40c4-99ca-4fb175a34e39_1587x2245.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h3><strong>&#8220;You saw nothing in Hiroshima&#8221;: The impossibility of representing trauma</strong></h3><p><em>Hiroshima mon Amour</em> opens with a powerful scene: a man tells a woman that her effort to learn about what happened in Hiroshima is vain, and he keeps repeating &#8220;Tu n&#8217;as rien vu &#224; Hiroshima, rien&#8221; (translation: &#8220;You saw nothing in Hiroshima, nothing&#8221;). The woman emphasizes her personal journey to learn about the event, visit museums, and watch historical documentaries. Both bodies appear as mutilated by the experience of love and the experience of Hiroshima, where destructive events are paralleled with an impossible love story. This questions how to effectively narrate the aftermath of a war horror, and how documents that might seem effective and complete are in fact impersonal and could never provide an effective insight about what happened and how people recovered from the trauma. Those experiences are impossible to represent accurately through a documentary, but rather remembering them through human experience such as love and death becomes a path to understanding those historical events.</p><h3><strong>Trauma is universal: personal and national experiences mirror each other</strong></h3><p>Initially, Alain Resnais, the director, was asked to make a movie about the atomic bomb. But he did not want to document or recreate the horror created by the atomic bomb, instead wanting to make a fiction movie that could be understood by a Western audience that did not experience the horror that signified the end of the war, a moment of relief. Thus, he juxtaposed two traumatic experiences: a woman&#8217;s experience in Nevers after German occupation, where she had her head shaved, and the man&#8217;s experience after the Hiroshima bomb. He shows the universality of trauma that is not grounded in one country but is rather universal, as every human being might experience it. In the movie, one line is &#8220;C&#8217;est comme si le d&#233;sastre d&#8217;une femme tondue &#224; Nevers et le d&#233;sastre d&#8217;Hiroshima se r&#233;pondaient exactement&#8221; (&#8220;It is as if the disaster of a shaved woman in Nevers and the disaster of Hiroshima answered each other exactly&#8221;), showing that both tragedies appear the same.</p><p>Another powerful scene shows the universality of trauma from a personal to a national dimension, where each protagonist says to the other &#8220;Hiroshima. C&#8217;est ton nom&#8221; (&#8220;Hiroshima is your name&#8221;) and &#8220;Ton nom &#224; toi est Nevers&#8221; (&#8220;Your name is Nevers&#8221;). This scene overemphasizes how their experiences as persons reflect a broader psychological experience in a specific place. They are depersonalized, losing their individual identities and instead becoming experiences grounded in a specific time and period. It also shows how one traumatic experience mirrors another, and accessing trauma comes indirectly: we access the man&#8217;s traumatic past about Hiroshima through the woman&#8217;s experience of Nevers. Traumatic experiences can only be accessed through substitutions and displacements; we can never relive the whole story.</p><h3><strong>Trauma disrupts time and memory: storytelling through fragmented narratives</strong></h3><p>The movie also questions the notion of time and how people live it during and after trauma. For the woman who fell in love with the enemy, a German, during the war, she can&#8217;t differentiate her present Japanese lover and her past German lover: every memory is mixed, their identities become blurry. This shows how trauma is remembered not through images or documentaries but through the characters&#8217; inner voices. When history of trauma can only happen through listening to someone&#8217;s experience, the narrative becomes non-linear and blurry; it doesn&#8217;t transmit an understanding of horror but the horror itself through fragmented, tormented narratives that can&#8217;t reconstruct a specific event but show how they experienced it.</p><p>The movie contradicts traditional techniques of storytelling, going against the committed literature movement of 1950s France, which was directed by Sartre and focused on the obligation of literature to represent reality as much as possible with detailed descriptions and politically engaging messages. Indeed, the movie opposes a commemorative system that reduces trauma into manageable facts and images that erase the singularities of survivors&#8217; experiences. The movie ultimately shows how museums of commemoration tend to create one narrative of trauma that does not include all experiences. The movie also goes beyond narrative memories that integrate specific events into existing mental schemes, where this process of narrativization oversimplifies all experiences, focuses on one perspective while relativizing others, and transforms the past into something that can be told.</p><p>Furthermore, compared with other forms of commemoration, traditional monuments raise multiple questions such as who has the right to be remembered, whether states should construct those monuments since they were active participants in wars, and how to properly represent the unprecedented scale of violence. Then, &#8220;counter-monuments&#8221; began to exist: they were more inclusive because they necessitated audience engagement, had multiple voices, did not represent a single meaning, and were more of a process reflecting an ongoing act of remembering, not fixed memory. They leave traces without claiming to represent the whole picture. Thus, <em>Hiroshima mon amour</em> acts like a counter-monument because it does not pretend to represent Hiroshima or Nevers, but rather reconstitutes a testimony or the sensations lived by someone who experienced it.</p><h3><strong>Cinematic techniques express the inexpressible nature of trauma</strong></h3><p>The strong use of flashbacks puts the spectator in the place and time of the scene, recreating the exact circumstances and putting us in an anxious atmosphere. They permit a subjective memory representation and describe events more accurately. It also uses blurry scenes and fragmented memories. The movie&#8217;s vocation is to show how trauma is characterized by its resistance to coherent narrative memory, as traumatic experiences are overwhelming, unordered memories that disrupt mental frameworks and demand a structure representing disorientation, exhaustion, and losing usual markers. The movie embodies traumatic experiences as it does not reflect a coherent narrative but an elliptical one that is hard to understand and follow. The spectator is lost as the person who experienced the trauma; the past becomes blurry. This is what Marguerite Duras wanted to reflect: the movie contains many uncertainties about where we are, when, and who the two main characters are. It mixes the story of the two lovers and actual documentary footage such as museum exhibits, to show the intersection between personal experience and history. When the woman is imprisoned during the German invasion, one scene is striking: as she is imprisoned in a cellar, we lose track of time, we see scratched walls and a close-up of her scratched hands, like we scratched our own hands. Immersive scenes also help to reflect and tell traumatic experiences better.</p><h3><strong>Healing and remembrance: forgetting as part of remembering</strong></h3><p>The movie, beyond storytelling about social trauma to remember, also entails forgetting suffering and shows the impossibility of translating nuclear devastation into images or dialogues that reveal historical truth. Resuming life after trauma might depend on museums of commemoration because of their limiting representation. Naming each other by the country they are from at the end of the movie also shows reconciliation with their own history by forgetting traumatic details, reliving other memories, and the need for post-conflict communities to move on from tragedy. The woman&#8217;s experience of not being able to forget her past also shows the difficulty of detaching from an indelible past and the necessity to forget to fully live in the present, which she does not succeed in doing in the movie. The film shows that through acknowledging forgetting the past, one can live without losing it. Writing about trauma needs to happen within a framework that remembers that forgetting is part of the creative work.</p><p>The movie also indirectly establishes itself within the cultural needs of post-conflict communities, reflecting the challenges of remembrance and cultural heritage. It shows how individual grief can be exchanged to enable collective international trauma, reflecting the need for cultural needs to be represented and heritage constructed. The film reflects on the difficulties of international memory and how to translate it between individual and collective memories, across national boundaries and cultural differences. One&#8217;s grief allows understanding someone else&#8217;s grief: the two protagonists did not live the same experience but did not succeed in telling the whole story of their trauma and still understood each other&#8217;s pain. The exchange of traumas creates equivalence but not equality: the woman loses her German lover, whereas Hiroshima killed many people. It is about exchanging traumatic experiences and recognizing that fully understanding the other&#8217;s experience is impossible.</p><p>Beyond its symbolic significance on Hiroshima, the movie delivers useful lessons for how we should narrate trauma today. With the abundance of photographs and videos in the modern world, information can easily be manipulated to create one narrative, which hinders individual experience in a conflict.</p><p><strong>Bibliography: </strong><br><br>Boyd Goldie, Matthew. &#8220;The Rhetoric of Grief: Hiroshima Mon Amour.&#8221; <em>English Language Notes</em> 46, no. 1 (2008): [page numbers not available].</p><p>Buend&#237;a Padreda, Sara. &#8220;Exploring the Interplay of Memory and Poetry in Rive Gauche Cinema: A Study of <em>Muriel</em> and <em>Hiroshima Mon Amour</em>.&#8221; <em>Revista Foco</em> 17, no. 3 (2024): 1&#8209;11.</p><p>Holmqvist, Jytte. &#8220;Memory and Identity in the Emotive Map of Alain Resnais&#8217; <em>Hiroshima Mon Amour</em> (1959).&#8221; <em>NANO: New American Notes Online</em> 1, no. 6 (2014).</p><p>Just, Daniel. &#8220;The Poetics of Elusive History: Marguerite Duras, War Traumas, and the Dilemmas of Literary Representation.&#8221; <em>Modern Language Review</em> 107, no. 4 (2012): 1064&#8209;1081.</p><p>Ledwina, Anna. &#8220;Une dialectique de la m&#233;moire et de l&#8217;oubli&#8239;: <em>Hiroshima mon amour</em> de Marguerite Duras.&#8221; <em>Qu&#234;tes litt&#233;raires</em>, no. 12 (2022): 73&#8209;84. https://doi.org/10.31743/ql.14868.</p><p>McKee, Stephen. &#8220;The Memorial Film: Commemoration through Cinema in Alain Resnais&#8217; <em>Hiroshima Mon Amour</em>.&#8221; [Publication details not fully available].</p><p>Mohsen, Caroline. &#8220;Place, Memory, and Subjectivity, in Marguerite Duras&#8217; <em>Hiroshima mon amour</em>.&#8221; <em>Romanic Review</em> 89, no. 4 (Nov 1, 1998): 567.</p><p>Roth, Michael S. <em>Hiroshima Mon Amour: You Must Remember This.</em> (Yale University Press),</p><p>Varsava, Nina. &#8220;Processions of Trauma in <em>Hiroshima mon amour</em>: Towards an Ethics of Representation.&#8221; <em>Studies in French Cinema</em> 11, no. 2 (2011): 111&#8209;123. https://doi.org/10.1386/sfc.11.2.111_1</p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!99gH!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!99gH!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png 424w, https://substackcdn.com/image/fetch/$s_!99gH!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png 848w, https://substackcdn.com/image/fetch/$s_!99gH!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png 1272w, https://substackcdn.com/image/fetch/$s_!99gH!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!99gH!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png" width="1080" height="1350" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/b1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1350,&quot;width&quot;:1080,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:317731,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178808256?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!99gH!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png 424w, https://substackcdn.com/image/fetch/$s_!99gH!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png 848w, https://substackcdn.com/image/fetch/$s_!99gH!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png 1272w, https://substackcdn.com/image/fetch/$s_!99gH!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1f8ff64-ecb3-4af3-9145-99c79fa48411_1080x1350.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p><em>In this episode Alia discusses the complexity of healing and trauma in post conflict Japan.  She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, KCL</a>.  This article was edited using Lex.page. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                              </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[Threads of Hope - Why Handicrafts Are The Unexpected Tool for Communities Healing.]]></title><description><![CDATA[Listen now | Raw & Real with Rabab&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/threads-of-hope-why-handcrafts-are</link><guid isPermaLink="false">https://www.arts4refugees.com/p/threads-of-hope-why-handcrafts-are</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Thu, 15 Jan 2026 13:03:14 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/178811855/0d05f1e9ab966aec2e6e358c6f22f3a7.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p><h1>Woven Hope: How Crafts are Restoring Identity after ISIS</h1><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!tWWT!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!tWWT!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png 424w, https://substackcdn.com/image/fetch/$s_!tWWT!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png 848w, https://substackcdn.com/image/fetch/$s_!tWWT!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png 1272w, https://substackcdn.com/image/fetch/$s_!tWWT!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!tWWT!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png" width="1024" height="1536" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1536,&quot;width&quot;:1024,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:1893780,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178811855?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!tWWT!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png 424w, https://substackcdn.com/image/fetch/$s_!tWWT!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png 848w, https://substackcdn.com/image/fetch/$s_!tWWT!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png 1272w, https://substackcdn.com/image/fetch/$s_!tWWT!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F66cc1b01-be6b-4be8-bbad-86d4ff6b4ab3_1024x1536.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>In the aftermath of ISIS, the rhythm of the loom filled the silence left by war. For the women of Iraq, each pattern woven became more than simple fabric, it highlighted liberation and quieter forms of rebuilding. In the towns of Mosul and Sinjar, women who once fled violence sat side by side, restoring the traditional crafts of their ancestors. For the Yazidi community, these crafts became the very lifeline which would restore identity, purpose, and pride. Each handmade item told a story of loss and resilience in a land steadily sitting itself back together. <em>So, how is identity being rebuilt from ruins?</em></p><h3><strong>Context: After ISIS</strong></h3><p>Between 2014-17, the Islamic State seized large parts of northern Iraq, including Mosul and Sinjar. The Yazidi community, a religious minority within the region, faced genocide: thousands were either killed or enslaved; women and young girls taken captive; villages ransacked and destroyed; and cultural artefacts looted or burned.</p><p>In the defeat of ISIS, survivors returned to a homeland physically and spiritually scarred. As such, communities rebuild from nothing - homes, livelihoods, and trust.</p><p>In a fragile land, traditional crafts were not only symbolic of heritage, but they represented a pathway to healing, security, and self-expression.</p><h3><strong>Rebuilding Through Human Needs</strong></h3><h4><strong>Survival, Security, and Safety</strong></h4><p>The first step was ensuring survival. After the destruction by ISIS, very little was left and craftwork quickly became a source of income and safety for women. Local NGOs and international partners established women&#8217;s cooperatives and sewing workshops across northern Iraq. Many participants were forcibly displaced or widowed during the time of ISIS, and so these spaces gave women the means to earn a livelihood, while remaining securely within their communities.</p><p>For Yazidi women, weaving and embroidery became more than a stream of income, it allowed them to reclaim agency in an environment where they had once found themselves hopeless. Kurti Khalaf Haso, aged 50, began tailoring business in 2016 with a simple sewing machine. In 2021, she was awarded over $2500 from the UNDP, along with business management training. Haso experienced significant personal losses during the rule of ISIS, and the opportunity to expand her business provided stability for her family <a href="https://iraq.iom.int/stories/weaving-brighter-future">(UNDP &#8216;Iraqis Rebuild&#8217;, 2024).</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!RJXW!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!RJXW!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png 424w, https://substackcdn.com/image/fetch/$s_!RJXW!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png 848w, https://substackcdn.com/image/fetch/$s_!RJXW!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png 1272w, https://substackcdn.com/image/fetch/$s_!RJXW!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!RJXW!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png" width="1348" height="900" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/db003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:900,&quot;width&quot;:1348,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Image&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Image" title="Image" srcset="https://substackcdn.com/image/fetch/$s_!RJXW!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png 424w, https://substackcdn.com/image/fetch/$s_!RJXW!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png 848w, https://substackcdn.com/image/fetch/$s_!RJXW!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png 1272w, https://substackcdn.com/image/fetch/$s_!RJXW!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdb003e16-2d63-434a-bf19-b37f3c8d13f2_1348x900.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h2><em><strong><a href="https://iraq.iom.int/stories/weaving-brighter-future">Wool is processed and spun by hand at the Khanke Carpet Factory. Sarah Ali/UN Migration Agency, 2018.</a></strong></em></h2><h4><strong>Understanding - Reconnecting with Culture</strong></h4><p>Beyond the fabric: crafts offered a bridge between the past and present. In Sinjar, older women taught the younger generations of symbols and stories woven into traditional textiles. The symbols of sacred peacocks, the sun, and the flame have become vessels of collective memory, once threatened by war. The revival of each motif reclaims a culture once targeted for erasure.</p><p>The revival of crafts is not just nostalgia, it is understanding. The use of traditional crafts allowed women to reconnect with their identities before the conflict, anchoring their selfhood in something enduring and distinctly Yazidi. Crafts rebuilt the social fabric that war had torn through - in acts of creation, communities rediscovered trust and the possibility of peace.</p><h4><strong>Contribution and Participation</strong></h4><p>As women found ways to contribute, the possibility of healing deepened. Elders began to train younger women in old designs and traditional techniques, while youth workshops encouraged creativity and ancestral motifs. Schools began to introduce craft sessions with an aim to ensure children could learn their heritage through practice.</p><p>Teaching and producing ensures survivors became active participants in the recovery of their culture and economy.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!H0xQ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!H0xQ!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png 424w, https://substackcdn.com/image/fetch/$s_!H0xQ!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png 848w, https://substackcdn.com/image/fetch/$s_!H0xQ!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png 1272w, https://substackcdn.com/image/fetch/$s_!H0xQ!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!H0xQ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png" width="1338" height="884" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:884,&quot;width&quot;:1338,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Image&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Image" title="Image" srcset="https://substackcdn.com/image/fetch/$s_!H0xQ!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png 424w, https://substackcdn.com/image/fetch/$s_!H0xQ!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png 848w, https://substackcdn.com/image/fetch/$s_!H0xQ!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png 1272w, https://substackcdn.com/image/fetch/$s_!H0xQ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9617957b-cf78-4b72-b203-89e0b1bc7d06_1338x884.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h2><em><strong><a href="https://iraq.iom.int/stories/weaving-brighter-future">Yazidi women during vocational training. Sarah Ali/UN Migration Agency, 2018.</a></strong></em></h2><h4><strong>Esteem and Identity</strong></h4><p>Each finished piece strengthened pride for Yazidi women, with each item sold ensuring financial independence, and renewed self-worth. For many Yazidi women, these crafts represented visible and active survival - proof that after devastation and ruin, beauty could be crafted through their own hands.</p><p>One displaced woman from Sinjar, Mayasa Broo Rasho, stated: &#8216;&#8220;I never had the opportunity to attend school, not even to learn how to read and write&#8230; When I was accepted to work on craft and weaving products, I was determined to learn everything I could&#8230; (this work) helped me mentally.&#8221; (<a href="https://freeyezidi.org/voices-from-field/resilience-through-crafts-enterprise/#:~:text=%E2%80%9CMy%20name%20is%20Mayasa%20Broo,not%20cause%20harm%20to%20anyone.">FreeYezidiFoundation, &#8216;Resilience through Crafts &amp; Enterprise)</a></p><p>These creations became both income and affirmation for these women, restoring dignity where humiliation had once thrived.</p><h4><strong>Freedom and Self-Determination</strong></h4><p>Freedom concerns the power to choose, and for survivors, crafting offered them freedom which had once been stripped from them. Some women began to adapt traditional patterns into more modern forms and art and fashion, exporting their personal identity into each woven product.</p><p>Each act of creation became a form of resistance against the forces that once tried to erase them. Each artisan defined her own narrative and crafted independence, creativity, and control.</p><p>One Yazidi artisan, Flous, explained: &#8220;My mind can relax a little when I come to the factory and work.&#8221;, <a href="https://iraq.iom.int/stories/weaving-brighter-future">(IOM UN Migration, &#8216;Weaving A Brighter Future&#8217;).</a></p><h4><strong>Self-Transcendence: Weaving Legacy</strong></h4><p>The final thread in this story concerns legacy, as younger generations of artisans are now digitising traditional patterns and utilising social media to promote their work. Through digital storytelling, artisans ensure agency over their culture, while working against possibilities of future cultural erasure. These stories are not only remembered, but they are shared globally.</p><p>The efforts of Yazidi women represent the highest form of recovery, transcending trauma to preserve identity and culture for future generations. Memory is woven into examples of resilience.</p><h3><strong>Healing Trauma through Creation</strong></h3><p>The rule of ISIS left deep wounds - emotional, physical, and spiritual. After surviving captivity, forced displacement, and loss of families, silence replaced speech and pain became easier to carry alone.</p><p>In workshops across the north of Iraq, weaving and embroidery has become the language of healing. These small, deliberate acts of selecting colours and aligning patterns helped to restore a sense of control against deep wounds of trauma. For survivors, this control is crucial.</p><p>When women work side by side, trauma gives way to trust, and conversation replaces months of silence. This becomes a collective way of stating: <em>we are still here, and our culture remains.</em></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!yYU1!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!yYU1!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png 424w, https://substackcdn.com/image/fetch/$s_!yYU1!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png 848w, https://substackcdn.com/image/fetch/$s_!yYU1!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png 1272w, https://substackcdn.com/image/fetch/$s_!yYU1!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!yYU1!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png" width="1346" height="720" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:720,&quot;width&quot;:1346,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Image&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Image" title="Image" srcset="https://substackcdn.com/image/fetch/$s_!yYU1!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png 424w, https://substackcdn.com/image/fetch/$s_!yYU1!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png 848w, https://substackcdn.com/image/fetch/$s_!yYU1!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png 1272w, https://substackcdn.com/image/fetch/$s_!yYU1!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64c566f2-6eff-4191-a1e2-9f554184f15c_1346x720.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h3><strong>The Numbers Behind Recovery</strong></h3><p>Data from aid agencies offers a clearer picture of recovery, while thousands of Yazidis remain displaced, growing statistical evidence suggests craft and culture is helping them to heal:</p><ol><li><p>In the United Nations Development Programme sewing workshops, a total of 280 women were trained across four cities, <a href="https://iraq.iom.int/stories/weaving-brighter-future">(IOM UN Migration, &#8216;Weaving A Brighter Future&#8217;).</a></p></li><li><p>In the same UNDP sewing programme: 480 school uniforms were produced by the trainee artisans, <a href="https://iraq.iom.int/stories/weaving-brighter-future">(IOM UN Migration, &#8216;Weaving A Brighter Future&#8217;).</a></p></li><li><p>In Khanke, 30 women organised an all-female team at a carpet factory, several were internally displaced and eight were breadwinners for their families, <a href="https://iraq.iom.int/stories/weaving-brighter-future">(IOM UN Migration, &#8216;Weaving A Brighter Future&#8217;).</a></p></li><li><p>In Anbar, the number of machines in a workshop grew from 10-24 to support displaced and vulnerable women. <a href="https://iraq.iom.int/stories/women-supporting-women-sewing-abu-ghraib?utm_source=chatgpt.com">(IOM UN Migration, &#8216;Women Supporting Women: Sewing in Abu Ghraib&#8217;).</a></p></li><li><p>Dr. Hayat Ibrahim, a psychology professor at the University of Baghdad, established a workshop in the Abu Ghraib District to gather 20 women to produce uniform vests for schoolgirls - although not specifically concerning Yazidi women, this demonstrates the importance of crafting and practice in the face of sectarian conflict. <a href="https://iraq.iom.int/stories/women-supporting-women-sewing-abu-ghraib?utm_source=chatgpt.com">(IOM UN Migration, &#8216;Women Supporting Women: Sewing in Abu Ghraib&#8217;).</a></p></li></ol><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!VC0X!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!VC0X!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png 424w, https://substackcdn.com/image/fetch/$s_!VC0X!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png 848w, https://substackcdn.com/image/fetch/$s_!VC0X!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png 1272w, https://substackcdn.com/image/fetch/$s_!VC0X!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!VC0X!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png" width="1240" height="1240" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1240,&quot;width&quot;:1240,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Image&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="Image" title="Image" srcset="https://substackcdn.com/image/fetch/$s_!VC0X!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png 424w, https://substackcdn.com/image/fetch/$s_!VC0X!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png 848w, https://substackcdn.com/image/fetch/$s_!VC0X!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png 1272w, https://substackcdn.com/image/fetch/$s_!VC0X!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F18f109e2-b25f-4549-825c-bf2af57a26b2_1240x1240.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h2><em><strong><a href="https://freeyezidi.org/free-yezidi-crafts-enterprise/">Image of a rug crafted by female artisans in Khanke, listed on the FreeYezidiFoundation.</a></strong></em></h2><h3><strong>Global Threads of Hope</strong></h3><p>Across the world, creativity has become a powerful language for recovery. In Rwanda, genocide survivors weave <em>Agaseke </em>peace baskets, while some in Afghanistan embroider motifs once banned by extremists to reclaim their right to beauty and expression.</p><p>According to UNESCO, the global cultural and creative industries employ nearly 30 million people, generating over $2,250 billion annually <a href="https://www.unesco.org/en/articles/new-report-shows-cultural-and-creative-industries-account-295-million-jobs-worldwide?utm_source=chatgpt.com">(UNESCO, &#8216;New Report shows cultural and creative industries account for 29.5 million jobs worldwide&#8217;)</a>. As such, culture has been proven to be an engine of recovery and resilience.</p><h3><strong>So what?</strong></h3><p><em>So, what does this mean for Iraq, and for us?</em></p><p>For Iraq, every rug woven and every pattern revived is more than artistry, it is a declaration that culture survives conflict. For Yazidi women, they are not merely recovering from war, they are redefining what peace looks like through their own hands.</p><p>For the rest of us, it is a reminder that peacebuilding is not solely for politicians, it is in classrooms and workshops, where dignity is reclaimed thread by thread..</p><p>When communities rebuild through culture, they survive and teach the world how to heal.</p><h4><strong>Bibliography</strong></h4><ol><li><p><a href="http://freeyezidi.org/">FreeYezidi.org</a>, (<a href="https://freeyezidi.org/free-yezidi-crafts-enterprise/">https://freeyezidi.org/free-yezidi-crafts-enterprise/</a>)</p></li><li><p>FreeYezidi.org, (<a href="https://freeyezidi.org/voices-from-field/resilience-through-crafts-enterprise/#:~:text=%E2%80%9CMy%20name%20is%20Mayasa%20Broo,not%20cause%20harm%20to%20anyone">https://freeyezidi.org/voices-from-field/resilience-through-crafts-enterprise/#:~:text=&#8220;My%20name%20is%20Mayasa%20Broo,not%20cause%20harm%20to%20anyone</a>.)</p></li><li><p><a href="http://iraq.iom.int/">Iraq.iom.int</a>, (<a href="https://iraq.iom.int/stories/weaving-brighter-future">https://iraq.iom.int/stories/weaving-brighter-future</a>)</p></li><li><p><a href="http://iraq.iom.int/">Iraq.iom.int</a>, (<a href="https://iraq.iom.int/stories/women-supporting-women-sewing-abu-ghraib?utm_source=chatgpt.com">https://iraq.iom.int/stories/women-supporting-women-sewing-abu-ghraib?</a>)</p></li><li><p>Unesco, (<a href="https://www.unesco.org/en/articles/new-report-shows-cultural-and-creative-industries-account-295-million-jobs-worldwide?utm_source=chatgpt.com">https://www.unesco.org/en/articles/new-report-shows-cultural-and-creative-industries-account-295-million-jobs-worldwide?</a>)</p></li></ol><p></p><p></p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!X9bn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!X9bn!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png 424w, https://substackcdn.com/image/fetch/$s_!X9bn!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png 848w, https://substackcdn.com/image/fetch/$s_!X9bn!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png 1272w, https://substackcdn.com/image/fetch/$s_!X9bn!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!X9bn!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png" width="1200" height="1200" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/dc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1200,&quot;width&quot;:1200,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:174733,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://www.arts4refugees.com/i/178811855?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!X9bn!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png 424w, https://substackcdn.com/image/fetch/$s_!X9bn!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png 848w, https://substackcdn.com/image/fetch/$s_!X9bn!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png 1272w, https://substackcdn.com/image/fetch/$s_!X9bn!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc4e34c6-f758-40d9-b91f-c66be220b5e4_1200x1200.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><p></p><p><em>In this episode Rabab discusses the post conflict experience post ISIS.  She looks at how the arts and crafts are supporting the rebuilding of community and helping victims deals with mental health issues.  She is a Citizen journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, KCL</a>.  This article was edited using Lex.page. </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                            </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" 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https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[🇱🇰🙏 Struggles & Triumphs: Tamil Women & Children Finding Hope ]]></title><description><![CDATA[Listen now | Raw & Real with Mercy&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/struggles-and-triumphs-tamil-women</link><guid isPermaLink="false">https://www.arts4refugees.com/p/struggles-and-triumphs-tamil-women</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 13 Jan 2026 13:01:58 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/154320103/6eb859741cdd766881c361f70092a6aa.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!nw7q!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fafdda77d-0b25-4021-8bcb-1e5afcb9fb0a_1472x832.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!nw7q!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fafdda77d-0b25-4021-8bcb-1e5afcb9fb0a_1472x832.png 424w, 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y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h1><strong>Struggles and Strengths: Tamil Women and Children in Post-War Sri Lanka &#127473;&#127472;&#128591;</strong></h1><p>2009 marked the end of a three-decade-long civil war in Sri Lanka. Ethnic tensions between Tamils and Sinhalese had been simmering since Sri Lanka gained independence from British rule in 1948. Key flashpoints include the 1983 pogrom known as &#8220;Black July&#8221; and the long-standing insurgency led by the Liberation Tigers of Tamil Eelam (LTTE), both of which inflicted severe violence and unrest on Sri Lankan society. The defeat of the LTTE in May 2009 brought the war to a close, but it also triggered an immense humanitarian crisis.</p><p>Swathes of Internally Displaced Refugee Camps sprung up in the Northern Province districts such as Vavuniya and Kilinochchi, as well as in the Eastern Province in areas like Tiruchirappalli and Madurai. At the peak of displacement, nearly 300,000 Tamil civilians were housed in these camps, and by 2010, approximately 106,000 remained. High-security zones in military-occupied areas, extensive landmines, and destroyed infrastructure made it nearly impossible for many families to return home. Beyond Sri Lanka&#8217;s borders, over 100,000 Tamil refugees sought shelter in India, residing in camps managed by the Indian government. The treatment of these refugees became a politically charged issue, especially following the assassination of Indian Prime Minister Rajiv Gandhi by the LTTE, which led to harsher conditions and discriminatory treatment for the Sri Lankan refugees.</p><p>The difficulties faced by refugees in camps are vast and often too harrowing for words to adequately capture. The refugee experience is not homogeneous, and the trauma manifests in myriad ways. Women and children, in particular, often face unique and less visible forms of repression. Recognizing and understanding the realities faced by Tamil women and children is crucial for comprehending the reality of post-conflict Sri Lanka in its totality - realities of both struggle and strength.</p><p><strong>The struggles of women and children</strong></p><p>Temporary shelters were hastily erected in the refugee camps, causing structural vulnerabilities. The absence of doors left the approximately 89,000 female-headed households vulnerable to significant security risks, and several unrelated families were often in the same tent. Privacy was rare for women, and for simple acts of changing clothes, women would often leave the camps to neighbouring meadows with little light, increasing their vulnerability to sexual assault. The female body regularly became a site of violence, causing great grievance to the women and simultaneously attacking the Tamil communities' honour values and inner sanctum. Female autonomy over their own body was brutally stripped away in efforts to dehumanise Tamil communities. In the Tamil populated area of Mullaitivu, the disproportionately high rates of birth control, alongside the forced contraception in Kilinochchi, implies systematic discrimination, potentially as a tool of ethnic oppression. The strong military presence in these camps created a particularly hostile environment for women. Tamil women reported regular instances of being watched by soldiers while bathing, and older women reported soldiers expecting sexual favours in return for bringing food to their family. Despite the UNHCR establishing a desk in some camps for women to report abuses, the lingering military personnel near the desk scared many away from reporting such abuse. Such direct threats to the security and safety because of overcrowding and forced exposure was not exclusive to adult women. Refugee children were also extremely vulnerable to sexual and physical abuse. In the &#8216;warehouses&#8217; in Indian refugee camps, coercive methods again reveal how female bodies were weaponised as instruments of state control. Interviews also describe instances of young girls being provided with cell phones, taken to lodges, or sent to garment factories - situations that often resulted in sexual abuse.</p><p>Resource scarcity was another grave challenge. Acute shortages of food and water plagued camps in Sri Lanka and India. NGOs rationed their resources and would prioritise nutritional supplement food for pregnant mothers and children under 5, leaving 70% of children in the largest camp in India between 6 and 15 malnourished. The heaviest burden of scarcity fell on women, who sacrificed their own rations for their children and spent hours queuing in the heat for additional supplies. Fetching water, an arduous task requiring long walks, exposed women to the risk of sexual assault. Further, the scarce access to resources and institutional support made them vulnerable to coerced sexual practices as they were limited in ways to provide for their family. To provide for one&#8217;s family was core to the cultural connection and acceptance of Tamil women.</p><p>The need to belong is a universal human need, just as physical safety and survival are. Embodying social structures, norms and values are what allow for this sense of belonging. The conditions and compositions of the refugee camps attack the very foundations of the infrastructure of the community. Tamil women particularly are historically understood as the bearers of culture, and their loss of agency in maintaining the home threatens their very value in society. As male and female refugees are often split up when entering a camp, it is rare that families are able to stay together. Women and children feel very remote from their extended family and support networks. Their sense of identity as a contributing member of a larger community is grossly undermined. The self-esteem of children in this context is also vulnerable as the stigma associated with being a refugee, and all the stereotyping and discrimination it entails, greatly affects their confidence. Without strong education support, this sense of self as an emerging member of the community is further damaged. Whilst post conflict recovery in education was a priority for UNICEF, significant challenges remained post war in terms of the quality of education and infrastructure. Many children were out of full-time education and thus estranged from a social practice that develops awareness of their role in society. Women and children alike suffered greatly under the post-conflict social and cultural disintegration.</p><p><strong>The strength of women and children</strong></p><p>The realities of Tamil women and children in refugee camps are inhumane and deeply disturbing. Yet such a narrative runs the risk of casting both women and children as passive victims of repression. Children especially are often treated as subjects who are unable to grasp the complex political realities. This is far from the truth. In fact, stories from across the camps reveal cases of admirable creativity and defiant exertions of agency amidst such brutal conditions. A particularly inspiring case comes from India, where there was a children&#8217;s parliament in every Sri Lankan refugee camp. The parliament is made up of a prime minister, a deputy prime minister and a minister for eight other sectors including health, education and communication. It was the minister&#8217;s duty to support the network of children across the camp, clearly nurturing the human need for contribution and participation. If a child cannot go to school due to inadequate school supplies, the minister of education would inform the minister of communication and alert the supporting NGO officers to solve the situation. Despite the repeated restraints on self-actualisation and self-determination from limited resources and inadequate infrastructure, Tamil children regularly used their agency. They established informal networks to address complex problems in the camps, supporting the growth of their community, and in turn, themselves.</p><p>Women&#8217;s efforts were fundamental to the post-conflict reconciliation process. Goodwill missions to north and east regions formed part of efforts to foster understanding between Tamil and Sri Lankan communities, with women offering free Tamil classes to bridge divides between ethnic groups. Despite few formal roles being available to Tamil women in shaping the transitional justice policies, they were key to agenda setting activism. At a time when independent research was prohibited, many women courageously shared their testimonies with NGOs, despite the constant threat of surveillance and harassment from the military and police. Their statements played a crucial role in shaping key UN reports and advocating for human rights at the UNHRC, underscoring that violations persisted even after the war&#8217;s conclusion and strengthening the call for an international investigation. Meanwhile, women activists on the ground took legal action and mobilised protests, demanding that authorities address issues such as disappearances, land grabs by the military, and sexual violence.</p><p>The human need to be understood, to connect and to contribute is palpable in these efforts. Despite enduring unimaginable suffering, assault and dehumanisation, many Tamil women and children continued to find ways to restore hope and worked to build their community from ruins into something once again recognisable.</p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!3yCv!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd9e6a9f-d8bd-4f5f-84f7-c1389930e8d7_800x2000.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!3yCv!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdd9e6a9f-d8bd-4f5f-84f7-c1389930e8d7_800x2000.png 424w, 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https://substackcdn.com/image/fetch/$s_!85UV!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F22eb0e7b-8ae0-45e2-a1b7-d689b961aa62_2130x2370.png 848w, https://substackcdn.com/image/fetch/$s_!85UV!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F22eb0e7b-8ae0-45e2-a1b7-d689b961aa62_2130x2370.png 1272w, https://substackcdn.com/image/fetch/$s_!85UV!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F22eb0e7b-8ae0-45e2-a1b7-d689b961aa62_2130x2370.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><em>In this episode Mercy discusses Sri Lanka and it&#8217;s post conflict concerns.  She is a student journalist with us on a placement organised with <a href="https://www.careers.ox.ac.uk/">Oxford University Career Services</a>.  This article was edited using Lex.page.</em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[💔 The Plight of Kachin Women:✨ Seeking Gender Justice.]]></title><description><![CDATA[Raw & Real with Ava&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/the-plight-of-kachin-women-seeking</link><guid isPermaLink="false">https://www.arts4refugees.com/p/the-plight-of-kachin-women-seeking</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 06 Jan 2026 13:03:09 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/154390267/1818be336d492a781830c9b9d4a1e385.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><h1><strong>The Kachin State in Myanmar: the Plague of Gender-Violence at the hands of the Tatmadaw</strong></h1><p>Countries in South-East Asia grapple with a long history of conflict and violence, Myanmar is not stranger to this. Since their independence in 1948, the country has struggled to develop due to a lack of comprehensive government action. Furthermore, the existence of minority ethnic groups across the country who fight for their autonomy has made unification even more difficult.</p><p>This article aims to look into gender-violence in the Northern Kachin State of Myanmar. It highlights the struggles of the Kachian people at the hands of the Myanmar Army, the Tatmadaw, investigating the pain inflicted by the Tatmadaw on the Kachin community and how legal mechanisms allow these crimes to go unpunished. Finally, it highlights how to address gender violence in this community.</p><h2><strong>The Struggle for Kachin Autonomy in Myanmar</strong></h2><blockquote></blockquote><p>Myanmar (then Burma) gained independence from British rule in 1948. However, the country struggled with ethnic conflicts, corruption, political instability, and economic challenges. In 1958, the democratically elected leading party handed power to the military to fix the situation, which was returned in 1960 (McKenna, 2024).</p><blockquote></blockquote><p>Yet, the central government in Myanmar neglected the Kachin State and its people. The Christian minority suffered religious suppression from the predominantly Buddhist government, which restricted religious practices and destroyed churches (McKenna, 2024). The state faced significant socio-economic challenges, including poverty, illiteracy, lack of education, and inadequate healthcare.</p><blockquote></blockquote><p>As a result, the Kachin Independence Organization (KIO) was formed to advance the rights of the Kachin people. Their armed branch, the Kachin Independence Army (KIA), engaged in conflict in 1961 with the Burmese Government's Army, the Tatmadaw. This conflict was characterized by guerrilla warfare against the Tatmadaw until the 1990s, when peace negotiations began.</p><blockquote></blockquote><p>Both parties recognized the need for economic development in resource-rich Kachin State. The government promised a framework for dialogue regarding the political autonomy and recognition of the Kachin Peoples, a priority for the KIO.</p><p>This led to a 1994 ceasefire, marking a temporary halt to fighting, which did not last. In the 2000s, the Tatmadaw began to build up their army in the Kachin region. The KIO perceived this as an attempt by the government to exert control over the region. Furthermore, in early 2011, negotiations over Kachin people's rights stalled. In June, the Tatmadaw launched an offensive against the KIA, breaking the ceasefire and leading to a devastating conflict (Hein, 2024).</p><blockquote></blockquote><p>The Prime Minister at the time, General Thein Sein, attempted to negotiate another ceasefire between the KIA and the Tatmadaw. Yet the Tatmadaw did not respect this authority and continued to attack even after a bilateral ceasefire agreement in 2013.</p><blockquote></blockquote><p>Since 2011, fighting between the KIA and Tatmadaw has decreased but still continues. However, the fighting in the Kachin State has led to significant displacement of the population in Northern Myanmar. Forests and land have been destroyed by fires, forcing people into Internally Displaced Persons Camps (IDPs). The Myanmar Campaign Network reports 1.4 million people in IDPs, with 36% of these camps denied UN humanitarian aid by militant groups. Moreover, Women and girls in these camps face higher risks of human trafficking and sexual violence. Additionally, there is widespread drug and alcohol use by displaced men, resulting in an increase of domestic violence (Kuehnast &amp; Sagun, 2021).</p><h2><strong>The Tatmadaw's Weaponization of Gender, Ethnicity, and Religion in Myanmar</strong></h2><p>Conflict and displacement create spaces of impunity, allowing criminals to evade justice. This is especially relevant for the Tatmadaw, an army known for abuse and violence. This military has a widespread culture of tolerance towards humiliation and the deliberate infliction of severe physical and mental pain, often through rape and sexual violence targeting women (Kuehnast &amp; Sagun, 2021). The Office of the High Commissioner for Human Rights reported that Tatmadaw's military operations against the Rohingya (another religious ethnic group in Myanmar) and ethnic groups in Northern Myanmar employ large scale brutal and sexual violence as part of a deliberate strategy to intimidate, terrorize, and punish the civilian population. The Tatmadaw dehumanizes gender, ethnicity, and religious identity of minority groups across Myanmar as a tactic for domination. Their clearance operations in Northern Myanmar, especially Kachin State, involve rape and violence as 'a tactic of war' (Human Rights Council, 2019).</p><blockquote></blockquote><p>In one notorious case in 2011, a 28 year old mother named Sumlut Roi Ja was kidnapped by Burmese Army Soldiers from her home in the Kachin State (Nyein, 2015). Her location is unknown, yet it is widely believed that she was raped and murdered by soldiers who enjoy impunity in conflict areas like the Kachin State. Her case became well known for being one of the few that went to the Supreme Court, as a result of her husband who fought for justice at every level of Burma's judiciary. However, the case was dismissed in 2012 due to a lack of evidence. Roi Ja's story is just one part of a long list of women who have suffered from abuse at the hands of the Tatmadaw (Nyein, 2015).</p><blockquote></blockquote><p>In 2019, the Human Rights Council published a report on "Sexual and gender-based violence in Myanmar and the gendered impact of its ethnic conflicts." In a section of this report, they interviewed 65 survivors, families of survivors and victims, witnesses, and experts from Northern Myanmar, detailing their experiences since 2011. These findings highlighted the horrors survivors faced in Myanmar at the hands of the Tatmadaw.</p><blockquote></blockquote><p>These stories, too graphic for this blog post involve young girls subjected to strip searches, gang raped, forced to labor, and kept as sexual slaves. It is heartbreaking to hear these stories. This experience is not just unique to women; many men face similar sexual violence. These men are often accused of involvement with the KIA and forced to confess through abuse, leading to charges under Unlawful Association Section 17(1) (Human Rights Council, 2019).</p><blockquote></blockquote><h2><strong>Barriers in Reporting and Punishing Sexual Violence</strong></h2><blockquote></blockquote><p>Moreover, there are minimal consequences for the Tatmadaw regarding rape and sexual violence. The Tatmadaw leadership does not punish rape related to military activity and covers it up. Soldiers are protected under article 381, which suspends the right to justice during emergencies (Human Rights Council, 2019). In one case, after a survivor reported a rape, the Tatmadaw leadership visited the survivor's home and abused relatives while confiscating property.</p><blockquote></blockquote><p>Furthermore, survivors struggle with a pattern of victim blaming. When a rape is reported in Northern Myanmar, it's publicized. Victims struggle with humiliation. One survivor says, "the victim is always pointed at and everyone knows she was raped." (Human Rights Council, 2019) This makes it difficult to report sexual violence levels in Myanmar. Women's organizations are more reliable for reporting incidents of sexual violence. They provide treatment after incidents, which is rare in most communities. Yet these organizations are hard to access.</p><h2><strong>Addressing Human Rights Violations in Myanmar</strong></h2><p>It is clear that the Tatmadaw has violated international human rights law and committed war crimes in Myanmar. The international community must make significant progress to address this issue. This could include recommending a criminal tribunal to the International Criminal Court or to pressure the Government of Myanmar to change through the release of an official statement.</p><p>Additionally, the Government of Myanmar should make efforts to address the issue. This includes eliminating the culture of rape in the Tatmadaw the culture of rape through explicit claims to soldiers against the use of sexual violence. A judicial framework must be established for civilians to report incidences of rape so an investigation can occur and action can be taken. Moreover, there is a pressing need for all displaced people (especially survivors) to access basic medical services, this includes sexual health and psychological support. The Government should ensure that international organizations have access to all IDP camps to provide humanitarian aid.</p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!2Bfa!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7ad4fde0-87e8-4527-9858-59dd057fcbf1_1587x2245.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!2Bfa!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7ad4fde0-87e8-4527-9858-59dd057fcbf1_1587x2245.png 424w, 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y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://substackcdn.com/image/fetch/$s_!vJMF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!vJMF!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg 424w, https://substackcdn.com/image/fetch/$s_!vJMF!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg 848w, https://substackcdn.com/image/fetch/$s_!vJMF!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!vJMF!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!vJMF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg" width="238" height="238" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:800,&quot;width&quot;:800,&quot;resizeWidth&quot;:238,&quot;bytes&quot;:153663,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!vJMF!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg 424w, https://substackcdn.com/image/fetch/$s_!vJMF!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg 848w, https://substackcdn.com/image/fetch/$s_!vJMF!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!vJMF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F7c3fd624-30f5-451b-a142-9a5f37fa942c_800x800.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div><p><em>In this episode Ava discusses the Kachin expereince in Myanmar   She is a student journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, King&#8217;s College, London</a>. This article was edited using Lex.page.  </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to visit our gift shop <a href="https://www.arts4refugees.net/">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item><item><title><![CDATA[✨ Building a Lasting Peace: Challenges Facing Colombia 🇨🇴 ]]></title><description><![CDATA[Raw & Real with Lola&#127897;&#65039;&#128172;]]></description><link>https://www.arts4refugees.com/p/building-a-lasting-peace-challenges</link><guid isPermaLink="false">https://www.arts4refugees.com/p/building-a-lasting-peace-challenges</guid><dc:creator><![CDATA[A4R Media Hub]]></dc:creator><pubDate>Tue, 09 Dec 2025 13:03:10 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/154389722/5c1df4ddfc38e6b467879c83499837b7.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://www.arts4refugees.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">A4R &#127912; Podcasts are co created with GenZs Support our work by becoming a paid member..</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><h1><strong>Beyond the Ceasefire: Colombia&#8217;s Journey Towards Lasting Peace</strong></h1><p>By exploring the landscape of Colombia eight years after the landmark 2016 Peace Agreement, this article hopes to explore complex interplay of human rights violations, economic instability and cultural shifts that have characterised the country&#8217;s journey to peacebuilding. In particular, I will emphasise how Colombia still grapples with structural inequalities that remain largely unaddressed, allowing new armed groups to fill the power vaccum left by the FARC. The persistence of gender-based violence against women and LGBTQ+ similarly highlight the harmful legacy of conflict on Colombian society.</p><p><strong>Historical overview</strong></p><p>Colombia has been beset by wars and the legacy of conflict since the country&#8217;s creation in 1819. To understand the nature of peacebuilding, it&#8217;s important to be aware that Colombia holds the distinction of being the Latin American country with the highest number of armed conflicts. In this environment where peace is often fleeting, peace agreements have proved temporary and have often been to no avail.</p><p>In the 19<sup>th</sup> century, for example, conflicts between regional elites most frequently ended in informal &#8216;gentlemen's agreements.&#8217; These agreements allowed the militarily weaker side to maintain a degree of political authority, albeit in a subordinate role to victors. This tradition of informal peace practices within Colombia&#8217;s diplomatic processes has complicated the formalisation of lasting peace agreements for two main reasons: firstly, by creating a cycle of distrust towards formal agreements and secondly, failing to address structural inequalities.</p><p>These weaknesses have influenced the outcome of more recent history and can partly explain the 52-year conflict between the Colombian government and the Revolutionary Armed Forces of Colombia (FARC), which emerged in the wake of La Violencia. The end of this period of bloody Civil War between the Liberal and Conservative factions of Colombian society inspired the creation of guerilla groups in the 1960s. The formal power-sharing agreement which ended this period of war left the socially and economically marginalised groups in Colombian society excluded. <br></p><p>Lack of representation once again emphasised politicial inequalities and contributed to popular disullusionment. This sentiment mobilised left-wing guerilla groups to organise against the state and challenge the legitimacy of formal peacebuilding efforts. This enviornment havve rise to the FARCC, a peasant-veteran group affilitaed with Colombia&#8217;s Communist Party.</p><p>The FARC&#8217;s creation in 1964 marked a significant escalation in conflict. Primarily focused in rural areas crucial to their revolutionary struggle against land inequality, they took up arms against the newly unified government. Since the 1990s, the FARC&#8217;s involvement in drug trafficking activities and high-profile civilian attacks has led to their recognition as a terrorist organization by the UN, the US, and the Colombian government.</p><p>Widely recognised as the longest running domestic conflict in the Western Hemisphere, the violent confrontation between the FARC and Colombian government resulted in the death of over 200,000 people and displaced around 5.7 million more. It is within this context of prolonged conflict that peacebuilding efforts in Colombia should be understood. While the nuances of peacebuilding can significantly differ from those in other countries, particularly in Europe where formal treaties have been established, Colombia broadly recognises the function of peacebuilding strategies as relying on the direct containment of violence. The 2016 Peace Treaty reflected this with the call for an immediate ceasefire and government pledges to address systemic inequalities intended to provide a lasting resolution to domestic conflict.</p><p><strong>What is the Peace Agreement?</strong></p><p>On the 24<sup>th</sup> of November 2016, the Colombian government and the FARC signed a Peace Agreement which concluded over 50 years of conflict through a bilateral ceasefire.</p><p>Pioneered by President Juan Mauel Santos, the agreement centered on four key principles: the incorporation of the FARC into Colombian politics (by granting them five seats in Congress for the next two terms), the re-integration of former FARC insurgents into civilian life, the disarmament of the FARC, creation of Special Jurisdiction for Peace (to address criimes committed during the armed conflict).</p><p>Initially, this peace deal was set to be ratified through a public referendum that took place in October 2016. However, public disapproval with the conditions of the agreement, particularly regarding the creation of the FARC as a political party and possibility of reduced sentences for FARC perpetrators who collaborated in uncovering the truth about crimes committed during the conflict, led to its rejection by 50.2% of the population. Rather than conducting a second referendum, Santos made minor amendments to the agreement and subsequently ratified it through Congress, a decision that raised public scepticism and put the legitimacy of his government into question.</p><p>Despite this, the immediate impact of the agreement proved successful. In 2017, with the help of the UN, the Colombian government oversaw the disarmament of all FARC registered arms and the reintegration of 7000 former insurgents into civilian life. By aligning with the peacebuilding goal of eliminating direct violence, the Colombia government proved effective in appeasing the FARC and removing the most significant source of violence in the country.</p><p>The agreement also initiated significant political inclusion that paved the way for the election of the first left-wing president, Gustavo Petro, in August 2022. Petro was primarily elected for his pledge to implement &#8216;Paz Total&#8217; between 2022 and 2026, an updated version of the 2016 Peace Agreement which aims to extend the ceasefire to other insurgent groups.</p><p>Within his first few months in power, the president passed the Law 418 of Paz Total which offered an opportunity for negotiations between the ELN and EMC, the two largest remaining guerilla groups, and the Colombian government to address sources of the ongoing domestic conflict. The dialogue based approach of Gustavo Petro&#8217;s government has, for the first time, reflected a government effort to address structural violence in Colombia. Cooperation with armed groups, such as the ELN, has led to an end to violent practices like hostage-taking and represent a peaceful effort to represent previously marginalised voices.</p><p>The investment of over $2 billion COP in December 2021 for the Colombia in Peace Fund (supporting victims of the conflict) is a step towards rebuilding communities affected by years of violence. Investment in social programs and the inclusion of civil society in internal peace discussions are key strengths of public opinion toward Petro&#8217;s administration. Importantly, they highlight the government efforts to understanding the root causes of conflict and seek to legitimise its approach to successfully transforming a post-war society.</p><p>These shifts in inclusion and funding are crucial in promoting social reconciliation between the government, insurgent groups and civilians and ensures that peace efforts are durable and representative for all Colombians.</p><p><strong>What is still be done?</strong></p><p>Despite the best efforts of the government, the possibility of peace remains elusive for many sections of Colombian society. As noted by Amnesty International, Colombia is still to date the &#8216;most dangerous country in the world&#8217; when it comes human rights and individual protection. Efforts to address structural inequalities within society fall short of expected international norms. The ongoing culture of violence that exists within Colombian society can be seen through the widespread occurrence of gender-based and sexuality-based violence. The reported killing of 21 LGBTI people in 2023 motivated by &#8216;violence due to prejudice&#8217; and negative perceptions of sexuality raises significant doubts about the potential for genuine social cohesion and unity in Colombia&#8217;s post-war society. The disparity between the enactment of the Gender Parity bill, passed in 2023, and the government&#8217;s declaration of a national state of emergency regarding gender-based violence the same year highlights a disturbing reality: sexual violence, rooted in the country&#8217;s normalisation of violence and power imbalances, may persist long after the formal end of the conflict.</p><p>Above all, the hardest struggle for the Colombian government to overcome is the socioeconomic conditions that reproduce armed conflict and structural violence. Though recent efforts of the Gustavo government with Paz Total has encouraged an updated ceasefire linked to social transformation, funding in social programs aimed at alleviating poverty and addressing wealth disparities in the country remains insufficient.</p><p>The close relationship between poverty and the radicalisation of marginalised guerilla groups has yet to be effectively addressed. Between 1964 and 2016, the FARC&#8217;s control over large parts of rural Colombia and their recruitment of insurgents in these regions was driven by financial inequality. While the Colombia in Peace Fund has indicated government investments in rural development, the rise of the ELN and EMC in recent years suggests security conditions in these areas have yet to improve.</p><p><strong>Looking towards the future</strong></p><p>The 2016 Peace Agreement marked the end of over 50 years of conflict that claimed the lives of thousands of people. The bilateral ceasefire was a historically signficant moment in Colombia, with the complete disarment of the FARC allowing a return to peaceful society. For the first time in history, the Colombian people were able to elect a left-wing President Gustavo Petro, who promised a revised &#8216;Paz Total&#8217; peace agreementt aimed at fostering inclusive dialgoque and addressing the root causes of violence in the country. While the socioeconomic conditions causing the radicalisation of guerilla groups have yet to be fully addressed, Pedro&#8217;s open negotiations the ELN and EMC represent a critical step toward broadening peace efforts. Violent attacks on the LBGTQ+ community and the government&#8217;s declaration of a national state of emergency regarding gender-based violence reflect the challenges that contiue to be faced in translating progressive legislation into effective protection for marginalised communities.</p><div><hr></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!ZS_m!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!ZS_m!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png 424w, https://substackcdn.com/image/fetch/$s_!ZS_m!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png 848w, https://substackcdn.com/image/fetch/$s_!ZS_m!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png 1272w, https://substackcdn.com/image/fetch/$s_!ZS_m!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!ZS_m!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png" width="804" height="660" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/beb495b1-b6fc-450a-88fb-928802f7744a_804x660.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:660,&quot;width&quot;:804,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:104398,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!ZS_m!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png 424w, https://substackcdn.com/image/fetch/$s_!ZS_m!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png 848w, https://substackcdn.com/image/fetch/$s_!ZS_m!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png 1272w, https://substackcdn.com/image/fetch/$s_!ZS_m!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbeb495b1-b6fc-450a-88fb-928802f7744a_804x660.png 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div><hr></div><p><em>In this episode Lola  discusses the Post Conflict experience of Columbia 8 years after the peace deal.  She is a student journalist with us on a placement organised with <a href="https://www.kcl.ac.uk/warstudies">Department of War Studies, King&#8217;s College, London</a>. This article was edited using Lex.page.  </em></p><div><hr></div><p>                                                 Thank you for reading an A4R &#127912; Post.                                                                                    Don&#8217;t forget to visit our gift shop <a href="https://www.arts4refugees.net/">here</a>.                                                                        Every purchase scales our impact and pays our bills. </p><div class="captioned-image-container"><figure><a class="image-link image2" target="_blank" href="https://www.arts4refugees.net/" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg" width="222" height="211.45410628019323" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1183,&quot;width&quot;:1242,&quot;resizeWidth&quot;:222,&quot;bytes&quot;:153289,&quot;alt&quot;:&quot;&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:&quot;https://www.arts4refugees.net/&quot;,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" title="" srcset="https://substackcdn.com/image/fetch/$s_!PZOt!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 424w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 848w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!PZOt!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fcf1023e4-94f1-4c5e-bf18-ce665f02fbc8_1242x1183.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div></div></div></a></figure></div>]]></content:encoded></item></channel></rss>